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Posts Tagged ‘The Potential in Everything’

Carnegie Center for Art and History banner, Feb. 2014

Our first gallery talk about the”Potential in Everything” exhibition happened yesterday.  Through a light dusting of falling snow, about 20 people braved the elements to hear R. Michael Wimmer and myself talk about our respective projects.  I was delighted by the turnout and had a great time too.  I am glad to have had this gallery opportunity because the river has been so high of late that getting to my usual spots at the Falls of the Ohio has been a challenge.  Perhaps this is nature’s way of redirecting me?

R. Michael Wimmer talks about one of his works, Feb. 2014

Folks in attendance for the artists' talk, Feb. 2014

It was a nice mixed ages group and a few local artists attended as well.  People were very respectful and asked some interesting questions.  Michael and I have very different processes, but the end results involve using something that has already functioned in the world and making something new from them.  For me, that shift took many years of transition because my formal artistic training involved “staring down”  a blank piece of paper or canvas and making something happen in a more traditional way.  Although my old drawing professor might disagree with me about this…so much of the work I now do comes out of the conceptual concerns I first encountered through drawing.

Flat-faced Cat with Bird and homemade ball collection, Feb. 2014

When I get the chance to talk about art and creativity in general, I like to mention how important it is for all of us to cultivate that impulse to turn the ordinary into the extraordinary.  Sadly, I hear far too often from too many people how they aren’t artistic or have any business being involved with creative acts and I know this to be untrue.  I feel that part of my role is to get folks to expand their definitions of what is creative or aesthetically minded.  Creativity is a precious, universal resource and available in everyone and may represent much of our hopes for a better future.  We need to get people turned on to their own potentials instead of emphasizing the consumer in them.  Too help illustrate this I brought my Homemade Ball Collection with me and placed it upon the pedestal that my “Flat-faced Cat with Bird” is sitting on.  I found all these “balls” at the Falls and they are made from electrical tape, duct tape, cellophane tape, and aluminum foil.  Rolling these waste materials into balls is not necessary for their disposal, however, I was struck by the artistic impulse I perceived in them by their anonymous makers to shape and form.  There is obvious care in their making and rolling something into a cohesive ball has a satisfying side to it.  After this sidebar and when the talk ended, I went outside to see how my “other” ball piece in the tulip poplar in front of the center was doing?

detail, La Belle Riviere in the Carnegie's tree, Feb. 2014

detail of La Belle Riviere in tree, Feb. 2014

La Belle Riviere in tulip poplar tree, Carnegie Center, 2014_1_1

“La Belle Riviere” seemed to be in good shape.  I was curious to see if any ice would be decorating it, but not this time.  Ice can contribute a lot of weight which might take my nylon line beyond its limits.  I look forward to spring’s arrival and how the appearance of this piece will change as the tree transforms.  New Albany, Indiana is just a few miles downriver from Louisville.  The town has an extensive riverfront and I took the opportunity to check it out in greater detail.

Concert, special events shell, New Albany, IN, Feb. 2014

There is a large earthen berm that protects the New Albany from the adjacent Ohio River.  A key feature of their riverfront is this structure used for concerts and special events.

Sherman Minton Bridge at New Albany, Indiana, Feb. 2014

One way to reach New Albany from Louisville is to cross the river over the Sherman Minton Bridge.  Bridges in our area are a usual and often contentious topic of conversation.  This one was closed down recently for much-needed repairs, but caused a headache for commuters while it was being fixed.  Bridges are vital to river towns and a new one is currently being constructed near Louisville’s downtown. This new bridge was years in the planning and much of the controversy surrounding it involved where exactly would it cross the river and how would it tie into the existing interstate highway systems.  The Ohio River has been high due to snow and rain in the upper part of the valley, but I walked down to the river’s edge and guess what I found?

Styrofoam and ice, Feb. 2014

Styrofoam in the river at New Albany, Feb. 2014

Yes, it’s river polished Styrofoam.  There’s goes my main art material floating towards the Gulf of Mexico.  There are a couple other events associated with “The Potential of Everything” exhibit including a family workshop I will be leading on March 1.  I have enough collected sticks and polystyrene that it will be fun making things with other people.  I will also be giving a solo gallery talk on March 4.  Michael will be doing a studio talk and welcoming people to visit his place on March 25.  And, there will be a closing tea and cookies event at the Carnegie on the exhibit’s last day on April 5.  So, if you are in the area and haven’t seen the show…there are other opportunities coming hopefully in beautiful weather! If you want to see my found homemade balls in more detail, I did a previous post about it entitled “The Need to Form:  Handmade Balls from the Falls of the Ohio” and can be found in this blog’s search feature.  Speaking of balls, I did find one other item by the river in New Albany and I’ll end this post with it.  Stay warm out there!

softball core and snow at the river, Feb. 2014

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Carnegie Center for Art and History facade, New Albany, IN, Jan. 2014

On January 24 our long-awaited exhibition at the Carnegie Center for Art and History in New Albany, Indiana opened with a big reception.  I say “our” because this is a two person show featuring work by R. Michael Wimmer and yours truly.  The exhibition in entitled “The Potential in Everything” because both Michael and I utilize a diversity of materials to make our art.  While I depend on what I find at the river, Michael goes much further afield to locate objects that project a certain “aura” and associative power for him.  Following are some images from the exhibition which will be up until April 5.

