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Archive for the ‘public art’ Category

Louisville seen from the Falls of the Ohio, early May 2014

We have seen a lot of water flowing over the dam at the Falls of the Ohio this season.  The month of May has been punctuated by intense storms and ample sunshine.  Rainfall across the Ohio River Valley has been plentiful.  On this particular excursion, the river was high and many of the places that I like to sit and work were inaccessible.

wood and debris in the Ohio River, May 3, 2014

 

There was plenty of wood and trash in the soupy brown water and despite the beautiful sunshine, I was thinking that I might need to go home early today.  Instead, I decided to do a little exploring along the margins of the high water and see how far I might be able to go.

high water at the Falls of the Ohio, May 3, 2014

Skirting the margins of the high water, I was able to walk over logs and driftwood and reach small pockets of higher land that remained dry.  After initially feeling that my day in the park would be a loss…I started to feel excited again!  In part, this was due to the abundant bird life I was seeing and hearing.  This particular area has always been good for me and finding birds.  There is enough shelter here under the cottonwood trees and willows that provide relief from the wind and is close enough to the water.  Among the species I was encountering included this colorful grouping of birds: Baltimore Orioles, Northern Cardinals, Indigo Buntings, Palm Warblers, Gray Catbirds, American Goldfinches, and a tiny Blue-gray Gnatcatcher.  Here’s an image I captured of a Gray Catbird singing.

Gray Catbird singing, Falls of the Ohio, May 3, 2014

These birds are very territorial and the males chase one another out of their areas when interlopers trespass.  Catbirds have a wide variety of sounds they make including a “mewing” call that reminds people of cats.  Usually, I hear catbirds before I see them.  Thus far, this has also been a good year to observe some warbler species.  Warblers are my favorite group of birds to see because they are diverse, beautiful, transient (they are famous for their long migrations) and challenging to photograph.  Here’s a picture of a Palm Warbler that I recorded on this day.

Palm Warbler, Falls of the Ohio, May 3, 2014

This guy hung around for a while.  The guidebooks say that this warbler species summers in the northern bog lands and really has nothing to do with palm trees. That was an unfortunate bit of naming.   The Falls of the Ohio are just one stop among many that this bird will make and I was glad to see him.  In addition to birds, I was also finding plastic junk and other bits and pieces including a miniature plastic banana…I’m sure you want to see that?

miniature plastic banana, Falls of the Ohio, May 3, 2014

This banana (my second of the year) will enter my Fake Fruits and Vegetables Collection which now numbers hundreds of pieces found in this park.  Here are other found objects, some of which I will use to create a new figure.

Found objects, Falls of the Ohio, May 3, 2014

And…here is the figure I constructed on this day.  He’s pretty outlandish looking and another in a long line of pieces that reflect how I feel about our species’ absurd handling of the environment.  For the moment, he remains unnamed, but if one comes to you…please share!

Unnamed figure, found objects from the Falls of the Ohio, May 3, 2014

Styro-figure with white plastic bleach bottles, Falls of the Ohio, May 3, 2014

He’s made mostly from insulating foam, plastic, and driftwood and sports one jaundiced eye and what appears to be a unique, pink moustache.  The area I was working in had so many plastic bottles lying around that my latest Styro-figure decided to put some of the colorful ones to use.  Every year, the park does its best to keep this special place clean and orderly.  Unfortunately, most of the trash I use and show originates elsewhere…mostly along the Ohio River flowing north of here and is carried to this down river location during flooding and high water.

small, plastic container, Falls of the Ohio, May 3, 2014

various colorful plastic oil containers, Falls of the Ohio, May 2014

Looking around the immediate area I was able to locate various colorful plastic oil containers and my Styro-figure decided to line them up for a photo opportunity.  Here’s the results.

Styro-figure with plastic oil container color spectrum, Falls of the Ohio, May 3, 2014

 

It’s an oily color spectrum of sorts.  The Styro-figure seemed happy with it and for this day…left it at that.  I have used this similar idea for other plastic found objects discovered in the park.

Styro-figure under the railroad bridge, Falls of the Ohio, May 3, 2014

Soon it was time to go home.  The day turned out to be a more creative and productive day than I originally thought it would be.  I gathered up my collecting bag, camera, and walking stick and made the very short walk up to the parking lot.  Looking back, I spied a Canada Goose taking advantage of the high water to feed from bushes it normally could not reach.  This seemed as good an image as any to end this post with.  Thanks as always for tagging along on another day at the Falls of the Ohio State Park.

Feeding Canada Goose, Falls of the Ohio, May 3, 2014

 

 

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Taylor with Styro-sculpture, late March 2014

Taylor’s Artist at Exit 0 Video Link

Here’s a short video interview conducted by Taylor Ferguson on my Artist at Exit 0 project at the Falls of the Ohio State Park.  Taylor is a journalism student at the Indiana University Southeast in New Albany, Indiana and was nice enough to be interested in filming my process.  Our late March day at the river was a bit windy which the microphone picked up beautifully, however, it washed out the rest of the audio.  What you hear me saying is a bit of stream of conscious narrative which was edited into the video at a later date.  I previously published a post entitled “Touring with Taylor” that has some of my images and words made about the experience.

Mr. Mosquito Nose standing in a tire, late March 2014, Falls of the Ohio

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wooden cable spool and willow tree, Falls of the Ohio, March 22, 2014

It’s a sunny Saturday and warm for this time of year.  One of those days I can’t wait to get to the river.  Spring is still slow in developing, but it can’t be much longer now.  I spent a good part of the day just filling up my canvas collecting bag with all types of odds and ends both man-made and natural that have washed up on these fabled shores.  I’m finding so much stuff that for practical reasons I decide to see if I can find a spot up the bank and under the willows that might make a good location for a temporary outdoor art studio.  I can offload some of my larder for future use while continuing to walk the edge of the river.  I’m enjoying the sunshine and taking deep breaths of the fresh air.

U.F.O. studio...Unidentified Floating Object studio, March 2014

U.F.O. studio, Falls of the Ohio, March 2014

I chose a spot bordered by a large log that keeps most of the driftwood at bay and what I call the U.F.O. or Unidentified Floating Object which is circular metal platform that was once painted white with blue trim.  It’s starting to show some rust now.  This large object washed over the dam during a high water moment three or four years a go.  Since then it’s changed positions with the rising and falling river levels and was once completely buried under driftwood.  The U.F.O. is a platform that normally would be anchored out on  the river.  Barges and other water craft can tie on to it if necessary.  Some how this one got loose and relocated to the park.  When I first discovered it here I also imagined that it was a giant bathtub plug that helped keep the water in the river.   I was lucky that I had the same outdoor studio for many years before this winter’s high water rearranged the landscape again and floated all my collected materials away.  I spent a few hours walking the river collecting Styrofoam and sticks and can’t wait to make something new.

Mega Spool figure in progress, March 2014

Completed figure at the U.F.O. studio, March 2014

The first figure I make here is from the largest chunks of polystyrene I had found on this excursion.  I used two fishing floats (one larger than the other for expressive effect) for the eyes.  The nose is a plastic piece from a fooseball table.  The mouth is a red reflector.  My figure has ears, arms, and legs that are pieces of driftwood.  The figure has a benevolent feeling to it and I can’t wait to photograph it by the river.  I did run into a young sculptor attending the Kentucky School of Art who was collecting driftwood for her own project.  Her name is Jenn and she approached me asking if I was the person with the show at the Carnegie Center for Art and History?  She and her classmates had seen the exhibition.  Jenn is building an installation at the school and promised to let me know when she completed it.  It will be fun to see art made by someone else from materials collected within the park.

Large Styro-figure on a tiny willow island, March 2014

Styro-figure on tiny willow island, Falls of the Ohio, March 2014

When I first meet the river, I spend a little time looking around and scouting out potential locations to create the photographs that will represent this day in my project.  I decide that I like this tiny “willow island” which consists of clay and sand bound together by the living roots of this tree.  Waves and water wash all around it and at times it does look like an island.  As the river recedes to its normal pool, this tree will be high and dry at last.  It’s amazing what it takes to keep this tree in place with such a dynamic river always testing its resolve to survive.  During the highest river levels, this tree would be completely submerged underwater.  Many of the willows along this stretch of the river bear scars and wounds from large logs battering them, breaking branches, and grinding bark away.  I pose the figure on the root mass and move to the next shot which isn’t too far away.

Styro-figure and large, wooden cable spool, March 2014

Styro-figure and wireline spool, Falls of the Ohio, March 2014

Near tiny willow island is a large wooden “spool” for wire line or cable.  I’m amazed by this object’s heavy-duty construction.  This spool floated into here and is now partially sunk into the sand.  Small waves lap the shoreline and you can also see black coal dust swirling around the water’s edge.  Later when I see my pictures I’m struck by how similar this spool is to the circular platform that now forms part of my latest outdoor studio.  This new area to cache my materials is very visible and hence ultra public, however, if we have heavy spring rains…it’s very possible that all this will be washed away and rearranged again.  I often wonder what might go through people’s minds when they stumble upon my outdoor atelier?  It’s an odd archeological site of Styrofoam boulders, small piles of plastic toys, and a tangle of found roots and driftwood.  All the stuff you need to make an absurd figure!  I left my latest Styro-creation next to the spool.  I will go a head and tell you…I returned a week later and all I could find of him was his body and legs.  There must be headhunters out here?  I searched the area, but found no further trace of my figure.  As with most of my Falls projects, they continue to “exist” as images.  The exhibition that Michael Wimmer and I are participating in at the Carnegie Center of Art and History is entering its last week.  I’m so appreciative of the positive response I’ve received for my work.  The show will end with a tea and cookies closing.  If you are in the area, please stop by.

Final shot from the big spool and tiny willow island, March 2014, Falls of the Ohio

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Skyliner, Falls, late Feb. 2014

We are all getting antsy for spring to arrive…winter has been hanging on and on for dear life.  It’s been hard to access the river because the water level has been high.  Most of the places I visit at the Falls of the Ohio State Park are currently under muddy water.  We have had just a handful of nicer, warmer days, but that has accelerated the melting of the snow and ice throughout the more than 800 hundred mile long Ohio River Valley.  I don’t mind the cold so much, but it’s harder to do what I like to do on a swollen waterway.  Here’s how one of my spots under the railroad bridge looked during my last visit.

muddy, high water at the Falls of the Ohio, Feb. 2014

Not a pretty picture seeing a river as brown as gravy.  Lots of logs and wood floating on top and when you look more closely…there is also plenty of plastic and polystyrene in the mix too.  Another view this time with me standing on the wall that separates one side of the river from the other.

high river at the Falls, Feb. 2014

All those white spots are pieces of Styrofoam.  With my usual haunts inaccessible I moved further east…just outside the park’s entrance.  There has been a lot of activity in this area that has caught my notice.

Skyliner on the riverbank, Feb. 2014

There has been a campaign on the Indiana side to make the river more accessible particularly in areas that afford a good view of Louisville’s skyline.  To do this the vegetation has been bulldozed away.  I came across an elderly person walking her dog and she said to me quite unsolicited..”Bout time they did something to clean up this mess!” as she pointed a thin finger in the general direction of the river.  In this case, one person’s mess is another creature’s habitat.  The true “mess” comes from all the plastic bottles and chunks of man-made junk that make it into the water.  No amount of removing trees and creating views will help with this and it seems what we prefer looking at is a very selective process.  I brought my collecting bag along.  I’m hoping to pick up materials to use in an upcoming art workshop at the Carnegie Center for Art and History, but I find a few other interesting items as well and photograph them upon discovery.

Taco Bell cat toy, Feb. 2014

I came across this smiling yellow cat toy that I think came from a fast food establishment.

plastic containers for paint, Feb. 2014

Finding these paint containers made me realize how hungry I’ve become for color.  I’m looking forward to the world turning green again with color notes supplied by wild flowers.

bright orange plastic paratrooper, Feb. 2014

This plastic man with his bright, radioactive orange color was hard to miss.  He was a skydiver or paratrooper in a former life and probably fell to earth using a plastic parachute.

Skyliner with the City of Louisville behind him, Falls of the Ohio, Feb. 2014

There were other signs from life that the season’s are about to change over.  I’m ever alert to what the birds are doing.  I spotted my first Red-winged Blackbirds of the year and they are among the first migratory species to arrive.  Male Northern Cardinals are singing their courtship songs and scouting out the best spots to build a nest.  On the river, however, I spied what I consider a bird sign of winter.  A nice sized flock of Lesser Scaup ducks were mostly sleeping and relaxing on the surface of the water.  In this area, it seems we see more duck varieties in late fall and early winter. Here’s a peek at the scaups.

White-winged Scoters, Falls of the Ohio, Late Feb. 2014

Before I move away from the ducks…I found one other to add to my growing collection.  This is a Mallard decoy made from plastic.  Not too long a go, I found another plastic decoy representing the Pintail Duck.

found plastic Mallard duck decoy, Falls, Feb. 2014

One other bird note…I heard them before I could see them, but I knew what they were instantly.  The familiar calls of migrating Sandhill Cranes winging their way back north.  Like geese, they fly in V-shaped formations to avoid the air turbulence created by other cranes flapping their wings.  These birds are high flyers and this was the best I could do in taking their picture with the camera I have.

high flying Sandhill Cranes, Feb. 2014

As February becomes March…the forecast for the Kentuckiana area is calling for freezing rain and snow.  It appears that Old Man Winter will be hanging out for another week.  Spring will eventually get here and already you can tell that it stays light outside longer with each passing day.   I am, however, really eager to see how the river has rearranged this familiar landscape.

Skyliner on the Ohio River's edge, Feb. 2014

Once the Ohio River recedes there will be a new landscape to explore and who knows what I will find?  I like that each year is different from the last.  Well this post is drawing to a close.  Thanks for visiting and see you soon…from the skyline of Louisville and the Falls of the Ohio.

Looking toward the skyline of Louisville, Late Feb. 2014

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plastic pine growing out of a stump, Sept. 2013I consider this a great honor that fellow blogger Isaac Yuen focused one of his posts around my art projects from the past year and the tales I’ve created around them. For several years now, I have enjoyed Isaac’s award winning blog Ecostories. He has made me a believer in the power of the spoken and written word to convey universal truths particularly when they speak about our evolving relationship with nature. Stories are important and everyone has a story to tell. Isaac has a great way of taking on complex narratives and making them understandable. I encourage you to check out his thoughtful, positive, and beautifully written blog.

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willow trees and ice, Jan. 2014

Polar vortex…that’s the new buzz words for us this winter.  The Kentuckiana area has tasted this Arctic gift twice so far and we haven’t had a winter this cold in many years.  It manifests with the temperature bottoming out around 0 degrees Fahrenheit…colder still with the wind chill.  Snow and ice also accompany this blast of icy weather.  Once under the spell of the polar vortex…all one can do is ride it out.  It’s going to be bone-chilling cold for several days in a row.  Even if you know it’s going to happen, you really don’t feel prepared for it.  People tape plastic over their windows to trap heat and foil wind.  Shoppers rush out to purchase bread and milk.  Folks let the faucets drip throughout the day and night to prevent freezing and bursting water pipes.  Still, the plumbers are busy.  Extra layers of clothes are needed however,  you still feel cold around the edges.  If there is a weakness in a machine…the extreme cold will find it and this happened to my trusty rivermobile.  School may be out, but otherwise it’s pretty much business as usual.

ice formations, Falls of the Ohio State Park, Jan. 2014

The part about “business as usual” also strikes me as being a bit sad.  I am of the opinion that the reason the Earth has winter is to slow everything down and that’s vitally necessary.  It’s meant to be reflective and allows a moment for a deep breath before moving on again.  We all have more than enough pushing us to accomplish tasks at increasing breakneck speed.  The polar vortex challenges us to slow down if we can.

Ice formations, Falls of the Ohio, Jan. 2014

Ice formations on willow trees, Falls of the Ohio, Jan. 2014

In an effort to foster personal wonder for the world, I made it out to the Falls of the Ohio on a day that wouldn’t risk frost bite.  Over the years, I have prized coming out here on cold winter days especially if it meant seeing different ice formations.   There are ice ribbons, sausage-shaped icicles, frozen homemade candles, and just plain ice blobs on display.  I love the variety of forms and the play of light through the magic of solid water.  The most interesting ice formations are near the water’s edge where the willow trees catch the rising steam off of the river.  The water is warmer than the surrounding air temperatures and this “fog” helps coat the roots and branches with glassy layers of ice.  I thought I had the place all to myself when I was joined in this frigid landscape by a new friend.

The Ice Tourist, Falls, Jan. 2014

The Ice Tourist following my tracks, Jan. 2014

He described himself as being a fellow “ice tourist” and so that’s how I remember him.  He said he was curious about the ice, but also wary of stepping through thin ice and feeling the burn of extremely cold water.  I’ve had this experience before and so I could relate.  The Ice Tourist told me he had followed my tracks into the ice field and so far I had kept him out of danger.  We spent about an hour together before parting.  Here are some more pictures of him posed next to the ice formations we encountered.

The Ice Tourist, Falls, Jan. 2014

The Ice Tourist among icy willow, Jan. 2014

Ice Tourist and ice formation, Jan. 2014

The Ice Tourist had to check out everything as closely as possible.  He would climb upon the willow branches and roots to get the best view.  As it turns out, he was a local guy who like me, likes to hang out near the river whenever he can.  He was wearing a very thin and worn out t-shirt that said something about the town of Jeffersonville on it.  That’s the next town over from the Falls of the Ohio State Park.  I mentioned something about the poor condition of his garment and how it didn’t look substantial enough to keep him warm.  His response was that feeling warm was as much a mental state of mind and he was far too engaged by this novel environment to feel the cold.

The Ice Tourist, Falls of the Ohio, Jan. 2014

The sun was rising.  The day was warming and the ice was beginning to drip and lose its strength.  Today’s show was at an end.  The image of a hot cup of coffee or cocoa was starting to have great appeal to me and so I said my farewell to the Ice Tourist.  Perhaps we will run into one another again at the river…we shall see?  Leaving my new friend behind, I walked the riverbank  and could see that the Ring-billed gulls that had been absent during the polar vortex were once again in residence in the park.  I wonder if the groundhogs will see their shadows tomorrow?

Ring-bill gulls and mallard ducks, Jan. 2014

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Carnegie Center for Art and History facade, New Albany, IN, Jan. 2014

On January 24 our long-awaited exhibition at the Carnegie Center for Art and History in New Albany, Indiana opened with a big reception.  I say “our” because this is a two person show featuring work by R. Michael Wimmer and yours truly.  The exhibition in entitled “The Potential in Everything” because both Michael and I utilize a diversity of materials to make our art.  While I depend on what I find at the river, Michael goes much further afield to locate objects that project a certain “aura” and associative power for him.  Following are some images from the exhibition which will be up until April 5.

My sculptures just delivered, Jan. 2014

I brought about 25 pieces that I had saved from the river and park visitors.  I have gotten into the habit of keeping some of my better creations for events like this.  It’s such a big leap first seeing the work at the river and then in a more formal art space where everything is displayed, labelled, and illuminated with care.

opening reception for the Potential in Everything, Jan. 2014

The other extreme is having several rooms full of friends, family, and assorted art lovers coming out on a very cold night to take in this exhibition.  A wonderful jazz band provided music. At times, it was hard to see the art because of the people…which is a great situation to be in and I felt very lucky.  I know I did a lot of talking and meeting people who said that they knew my work through this blog.  This happened more than once and it made me feel good that local people were checking out my river adventures online every now and then.  I returned to the center the following day so I could get a better look at the show and to take a few more pictures.  Overnight, it snowed two to three inches while we slept.

Potential in Everything installation view, Jan. 2014

Installation view at the Carnegie Center for Art and History, Jan. 2014

Installation view with "Cycladic Oarsman", Jan. 2014

Both Michael and my sculptures are assembled.  He favors a wider variety of materials and I have over time evolved a vocabulary of forms and found materials that I prefer.  The pieces I’ve saved function for me as mostly a means to an end.  The story telling aspect of my work has been the biggest shift in what I do over the years and it has caused me to reassess my priorities when I go on location.  I was pleased that people thought the stories added something extra to the artworks.  Wall labels had excerpts from my river tales and I supplied a binder with printed stories that accompany many of the objects on display.  It takes the pieces away from being strictly artworks as usual.  I do, however, try to make compelling sculptures to help activate the spaces I work in and to assist in creating interesting images.  The tall figure in the foreground is entitled “Cycladic Oarsman” and was made specifically for this show.  I gave it this title because the face has some similarities with very early Greek marble statuary.

Three Styro-birds on a shelf, Jan. 2014

"Audubon's Habitat", R. Michael Wimmer,  at the Carnegie Center, Jan. 2014

Karen Gillenwater, the Carnegie Center’s curator did a fine job of pairing artworks together and finding what Michael and I have in common artistically.  Both of us have channeled John James Audubon and bird imagery.  The naturalist’s earliest attempts at drawing birds happened in the Kentuckiana area during the early nineteenth century.  Over the years I have made several Audubon figures and most of the birds I’ve created are creatures he never encountered in America’s pristine wildernesses.

Installation view in The Potential in Everything, Jan. 2014

"More than Skin Deep" by Michael Wimmer and my "Time Traveler" tableau, Jan. 2014

The Styro-fish I’ve made stand near a wall piece that Michael did about the deteriorating marine environment where he lived for a while in Florida.  My fish are made with some of the junk I’ve removed from the Ohio River.  Michael now makes his home and studio in New Albany.  Both of us are also fond of time references.  My stuff flirts with time on a number of levels including quantum mechanics.  Clock faces and dials appear in many of Michael’s Carnegie pieces and some of his sculptures are also working clocks.  A good friend of mine once told me that much of life is what we decide to spend time on and that seems true for both artists in this exhibition.  I appreciate that the Carnegie Center for Art and History believes it is important to generate good quality materials to help supplement an exhibition.  The staff at the center produced a wonderful gallery guide, show announcement, a banner that hangs from the building’s facade, a poster, and both Michael and I have the opportunity to give gallery talks and lead workshops.  I may never have a chance like this again where the hosting institution helps the artists out as much as the Carnegie Center for Art and History does.  I know of many regional and local artists who feel that this is what makes showing at the Carnegie such a treat.  The exhibition continues outside and both Michael and I have works positioned in front of the building.  Here is Michael’s piece and all the work’s components find similarities with details and materials on the building.

R. Michael Wimmer sculpture outdoors at the Carnegie Center for Art and History, Jan. 2014

My piece is my long, beaded necklace made from softball cores and is entitled “La Belle Riviere” which I originally displayed at the Falls of the Ohio in October of last year.  It was quite a production and required a bucket truck and a worker supplied by the city to hang the piece in the tulip poplar tree outside the center.  For now, I will close with this image and look forward to my next post as the Artist at Exit 0.  Stay warm everybody.

"La Belle Riviere" hanging from tree at the Carnegie Center for Art and History, Jan. 2014

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Stacked wood, Falls of the Ohio State Park, Nov. 2013

Moving past the Woodland Trail Loop, I’m in the western section of the Falls of the Ohio State Park.  It’s been more than a month since I last visited this area.  One of my favorite trees is here and although I’ve already missed the prime leaf color moment…I’m hoping some autumn splendor remains.  Along my walk I come across a driftwood structure that has been stacked teepee-style by other park visitors.  I see this kind of expression regularly and there must be a kinship between this activity and piling and stacking rock upon rock.  It’s satisfying to do and when you step back from your work…it’s obvious you left an impermanent mark in the landscape that says you were there.  The tree I seek is just a short walk away and in no time at all I arrive on the scene.

Cottonwood tree, late autumn, Nov. 2013

Under the Cottonwood tree, Nov. 2013

This old Cottonwood tree with its raised roots looms large in my imagination and is my personal favorite tree out here.  I’m sure I’m not the only one who feels this way because there is usually plenty of evidence laying around in the form of empty beer bottles, spent camp fires, and yes…the odd bits of furniture people drag to furnish the room that exists underneath the tree.  I’ll wager for some…this is known as the party tree.  I was elated to see that most of the junk (old tarps and a red couch) have been removed by some other purists.  The Cottonwood tree had already dropped most of its leaves, but there were still a few hanging on.  After resting a moment under the tree and admiring the distant view of Louisville across the Ohio River…I decide to turn for home.  I was in the process of walking away when I noticed something moving along the fossil rocks.  I froze to see if I could get a better look at the creature that was walking towards me.  Naturally, my camera is at the ready!

Golden Hour Ground Beetle, detail of head, Nov. 2013

detail of head from Golden Hour Ground Beetle, Falls of the Ohio, Nov. 2013

Regular visitors to the Riverblog know that the Falls of the Ohio State Park is home to several out-sized insect species that have uniquely evolved here.  All the different species are critically endangered and not to be harmed in any way.  I was quick to identify this as the Golden Hour Ground Beetle.  It was so named because it usually makes it first appearance of the day when the sun is about to set.  Otherwise, it is nocturnal in its habits.

Golden Hour Ground Beetle, Falls of the Ohio, Nov. 2013

Golden Hour Ground Beetle, Falls of the Ohio, Nov. 2013

The Golden Hour Ground Beetle does not fly.  It relies upon stealth and six strong legs to scramble across any surface.  In form, it is not unlike the much smaller tiger beetles that also make the park their home.  Unlike the smaller beetles, the Golden Hour Ground Beetle is a scavenger and not a hunter.  I suspect this specimen was at the Cottonwood tree because it has learned to find scraps of discarded camping food here.  This beetle has fairly large eyes that can gather the most meager light in the darkest of settings.  It’s abdomen is banded with a coarse hair that insulates this insect during cold nights.  As long as I didn’t make any rash movements, this giant bug was tolerating my presence.

Golden Hour Ground Beetle drinking water?, Nov. 2013

I observed my new “friend” moving to the water’s edge to obtain a drink.  I wondered if it had the ability to swim in its survival tool kit?  I watched the insect as it searched all around the fossil rock shelves that were created by the river dissolving the old limestone away.

Golden Hour Ground Beetle exploring a hollow log, Nov. 2013

View of the beetle through the hollow log, Nov. 2013

I came across a second giant beetle almost immediately after crossing the small creek that separates the western and eastern sections of the park.  Male and females are virtually identical.  There are gaps in our knowledge about their life cycle.  This specimen was in the process of checking out a short, hollow log.  I’m presuming that it was either seeking food or shelter?  I think poking my camera through the end of the log spooked this one a little.  It ran away, but didn’t go far.  I kept my movements to a minimum and after a while it seemed to relax again.

Golden Hour Ground Beetle relaxing on Sycamore tree roots, Nov. 2013

Beetle laying flat on a sycamore root, Nov. 2013

I observed this 14 inch or 35.5 centimeter beetle relaxing on the exposed roots of a Sycamore tree.  As the golden hour approached, the beetle stopped seemingly acknowledging this magic moment when everything is bathed in a warm golden light.  I did the same watching the sun set before finding my vehicle in the parking lot of the Interpretive Center.  To everybody in the wider world…have a great week.

The Golden Hour at the Falls of the Ohio State Park, Nov. 2013

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fallen willow leaves, Nov. 2013

A gorgeous fall day with light that was almost impossibly bright.  It’s autumn at the Falls of the Ohio State Park.  Small groups of migrating birds including various warblers, titmice, and kinglets are moving through the willow tops.  Around each stand of willow trees, the ground is covered by yellowing leaves that have been recently dropped.  There is a fresh, spicy, vegetative fragrance in the air as the more recently shed leaves give up their essence before curling up and turning brown.  Although I have been to the Falls numerous times lately… it’s been a few months since I last visited my old outdoor atelier in the woods.  Today seems as good a time to check out how my site has fared in my absence.

Styrofoam on site, Falls, Nov. 2013

The wooden structure that once surrounded my cached materials remains collapsed.  Some of the larger pieces of Styrofoam I had gathered from the river have been moved nearby.  Stuff has been scattered around, but that is also part of the ongoing history and fate of this material.  I may refer to this junk as “mine”, but I don’t feel a true sense of ownership.  While this material remains out here…it belongs to all of us.  We created, used, and then disposed of it, often carelessly.  I don’t have a lot of time to spend out here on this particular day and so I got busy making “something” from this largess.  I select a few chunks of polystyrene that will become my latest figure and before long I attract an audience of one.

Gray squirrel watching me, Nov. 2013

Gray squirrel watching, Nov. 2013

This Gray Squirrel seemed very intent upon my activities.  Perhaps he thought there might be food involved?  I have to say that I was really amused by this little animal checking me out.  He watched me for a minute or two and then headed deeper into the trees.

Styro-figure with large foam sections, Nov. 2013

The figure I created was not very complex.  It’s head was rather skull-like and so I added a found black and white swimming noodle and a pink nose that was the plastic handle to something to give it more “levity”.  One of the first places I posed my latest was by the larger remains of former projects that were moved away from the other Styrofoam pieces I had assembled.  It doesn’t appear that whomever moved this stuff…did anything else with it.

Fall mushroom, Falls of the Ohio, early November 2013

Coming across a late season mushroom, its whiteness and material consistency reminds me of the polystyrene I salvage to make art with.  Both the mushroom and Styrofoam are made from extracted, spent life.  The difference is the mushroom is alive and one day will also return to the earth to nourish other life.  The Styrofoam on the other hand, is a dead material and probably won’t decompose easily for quite a long period of time.  To move away from thoughts about decay and such…I move into the light and to be near the water.

Styro-figure with black and white swim noodle, early Nov. 2013

Head of Styro-figure, Nov. 2013

It doesn’t take long before I find just the right location that will represent this figure and day to me in photographs.  I rediscover an especially picturesque willow tree whose trunk and roots have been sculpted by time and the river to form a portal or window.  This is where I decided to photograph and leave this figure.

Figure seen through the willow portal, Nov. 2013

Through the willow portal, Falls of the Ohio, Nov. 2013

Because the ground was muddy and soft…it was also easy to stand my figure upright.  My attention wandered back and forth between the possibilities this novel view afforded.  I imagined the figure looking back at me through the portal and other shifting points of view.  Here’s how the figure looked set up on the other side where I once originally stood.

On the other side of the willow portal, Nov. 2013

On the opposite side of the willow portal, Falls of the Ohio, Nov. 2013

The day was getting late and it was time for me to move on.  On the walk back I came across a recently deceased mouse in the willow leaves.  Something about this season brings out the melancholy in me.  All life, no matter how small, strikes me as being worthy of note.  Using my fingers, I raked the willow leaves away from the mouse’s body and created this parting image.  See you next time from the Falls of the Ohio.

Mouse/willow wreath, 2013

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Softball core river pearl from the Falls of the Ohio

It started with one.  I had been picking them up for years…odd, yellow ocher orbs that the river marooned in various sections of the Falls of the Ohio State Park.  Initially, I was intrigued by them because I knew they had to be something, but what?  Early on I formed this association in my mind that these balls were giant pearls and they were gifts to me from the beautiful river.  Made from a lightweight yet solid, hard foam, these balls weathered in very individualistic ways.  Many of them had acquired a nice patina from their river journey perhaps floating long distances for many years.  For a while, each time I would go on one of my excursions to the Falls of the Ohio, the river made sure that I would stumble upon one or more of these balls.  Into the collecting bag they would go.  Eventually, I found out what kind of balls they are and in case you haven’t guessed yet…here are a couple more images that will reveal what they originally looked like.  I’ll start with one of these balls in the process of transforming, followed by one that is more intact.

softball with covering coming off, Falls of the Ohio

softball in the river

My river pearls are the cores of contemporary softballs.  How did all these softballs end up in the river?  When I was a kid, a softball had a hard rubber ball in the interior which was surrounded by what seemed like miles of string wrapped tightly around the rubber ball.  A two piece leather cover was then sewn over this “string ball” which completed the softball and was now ready to be played with.  For those who might be unfamiliar with softball…it’s a game similar to baseball, but the ball is about twice as large as a standard baseball.  I collected these softball cores for years, but especially during the early phase of my Artist at Exit 0 Project.  After each river trip I would dutifully fill up boxes in my home’s basement with my found balls and then forget about them.  Over time, I started picking up lots of different objects and using them in various ways as materials for my sculptures or as offbeat collections of odd items I was creating.  I guess I always knew that I would return to these balls and make something interesting with them someday.  That day arrived last week.

softball cores in my backyard, Oct. 2013

I had no idea how many of these balls I had collected or passed up over the years?  This recent photo taken in my Louisville backyard shows about 110 out of the 160 balls I did save.  I decided to act on my river pearls idea by making an impractically large pearl necklace.  I carried all the balls I had to my friend Tom’s sculpture studio and used his drill press to drill a hole through each ball.  That was a bit more of a technical challenge than I had first conceptualized.  Most of these spheres are not perfectly round. In fact their imperfections (which I really like as evidence of wear by the river and elements) made each drilling a unique experience.  Eventually, I got the job done and laid out many of the balls on the concrete pad in my backyard.  Just as I was beginning to thread and knot braided nylon cord through the balls…the sky let loose a monstrous rain storm.  By day’s end, nearly seven inches or 17.5 centimeters of rain fell and flooded parts of my backyard and basement!  It was like being visited by the river in an interesting way.  I had initially “graded” each ball by condition and color to form transitions in this giant strand, but the water and now mud from my backyard changed the color of each ball.  I decided to make my first piece one hundred balls long.  There is a knot tied with the cord that keeps each ball from touching.  At my local hardware store I found a brass hook that I could use for a clasp to close my giant necklace.  All that was left to do was to return to the river…to the place that I found all of these balls and inspiration and find a way to give thanks for these many gifts.

river pearl necklace in plastic bucket, Oct. 2013

Loading the necklace into a large red plastic tub I carried my artwork down to the Ohio River.  One hundred balls became surprisingly heavy and I was concerned about twisting an ankle or tweaking my knee as I walked over the driftwood.  I came to a sunny place under the railroad bridge and laid the necklace out upon the sand for the first time.

weathered softball cores, Oct. 2013

Here’s a look as some of the weathering that occurred with a few of the balls.  And here is one of the first images of the necklace joined together.

one hundred ball necklace in the sand, Falls of the Ohio, Oct. 2013

This was okay for a trial run, but I had other images in mind.  I have always loved the willow trees in the park and I chose one of my favorite ones to “wear” my river pearl necklace.  Yes, it’s a hopelessly romantic gesture, but I felt like “celebrating” this tree in a special way.  Here are a few more images.

amazing willow tree wearing my river pearl necklace, October 2013

detail of willow tree necklace, Oct. 2013

Moving closer to the river, I stopped by an old willow that was barely alive.  I draped my necklace over its old exposed roots and created a few more images.

Old willow roots and necklace, Oct. 2013

Once in a while, a park visitor would walk by and look in my direction and continue on as though I was engaged in a most ordinary activity!  If I had stumbled across this scene…I think curiosity would compel me to say something.  Next is another detail from my eccentric strand of pearls.

detail, slightly elevated river pearl necklace, Oct. 2013

With the river within sight, I lifted my bucket of balls and headed towards the fossil rocks.  It was a sunny, but windy day and my next idea was to put the necklace into the water.

I found a pool of water surrounded by Devonian inspired limestone that would prevent my necklace from being carried away by the current’s flow.  Still, the wind kept changing the configuration and blowing the balls against the rocks.

I used a beaver-chewed willow stick I found on the bank to guide my necklace into shape between photos.  The necklace which I now had named “La Belle Riviere” was the name originally given by French missionaries upon encountering the Ohio River for the first time.

It seems appropriate that the river which played a large part in bringing these balls to this shore…would continue to influence how this piece would be perceived.

I enjoyed how the gourd-colored balls harmonized with the surrounding riverine landscape.  I felt some sense of accomplishment in creating this piece and being able to return it to the Falls environment to create this site specific work.  It was also a fitting ten-year anniversary artwork since “La Belle Riviere” began with that first found ball a decade a go.  I will see how well it holds its own in a gallery environment since I want to include this piece in a two person show I’m participating in this January.  After these river photos…I loaded the necklace back into its container and began the slow walk back to my car.  While making this work, I did have one admirer that found the work irresistible and I will end this post with its image.  So long…from the Falls of the Ohio.

Butterfly with detail of softball core necklace, Oct. 2013

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