Artist at Exit 0 Riverblog

Just heard from Nancy Theiss, Executive Director at the Oldham County History Center that the opening for my part of “Life at the River’s Edge” is scheduled for May 6, from 6 till 8 pm.  I’m looking forward to meeting new friends and folks who live by or are interested in the river.  I would be out at the Falls today, but we have a “small event” happening in the Louisville area that all but makes that impossible.

Every year we kick off two weeks of Kentucky Derby festivities with one of the largest fireworks shows in the world.  It’s called “Thunder Over Louisville” and it also includes an air show during the daylight hours.  Some years, crowds of over 600,000 people would line the riverbanks to get a good view.  The picture of so many people gathered in one place reminds me of images of seal rookeries or seabird colonies where innumerable individuals are jammed onto every available space on the beach.  You can imagine the automobile traffic especially when the event ends!  Today’s weather will be on the cool side, so we will see if that affects attendance.

The image starting this post is one of my favorite Falls sculptures that I have made and it will be on display at Oldham County.  I call it “Pelvis has an Heir”.  In the dim recesses of my mind, I think this piece has something to do with how life succeeds life in the guise of this imagined king who with luck will be followed in his footsteps by his tiny heir.  There are (or were) living elements to this sculpture.  The masks worn by these figures are animal hip bones found at the Falls.  In the case of the larger piece…I think it’s from a small deer.  The other tiny pelvis…I have no idea.  Both figures have coal elements which were created from the remains of ancient life.  And both sport Asiatic Clam shell ears which are the most common freshwater mussels I run into at the Falls and are also a non-native species.  The found wood parts (including the base) are of course from trees.  That brings us to the Styrofoam and plastic parts, but these are also created from petroleum by-products that are also distilled from ancient life.  The Styrofoam, polystyrene bodies and heads are just as I found them shaped and formed by the river.

There is also a sidebar to this work that came out of various readings and conversations with fellow artists and has to do with the notions of fame, permanence, and immortality.  I know artists who have chosen to work in particular materials because the objects and by extension the artist’s name will supposedly last forever.  I don’t derive much peace of mind knowing that a ceramic vessel I made could survive a nuclear bomb!  And how many bronzes were melted down to make cannon balls anyway? 

I’m going to hedge my bets and say that when I’m gone, I probably won’t care very much about anything especially what happens to my or other people’s art.  Does Praxiteles care that his “Hermes and Dionysos”  is missing an arm and coat of paint?  Athough I do take care in how I make things, if what I create has value and is ultimately worth preserving, than someone will find a way to conserve it if necessary.  Isn’t that something we are running into with much contemporary art on a regular basis now?  Aren’t many of the concerns about permanence more about ego than anything else?  Through these Falls projects, I have come to emphasize what happens in the living moment more than I used to.  I think this happens when you work out in nature.  I’ve read that the only form of immortality that matters in life is that little bit of genetic distinctiveness that was you that gets passed on to your children.

Since this post has fewer images than usual, I’ll end with another favorite Falls project.  I call this image, “The Sound of Running Water is Music to My Ears”  The figure is made from the usual junk I find by the river and photographed at the Falls of the Ohio State Park and will also be featured in the Oldham County exhibit.