My sculptures just delivered, Jan. 2014

I brought about 25 pieces that I had saved from the river and park visitors.  I have gotten into the habit of keeping some of my better creations for events like this.  It’s such a big leap first seeing the work at the river and then in a more formal art space where everything is displayed, labelled, and illuminated with care.

opening reception for the Potential in Everything, Jan. 2014

The other extreme is having several rooms full of friends, family, and assorted art lovers coming out on a very cold night to take in this exhibition.  A wonderful jazz band provided music. At times, it was hard to see the art because of the people…which is a great situation to be in and I felt very lucky.  I know I did a lot of talking and meeting people who said that they knew my work through this blog.  This happened more than once and it made me feel good that local people were checking out my river adventures online every now and then.  I returned to the center the following day so I could get a better look at the show and to take a few more pictures.  Overnight, it snowed two to three inches while we slept.

Potential in Everything installation view, Jan. 2014

Installation view at the Carnegie Center for Art and History, Jan. 2014

Installation view with "Cycladic Oarsman", Jan. 2014

Both Michael and my sculptures are assembled.  He favors a wider variety of materials and I have over time evolved a vocabulary of forms and found materials that I prefer.  The pieces I’ve saved function for me as mostly a means to an end.  The story telling aspect of my work has been the biggest shift in what I do over the years and it has caused me to reassess my priorities when I go on location.  I was pleased that people thought the stories added something extra to the artworks.  Wall labels had excerpts from my river tales and I supplied a binder with printed stories that accompany many of the objects on display.  It takes the pieces away from being strictly artworks as usual.  I do, however, try to make compelling sculptures to help activate the spaces I work in and to assist in creating interesting images.  The tall figure in the foreground is entitled “Cycladic Oarsman” and was made specifically for this show.  I gave it this title because the face has some similarities with very early Greek marble statuary.

Three Styro-birds on a shelf, Jan. 2014

"Audubon's Habitat", R. Michael Wimmer,  at the Carnegie Center, Jan. 2014

Karen Gillenwater, the Carnegie Center’s curator did a fine job of pairing artworks together and finding what Michael and I have in common artistically.  Both of us have channeled John James Audubon and bird imagery.  The naturalist’s earliest attempts at drawing birds happened in the Kentuckiana area during the early nineteenth century.  Over the years I have made several Audubon figures and most of the birds I’ve created are creatures he never encountered in America’s pristine wildernesses.

Installation view in The Potential in Everything, Jan. 2014

"More than Skin Deep" by Michael Wimmer and my "Time Traveler" tableau, Jan. 2014

The Styro-fish I’ve made stand near a wall piece that Michael did about the deteriorating marine environment where he lived for a while in Florida.  My fish are made with some of the junk I’ve removed from the Ohio River.  Michael now makes his home and studio in New Albany.  Both of us are also fond of time references.  My stuff flirts with time on a number of levels including quantum mechanics.  Clock faces and dials appear in many of Michael’s Carnegie pieces and some of his sculptures are also working clocks.  A good friend of mine once told me that much of life is what we decide to spend time on and that seems true for both artists in this exhibition.  I appreciate that the Carnegie Center for Art and History believes it is important to generate good quality materials to help supplement an exhibition.  The staff at the center produced a wonderful gallery guide, show announcement, a banner that hangs from the building’s facade, a poster, and both Michael and I have the opportunity to give gallery talks and lead workshops.  I may never have a chance like this again where the hosting institution helps the artists out as much as the Carnegie Center for Art and History does.  I know of many regional and local artists who feel that this is what makes showing at the Carnegie such a treat.  The exhibition continues outside and both Michael and I have works positioned in front of the building.  Here is Michael’s piece and all the work’s components find similarities with details and materials on the building.

R. Michael Wimmer sculpture outdoors at the Carnegie Center for Art and History, Jan. 2014

My piece is my long, beaded necklace made from softball cores and is entitled “La Belle Riviere” which I originally displayed at the Falls of the Ohio in October of last year.  It was quite a production and required a bucket truck and a worker supplied by the city to hang the piece in the tulip poplar tree outside the center.  For now, I will close with this image and look forward to my next post as the Artist at Exit 0.  Stay warm everybody.

"La Belle Riviere" hanging from tree at the Carnegie Center for Art and History, Jan. 2014

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