Feeds:
Posts
Comments

Posts Tagged ‘Albertus Gorman’

At Hidden Hill Nursery and Sculpture Garden in Utica, Indiana, May 2016

In many ways this post is a continuation of my last published one on “The Crying Indian”.  I made that sculpture for this occasion which was a cart-blanch invitation from owner Bob Hill to place my river art in the context of eight acres of wonderful plantings that include many unusual and rare plants.  My work is far from the more durable art made from metal or stone that you would expect to see in a garden, but I’m always interested in placing my art in a less than typical gallery situations.  Hidden Hill is located in the tiny town of Utica, Indiana very near the Ohio River and not too far from my home in Louisville, KY.  To be on the grounds of Hidden Hill is a true delight and it’s easy to imagine that you are in a far more remote place than you actually are.

Bob Hill at Hidden Hill Nursery and Sculpture Garden, May 2016

Bob Hill is a well-known personality in our area.  He was a long-time columnist for Louisville’s Courier-Journal newspaper which in the days before Gannett took over was a Pulitzer Prize winning newspaper with a big and loyal following.  Bob is now “retired” from the paper, but he is still an active author of books and articles and a big advocate for the joys of gardening.  When he opened Hidden Hill with his wife Janet, he realized that if they were going to compete against the big box stores selling bedding plants and more that they needed interesting stock that you just can’t find anywhere else.  Garden aficionados know who he is and will travel throughout our region to see what new specialties he is cultivating.  At the opening of my show, two gardeners who traveled from a distant Kentucky county went home with one of the two Franklinia alatamaha trees that Bob had in stock.  The Franklin Tree was named after Benjamin Franklin and is a small flowering tree that is now extinct in the wild and was last seen in its natural habitat during the early part of the 19th century.  A few timely cuttings and seeds taken upon discovery have kept this pretty tree alive to the present day.

Welded and painted metal flowers at Hidden Hill, May 2016

Great plants are not the only attraction at Hidden Hill.  Bob’s idea was to create a destination that would also be fun to visit and he has invited many artists over the years to place work on his property.  If there is one word that would describe the kind of garden art that Bob likes it would be “whimsical” and his grounds are full of examples.  Hill is fond of creating mini-environments where the plants and art work in concert with one another.

Man made from welded and painted watering cans by James Voyles, HIdden Hill, May 2016

I love this figure made by artist Jerry Voyles out of welded and painted watering cans.  Voyles is particularly well-represented at Hidden Hill.  Other area artists of note who have work at Bob’s place include Matt Weir, Caren Cunningham, John McCarthy, Jeff Reinhardt, Samantha Grifith & Jen Pellerin, Joe Autry, and many more including yours truly now.

Earth Knight by Albertus Gorman, at Hidden Hill, May 2016

This is another of my newer sculptures made for this show.  I call this one “Earth Knight” and it is made completely from materials I scavenged off of the riverbank at the Falls of the Ohio State Park this year.  “Earth Knight” is about 7 1/2 feet tall and is mostly made from Styrofoam.  The body is embellished with the bottoms of aluminum cans which turns out to be the strongest part of the can.  Often, it is the only part of a can left after the river has its way with it.  Embedded among the can bottoms is a plastic gray heart that I also found at the river.  I thought the head seemed somewhat “helmet-like” and I went with that idea for the whole figure.  The Earth after all is in desperate need of defenders and protectors.  Other materials used in this piece include found plastic, driftwood, and coal which are in both eyes.  This piece is located next to a marvelous Weeping Katsura Tree and a large evergreen which form the perfect background for this piece.  Here are some other views of this work.

"Earth Knight" detail, May 2016

"Earth Knight" reflected in a mirror mounted on a tree, Hidden Hill, May 2016

When I sited this figure, I wanted to see if I could work with the mirrors that were mounted by another artist on a nearby tree.  This was the best of those images that shows “Earth Knight” in context, but reversed due to the reflection.  Here is another recent big piece.  I call this figure “Flora” and the numerous flower references on her are why she has this name.  Again everything I have used was found at the river.

"Flora", found materials from the Falls of the Ohio, at Hidden Hill, May 2016

Head of "Flora", at Hidden Hill, May 2016

“Flora” speaks the language of flowers and I have numerous found references from the Falls of the Ohio on “her”.  The main material is river-polished Styrofoam and the body was also found this year.  I also found the plastic planter with the bright pink sand shovel and was delighted when I came across a large root that I could use as an “arm” to hold these two elements with ease.  I have embedded found rubber balls around her waist line.  “Flora” is the second largest piece I have out at Hidden Hill and is about 6 1/2 feet tall.  Again all the elements that comprise her including the wooden base were found at the Falls of the Ohio.  One good aspect about my art is that I spend nearly nothing for art supplies because the world is already full of free stuff all around you.  “Flora” has a silk flower emerging from her mouth that was also found by the river and has traveled some unknown distance to finally reach this place.  And now, for the last of the four large works I have out in Bob’s gardens.

Detail of head of "Figure Holding a Red Ball", Hidden Hill, May 2016

Detail, side view of "Figure Holding a Red Ball", Hidden Hill, May 2016

"Figure Holding a Red Ball", Hidden Hill, May 2016

The smaller of the four new garden pieces is this one entitled “Figure with a Red Ball” which is about 5 feet tall.  Among the materials used in its construction include Styrofoam, plastic, coal, a glass marble, driftwood, and aluminum.  This piece has a very different “persona” from the other new figures I have made for Hidden Hill.  I do have other works on display and Bob has a covered shed where he let me set up several other more portable works from my Falls series.  Here’s a glimpse at that display.

