Feeds:
Posts
Comments

Archive for the ‘sculpture’ Category

Just heard from Nancy Theiss, Executive Director at the Oldham County History Center that the opening for my part of “Life at the River’s Edge” is scheduled for May 6, from 6 till 8 pm.  I’m looking forward to meeting new friends and folks who live by or are interested in the river.  I would be out at the Falls today, but we have a “small event” happening in the Louisville area that all but makes that impossible.

Every year we kick off two weeks of Kentucky Derby festivities with one of the largest fireworks shows in the world.  It’s called “Thunder Over Louisville” and it also includes an air show during the daylight hours.  Some years, crowds of over 600,000 people would line the riverbanks to get a good view.  The picture of so many people gathered in one place reminds me of images of seal rookeries or seabird colonies where innumerable individuals are jammed onto every available space on the beach.  You can imagine the automobile traffic especially when the event ends!  Today’s weather will be on the cool side, so we will see if that affects attendance.

The image starting this post is one of my favorite Falls sculptures that I have made and it will be on display at Oldham County.  I call it “Pelvis has an Heir”.  In the dim recesses of my mind, I think this piece has something to do with how life succeeds life in the guise of this imagined king who with luck will be followed in his footsteps by his tiny heir.  There are (or were) living elements to this sculpture.  The masks worn by these figures are animal hip bones found at the Falls.  In the case of the larger piece…I think it’s from a small deer.  The other tiny pelvis…I have no idea.  Both figures have coal elements which were created from the remains of ancient life.  And both sport Asiatic Clam shell ears which are the most common freshwater mussels I run into at the Falls and are also a non-native species.  The found wood parts (including the base) are of course from trees.  That brings us to the Styrofoam and plastic parts, but these are also created from petroleum by-products that are also distilled from ancient life.  The Styrofoam, polystyrene bodies and heads are just as I found them shaped and formed by the river.

There is also a sidebar to this work that came out of various readings and conversations with fellow artists and has to do with the notions of fame, permanence, and immortality.  I know artists who have chosen to work in particular materials because the objects and by extension the artist’s name will supposedly last forever.  I don’t derive much peace of mind knowing that a ceramic vessel I made could survive a nuclear bomb!  And how many bronzes were melted down to make cannon balls anyway? 

I’m going to hedge my bets and say that when I’m gone, I probably won’t care very much about anything especially what happens to my or other people’s art.  Does Praxiteles care that his “Hermes and Dionysos”  is missing an arm and coat of paint?  Athough I do take care in how I make things, if what I create has value and is ultimately worth preserving, than someone will find a way to conserve it if necessary.  Isn’t that something we are running into with much contemporary art on a regular basis now?  Aren’t many of the concerns about permanence more about ego than anything else?  Through these Falls projects, I have come to emphasize what happens in the living moment more than I used to.  I think this happens when you work out in nature.  I’ve read that the only form of immortality that matters in life is that little bit of genetic distinctiveness that was you that gets passed on to your children.

Since this post has fewer images than usual, I’ll end with another favorite Falls project.  I call this image, “The Sound of Running Water is Music to My Ears”  The figure is made from the usual junk I find by the river and photographed at the Falls of the Ohio State Park and will also be featured in the Oldham County exhibit.

Read Full Post »

Last weekend I traveled the 32 minute drive from Louisville to LaGrange, Kentucky along I-71.  The drive runs parallel and upriver to the Ohio River.  I was delivering my artwork to the Oldham County Historical Society to be a part of a series of exhibits exploring “Life at the River’s Edge”.  The historical society’s Executive Director, Nancy Stearns Theiss, had seen my work on an earlier occasion and was kind enough to invite me to show in their museum.  Nancy and her family live along the river and so she was already familiar with the types of materials I use for my art.

LaGrange is a picturesque town especially during the spring when so many flowering trees are in bloom.  The Oldham County History Center (building with the green tin roof) and complete with root cellar, encompasses The Peyton Samuel Head Family Museum which has interactive exhibits and a collection of artifacts illustrating life in early Oldham County.  I usually can’t resist the charms of a small museum.  You just never know what you will discover in such a place!  After looking around, I became really excited to think about my work appearing in such a context!

I love the unusual juxtapositions and displays of historic items that share space with one another.  It’s a context filled with mixed up memories.  I have always found trying to make sense of the past to be a poignant endeavor.  I often think  about how people in the future might view the times we live in.  My sculptures are certainly mixed up creations and the materials I use have a benchmark quality to them that speaks directly to our moment. 

I liked the idea that my art would be under the same roof as displays of old tools, dolls, and even a fossilized mammoth vertebrae.  Despite the sign, I was given permission to pick this old bone up and I was surprised at how heavy it was.  You definitely would not want to drop this thing on your foot!

I’m always amazed by how a small town can produce a person who would go on to significantly influence the larger culture.  Oldham County’s example of this is the life and work of D.W. Griffith who is considered the creator of American film.  He was born in the county in 1875 and eventually passed away in Hollywood in 1948.  Years later, his body was exhumed and he was reburied back where he came from in Oldham County.

Reading one of the museum’s handouts, I learned that Griffith invented many different  film making techniques including the use of flashbacks, fade outs, moving cameras, and high-angle photography.  Of course, I have heard of D.W. Griffith, but I don’t think I have ever watched a complete film before.  At the museum, you have the chance to watch some of his short films.  I recorded this image of an actor in blackface going into a burning building to rescue a child.  You film buffs out there…do you recognize this scene and the film it comes from?  I missed the opening credits and there was more in the museum to see.

Already on view were the paintings and decorated furniture by Oldham County artist Breck Morgan.  He paints in an accomplished rustic style that emulates early American folk art.  His illustration is on the dust jacket “Oldham County:  Stories from the River’s Edge” which is a new history of the county written by Nancy Stearns Theiss.  Here are images of both the cover….

…and the book’s author with my “Cat Man” sculpture.

I brought eleven sculptures, six large digital prints, and my famous “Found Food Collection”.  I’m looking forward to seeing them arranged in the museum.  The show opens this week and will run until August 1.

Later I will give both a talk about my art and participate in a workshop making artworks from objects found along the river.  Sounds like fun and I can’t wait to return to see everything in place.  If you want to learn more about the Oldham County Historical Society, here is their website’s address:  www.oldhamcountyhistoricalsociety.org

Read Full Post »

After delivering some of my artworks to an exhibit in La Grange,  (more on that in a future post) I stopped by the Falls for a quick look-see.  It was an absolutely gorgeous day and I decided to take a quick walk along the Woodland Trail to see if any of the spring migratory birds were in the area.  I was amazed to see the sizes of some of the trees that washed into the park during the last high water.  From my vantage point, I could see several “nice” pieces of Styrofoam that were also stranded by the retreating river.  I made mental notes to myself to come back to those areas when I had more time.  Images of future sculptures came to mind.

People were taking advantage of the lovely spring day and were ever-present in the park.  I noticed many fishermen lining the banks although I can’t say that I observed anyone catching anything yet.  Walking along the Woodland Trail I did see several species of birds including a Yellow-bellied Sapsucker working a Sweet Gum tree.  To me, this woodpecker is a harbinger of spring.  Bird watching was a little frustrating today because there just were so many people everywhere that the birds were a bit jumpy.  Further down the trail I did see something new I hadn’t recorded before and it has the nickname of “the Redbud Bird” and I would later learn why.  At first appearance, it’s a bird that isn’t especially memorable.  It’s a bit clumsy looking and not a particularly good singer.

The Redbud Bird was working a section of the park bordered by a creek.  This area had many downed trees of significant size that this bird was exploring.  I observed it tilting its head from side to side as though it was carefully listening for something.  I found several more specimens of this species taking advantage of the ecological niches that the park has to offer.

Wherever I saw one of these birds…it would be turning its head from side to side and every once in a while would slowly flap its wings.  The day was a warm one and I wondered if this was a method the bird used to stay cool?

I followed one bird from the woods into the Interpretive Center’s parking lot.  This proved easy to do because this bird is also a fairly weak flyer compared to the other birds I had come across.  It would move ahead of me and seemingly waited for me to catch up.  I felt as though it was leading me someplace.  This bird did this several times until I finally understood how this species received its name.

I followed the bird to the front of the Interpretive Center where our bird began to display in a most gloriously blooming Redbud Tree.  This bird times its appearance in our area to the blossoming of this tree.  What this bird lacks in physical charisma it compensates for by immersing itself in the beauty of this tree within site of the river.  After watching it bounce from one blooming limb to another it flew off leaving me with this view.

Read Full Post »

The river is up and when it crests this weekend…it will be right under flood stage.  I’m fairly sure that this piece I call “Brass Eagle” (after the plastic sign on his head) is gone.  He was guarding my stash of Styrofoam in the Willow Habitat in the eastern section of the park.  This area of the Falls is usually the hardest hit by the rising waters, but when the river recedes…there will be riches in detritus, maybe.  The Ohio River has fooled me before.

In the angle formed by two large logs, I had stashed away materials for future art use.  I’m not averse to recycling my past projects.  As you can see, Brass Eagle is a bit of a head hunter.  Searching through the winter driftwood, I located a few noggins that formerly belonged to previous sculptures.  On rare occasions, I have even come across parts of works that I had made years a go.  Now, these foam chunks are either down river or scattered in different sections of the park where I might find them again.

At the moment, there are a number of friends and co-workers who have either recently had or are about to have babies and I drew this picture in the sand for them.  I like how this pregnant figure seems protected by the wood and the light on the water seems hopeful to me.  I did find an anonymous sand drawing that I thought was fun.  This squid reminds me of the sea monsters drawn on the old maps as a symbol of the unknown!

I recently came across the remains of a camp fire that caught my eye and camera.  Doing a little detective work, I’m guessing that this fire was started using some flammable substance as an accelerant.  If you look at the unburned edges of the wood, they are just so crisp and clean.  This fire amazingly stayed in place and didn’t burn all the wood available to it.

This weekend I will be visiting the Falls and seeing what’s new.  The park is always in a state of perpetual change which attracts me to it.  If the river is too high to work my familiar locations, then there is always birding!  For me, this signals the arrival of spring in the way that crocuses and daffodils do for gardeners.  I even have an individual bird that I look for!  For the last three years, what I believe is the same male, Yellow-bellied Sapsucker has defended a particular Sweet Gum tree at the edge of the Interpretive Center’s parking lot.  I will be looking for him again.  For the moment, I have been enjoying the birds that stayed over the winter…like this Song Sparrow.

Read Full Post »

I thought I would post some better views of the sculpture I made and  featured in my last Falls of the Ohio story.  I’m calling this guy “Apple Heart” based on the sand toy I embedded in his chest!  When I make these things I frequently refer to them as being absurd…but what does that mean?  Looking through an old American Heritage Dictionary, meaning #1, “Ridiculously incongruous or unreasonable.”, probably comes nearest to what I mean by using this term.

 There is a comic or humorous element, but mostly it has to do with discovering these works in this particular context and made from materials that clearly don’t belong in this environment.  Other definitions touch upon existing in an irrational or meaningless universe, but I don’t think of the absurd in this way.  I think the universe may be indifferent, but not meaningless.  In fact, it is the act of taking these found materials and putting them together in the way I do and in this context that helps generate meaning for me. 

Read Full Post »

My son Adam surprised me the other day by wanting to accompany me to the Falls.  It turned out to be gorgeous and sunny and we shared this moment together.  In his mind, we each had a distinct role to play.  I was to be the “artist” and he would be the “explorer”.  In reality, those roles frequently overlapped and I think it’s fun and interesting when those distinctions blur anyway. 

We walked down to the water’s edge to see if anything cool had washed ashore.  Adam got sidetracked when he came up with the idea of writing his name in the sand.  He found a stick that felt good in his hands and set about the business of making his mark on the world.  Judging from how large the final result was, I’m guessing Adam has big ambitions for his life.  Or, as his father, it might just be me projecting my own hopes into gestural lines drawn in the sand.

We found an old motorcycle helmet which Adam immediately claimed.  He did, however, remove the Styrofoam lining and he gave that to me.  I once made a nice turtle using a similar foam lining from a discarded bicycle helmet and he remembered that.  Wearing old jeans (aptly named high waters), Adam allowed the river to wash over his feet and he was surprised by the still frigid water and the stickiness of the mud.

Here’s a picture of Adam the “Log Rider”!  The yellow handlebars are from some riding toy we found in the sand.  This is Adam’s favorite picture from this day and he wanted me to be sure to include this one.

Once we found a good place to rest and eat our chocolate chip cookies, I dumped the contents of this collecting bag onto the sand.  From a previous foray, I had pre-stashed some foam chunks near this spot.  While Adam played, I worked on a large figure to help us mark this day.  I had relocated an especially large piece of Styrofoam that I had previously used to make two other figures.  This would be the first time I have re-re-recycled something.  I asked Adam to take my picture while I worked, and here I am in action.  The wooden stairs I’m sitting on washed up here last year.

Who knew that this artist has such a big head!  The mouth on this one is a reflector from a bicycle wheel.  The nose is the horn from another bicycle I had found months earlier.  The eyes are large fishing floats.  The ears are made from found wood and that yellowish object on top is the plastic part of a lawn dart.  When Adam and I finished assembling the entire figure, I took his picture next to it so it can help you judge scale.  All in all, it was a wonderful day for father and son and we need to do this again soon.  Maybe next time, we can convince older brother to come along too?   Peace!

Read Full Post »

Since the river washed away my old studio site, I have started two fresh ones.  The studio situated by the roots of a fantastic cottonwood tree is in the park’s western section and is pictured above.  I will show you the second site in a future post.  My studios are very informal affairs and have more to do with stockpiling materials for future use.  Try as I might, I can’t carry this junk everywhere I go and so I need places to park it.  Of course, anybody is free to use whatever I place there and sometimes people take me up on it.  This western studio is where I made the figure with the gavel in my last post.

To reach the western studio is a longer walk from the Interpretive Center’s parking lot and receives fewer people.  That, however, doesn’t make it immune from the visits from the “Smashers”.  Years ago, that was the name my son Michael came up with for the kids that feel compelled to break every glass bottle they find in the park.  On more than one occasion, they also destroy my sculptures.  Such was the fate of the subject in my last post…the “Smashers” got’em.  That figure was so utterly destroyed that all I found were a few scraps of polystyrene and the toy hammer it was carrying.  I try not to dwell on it too much.  There’s always the next piece to make and the sun is shining today and spring is near and life is good.

The birds are feeling it and soon the migrants will be winging it this way from points deep south.  Today I was serenaded by Carolina Wrens and Northern Cardinals.  I saw my first Red-winged Blackbird of the new year and a Belted Kingfisher flew by my studio.  The trees are beginning to show the buds that will lead to blossoms and leaves.  A stray fly lands on my hand.  It has been a long winter and spring will be more than welcomed.

I quickly gathered enough sticks and Styrofoam to make three small figures.  I imagined that like the birds I had heard, these guys are also singing.  I moved them around a bit, but in the end, decided that I liked this one image the best.  I left them in the roots of another cottonwood tree and went home.  On the way back to my car, I came across a tangle of driftwood and found a child’s broken plastic chair mixed into the lot.  The brilliant red color caught my attention and I offer it as a parting gift to you.

Read Full Post »

I always keep a few images and ideas in the background in case I need something to post.  Since the upcoming weekend is looking like a spectacular one, I know I’ll be visiting the river.  Frequently, when I’m on site, I make more than one sculpture and this post is a case in point.  I made this figure the same day I did the “Lifeguard” piece.  The first image is of one of my collecting bags.  Believe or not, I found this flag-festooned bag out here on the river and it has come in handy.  Check out that beaver-chewed log and assorted chunks of river-polished polystyrene!

Although the figure is somewhat minimal, I like the overall image.  Those cottonwood trees really make a big difference.  I found the orange plastic toy gavel or hammer and this notion of an itinerant judge came to mind.  Perhaps he is coming to town to dish out his own brand of environmental justice?  Really, there was just so much junk along the riverbank on this day.

Here’s a detail of the figure.  This piece is composed of Styrofoam, plastic, wood, and rock.  When I was finished with him, I left him standing just where you see him in the photograph.  I’m always finding toys and I like the way they photograph in this riverine context.  Here’s part of a toy truck.

Frequently, when I see these images on my home computer…it’s easy for me to imagine that they are bigger than they really are.  I guess I never considered computers to be a form of magnifying glass, but they do seem to function in this way.  Here’s another shot I found compelling.  I like the way this object is being swallowed up by the sand.

Final image, I love the way the cottonwood trees and their arching trunks and roots present themselves along this stretch of the park.  The view through the hole is of Louisville’s skyline.  Can’t wait to see what I find next!

Read Full Post »

He stands vigilantly at the park’s westernmost limits looking towards the hydroelectric dam and the bridge that leads to New Albany, Indiana.  The tailwaters below the dam are a favorite spot for fisherman who have boats.  This is a good spot if one is hoping to hook into a big catfish.  Under the spillway,  however, can be rough.  If due precautions aren’t taken,  it can be a dangerous place for boaters.  That’s why the lifeguard remains on duty.

The lifeguard is a unique individual and his commitment is total.  His very body can be used as a flotation device!  In a more conventional emergency, he is expert at throwing his buoy near the distressed person in the water and pulling them to safety.  On this stretch of the Ohio River, the currents can be especially unpredictable.  There are many warning signs around the park and Interpretive Center to call attention to this danger.  Heed them.

His weather-beaten visage is in contrast to his heart of gold.  Over the years his walnut-colored eyes have seen much.  Despite the sometimes foolhardy antics of his fellow creatures, he still believes everyone is worth saving.  That’s the broad brush he paints with.  It’s nice knowing that if you needed to…you could put your life into his hands.

Read Full Post »

I really needed this day and it did not disappoint.  The sun came out and the only snow left is in the deepest, shaded part of the woods.  The river was lower than I thought it would be and I followed the meandering driftwood line from east to west.  I picked up “parts”  for the day’s sculpture and filled my bag.  When I had enough stuff, I stopped, found a cozy log to sit on and dumped the contents of my bag on the sand and gravel.  I pulled my trusty knife from my pocket and unfolded the sharpest blade.  With the constant sound of running water around me, here is this day’s work.

I found a nice expanse of exposed limestone and began this figure.  It’s a little different in that it’s made using three chunks of Styrofoam. There are plenty of beaver-chewed willow sticks all around which will work for the figure’s limbs.  I wanted to see if I could make a figure that’s a little less static than usual.  I see this figure as having a pelvis and a lower back that flexes.  While I am making this piece, I’m breathing deeply, and thinking over events of the past week.  Yesterday was a memorable day because a committee I serve on made a big announcement about a public art strategy for Louisville.  For many years I have been an active member of the Mayor’s Advisory Committee on Public Art, or MACOPA.  I chaired the Preservation Committee which always seemed kind of ironic to me since my personal art is far from the material concerns and needs of Metro Louisville’s monuments.  With all the movers and shakers of our art community assembled in Metro Hall,  Mayor Abramson announced the plan we commissioned from CREATIVE TIME that was distilled from the many round table discussions with stakeholders that were held over the course of a year.

In brief, this is what’s being proposed.  The current committee will reform as two groups.  The first group will be attached to our metro government and will manage and care for the city’s existing public art inventory.  The more novel group, will become an independent 501-(C)(3 ) that over time would be able to commission and fund artist driven public art ideas.  As you can imagine during these hard economic times, no one wants new taxes and in Louisville, the area’s developers are not in favor of a percent for art program.  In fact, we learned that across the country, percent for art programs weren’t doing as well as you may first think.  So, what will be the funding mechanism that will allow this new not for profit to prosper?  Already on the books, is a regulation for construction projects exceeding 100, 000 square feet to provide some aesthetic amenities (even art).  Developers can now opt to give that money to the new public art committee to be used to commission new works in unique sites across Metro Louisville.  This still requires approval from the Metro Council, but since the business community likes this idea, it should get passed.  In two years, the new committee (tentatively called COPA, Commission on Public Art) will hire a professional director and staff and begin with a couple trial projects.

There are benefits from forming a more professional, stand-alone group.  Our public art committee has consisted mostly of volunteers who over the years have been able to realize a few modest projects.  Louisville has been fortunate to have had recent civic leaders who at least recognized how useful public art can be in touting the city’s quality of life.  But what happens if a new administration comes along that isn’t as pro art?  They could decide to withhold resources and kill the program.  Having the new public art organization exist apart from government is designed to protect it from less friendly administrations.

Once the coffers become full, artists can submit proposals for public art projects.  To manage these projects, artists must partner with a fiscal agent, like another existing not for profit art organization, to provide some financial oversight and navigate the various legalities involved in such work.  We shall see in a few years if this will be effective?  The transition from the present committee to the new commission will be crucial.  I will be looking forward to a different spirit that looks at art in public spaces as being more than just placing objects on a site.  When MACOPA chose CREATIVE TIME over other good candidates, we were hoping their more contemporary approaches would find resonance in Louisville.  Public art does not need to be permanent art.  I’m proud to have done my small part in this process and will be interested to see what happens.  For now, I’ll keep practicing my own special brand of public art on the banks of the Ohio River.

Read Full Post »

« Newer Posts - Older Posts »