Other river art on display by Al Gorman at Hidden Hill, May 2016

River art display, Hidden Hill, May 2016

So far, I’ve given a short tour for visitors and did a demonstration where I made a small, absurd figure from found river materials.  It was a cold and rainy day when the show opened, but some intrepid souls came out to say hello which I appreciate greatly!  I love that there is no definitive ending date and the figures in the shed will be available to be seen for about a month.  Certainly, not the art world as usual!  I will probably leave a couple of the larger figures out at Hidden Hills for a longer indeterminate time.  Bob and Janet’s place is open Thursdays through Sundays and by appointment.  If you are curious to learn more about their plant nursery here is the link to their website: http://www.hiddenhillnursery.com  I have since continued my river forays to the Falls of the Ohio and I look forward to presenting those posts on this blog.  Thanks for checking this out!  Until next time…

Back view of "The Crying Indian" at Hidden Hills Nursery and Sculpture Garden in Utica, IN, May 2016

Read Full Post »

Carnegie Center for Art and History facade, New Albany, IN, Jan. 2014

On January 24 our long-awaited exhibition at the Carnegie Center for Art and History in New Albany, Indiana opened with a big reception.  I say “our” because this is a two person show featuring work by R. Michael Wimmer and yours truly.  The exhibition in entitled “The Potential in Everything” because both Michael and I utilize a diversity of materials to make our art.  While I depend on what I find at the river, Michael goes much further afield to locate objects that project a certain “aura” and associative power for him.  Following are some images from the exhibition which will be up until April 5.

My sculptures just delivered, Jan. 2014

I brought about 25 pieces that I had saved from the river and park visitors.  I have gotten into the habit of keeping some of my better creations for events like this.  It’s such a big leap first seeing the work at the river and then in a more formal art space where everything is displayed, labelled, and illuminated with care.

opening reception for the Potential in Everything, Jan. 2014

The other extreme is having several rooms full of friends, family, and assorted art lovers coming out on a very cold night to take in this exhibition.  A wonderful jazz band provided music. At times, it was hard to see the art because of the people…which is a great situation to be in and I felt very lucky.  I know I did a lot of talking and meeting people who said that they knew my work through this blog.  This happened more than once and it made me feel good that local people were checking out my river adventures online every now and then.  I returned to the center the following day so I could get a better look at the show and to take a few more pictures.  Overnight, it snowed two to three inches while we slept.

Potential in Everything installation view, Jan. 2014

Installation view at the Carnegie Center for Art and History, Jan. 2014

Installation view with "Cycladic Oarsman", Jan. 2014

Both Michael and my sculptures are assembled.  He favors a wider variety of materials and I have over time evolved a vocabulary of forms and found materials that I prefer.  The pieces I’ve saved function for me as mostly a means to an end.  The story telling aspect of my work has been the biggest shift in what I do over the years and it has caused me to reassess my priorities when I go on location.  I was pleased that people thought the stories added something extra to the artworks.  Wall labels had excerpts from my river tales and I supplied a binder with printed stories that accompany many of the objects on display.  It takes the pieces away from being strictly artworks as usual.  I do, however, try to make compelling sculptures to help activate the spaces I work in and to assist in creating interesting images.  The tall figure in the foreground is entitled “Cycladic Oarsman” and was made specifically for this show.  I gave it this title because the face has some similarities with very early Greek marble statuary.

Three Styro-birds on a shelf, Jan. 2014

"Audubon's Habitat", R. Michael Wimmer,  at the Carnegie Center, Jan. 2014

Karen Gillenwater, the Carnegie Center’s curator did a fine job of pairing artworks together and finding what Michael and I have in common artistically.  Both of us have channeled John James Audubon and bird imagery.  The naturalist’s earliest attempts at drawing birds happened in the Kentuckiana area during the early nineteenth century.  Over the years I have made several Audubon figures and most of the birds I’ve created are creatures he never encountered in America’s pristine wildernesses.

Installation view in The Potential in Everything, Jan. 2014

"More than Skin Deep" by Michael Wimmer and my "Time Traveler" tableau, Jan. 2014

The Styro-fish I’ve made stand near a wall piece that Michael did about the deteriorating marine environment where he lived for a while in Florida.  My fish are made with some of the junk I’ve removed from the Ohio River.  Michael now makes his home and studio in New Albany.  Both of us are also fond of time references.  My stuff flirts with time on a number of levels including quantum mechanics.  Clock faces and dials appear in many of Michael’s Carnegie pieces and some of his sculptures are also working clocks.  A good friend of mine once told me that much of life is what we decide to spend time on and that seems true for both artists in this exhibition.  I appreciate that the Carnegie Center for Art and History believes it is important to generate good quality materials to help supplement an exhibition.  The staff at the center produced a wonderful gallery guide, show announcement, a banner that hangs from the building’s facade, a poster, and both Michael and I have the opportunity to give gallery talks and lead workshops.  I may never have a chance like this again where the hosting institution helps the artists out as much as the Carnegie Center for Art and History does.  I know of many regional and local artists who feel that this is what makes showing at the Carnegie such a treat.  The exhibition continues outside and both Michael and I have works positioned in front of the building.  Here is Michael’s piece and all the work’s components find similarities with details and materials on the building.

R. Michael Wimmer sculpture outdoors at the Carnegie Center for Art and History, Jan. 2014

My piece is my long, beaded necklace made from softball cores and is entitled “La Belle Riviere” which I originally displayed at the Falls of the Ohio in October of last year.  It was quite a production and required a bucket truck and a worker supplied by the city to hang the piece in the tulip poplar tree outside the center.  For now, I will close with this image and look forward to my next post as the Artist at Exit 0.  Stay warm everybody.

"La Belle Riviere" hanging from tree at the Carnegie Center for Art and History, Jan. 2014

Read Full Post »

%d bloggers like this: