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At Hidden Hill Nursery and Sculpture Garden

Posted in Absurd, Art, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, creativity, Falls of the Ohio, found materials, material culture, nature, Photograpy, recycled art, sculpture, sense of place, Site specific art, Styrofoam, tagged Albertus Gorman, Art, artist at exit 0, Bob Hill, Falls of the Ohio, flotsam and jetsam, found objects, Franklin Tree, garden art, gardening, Hidden Hill Nursery and Sculpture Gardern, Jerry Voyles, material culture, nature, plastic trash, public art, recycled art, recycled materials, sense of place, site specific art, Styrofoam, Utica, Whimsical art on June 10, 2016| 4 Comments »

In many ways this post is a continuation of my last published one on “The Crying Indian”. I made that sculpture for this occasion which was a cart-blanch invitation from owner Bob Hill to place my river art in the context of eight acres of wonderful plantings that include many unusual and rare plants. My work is far from the more durable art made from metal or stone that you would expect to see in a garden, but I’m always interested in placing my art in a less than typical gallery situations. Hidden Hill is located in the tiny town of Utica, Indiana very near the Ohio River and not too far from my home in Louisville, KY. To be on the grounds of Hidden Hill is a true delight and it’s easy to imagine that you are in a far more remote place than you actually are.

Bob Hill is a well-known personality in our area. He was a long-time columnist for Louisville’s Courier-Journal newspaper which in the days before Gannett took over was a Pulitzer Prize winning newspaper with a big and loyal following. Bob is now “retired” from the paper, but he is still an active author of books and articles and a big advocate for the joys of gardening. When he opened Hidden Hill with his wife Janet, he realized that if they were going to compete against the big box stores selling bedding plants and more that they needed interesting stock that you just can’t find anywhere else. Garden aficionados know who he is and will travel throughout our region to see what new specialties he is cultivating. At the opening of my show, two gardeners who traveled from a distant Kentucky county went home with one of the two Franklinia alatamaha trees that Bob had in stock. The Franklin Tree was named after Benjamin Franklin and is a small flowering tree that is now extinct in the wild and was last seen in its natural habitat during the early part of the 19th century. A few timely cuttings and seeds taken upon discovery have kept this pretty tree alive to the present day.

Great plants are not the only attraction at Hidden Hill. Bob’s idea was to create a destination that would also be fun to visit and he has invited many artists over the years to place work on his property. If there is one word that would describe the kind of garden art that Bob likes it would be “whimsical” and his grounds are full of examples. Hill is fond of creating mini-environments where the plants and art work in concert with one another.

I love this figure made by artist Jerry Voyles out of welded and painted watering cans. Voyles is particularly well-represented at Hidden Hill. Other area artists of note who have work at Bob’s place include Matt Weir, Caren Cunningham, John McCarthy, Jeff Reinhardt, Samantha Grifith & Jen Pellerin, Joe Autry, and many more including yours truly now.

This is another of my newer sculptures made for this show. I call this one “Earth Knight” and it is made completely from materials I scavenged off of the riverbank at the Falls of the Ohio State Park this year. “Earth Knight” is about 7 1/2 feet tall and is mostly made from Styrofoam. The body is embellished with the bottoms of aluminum cans which turns out to be the strongest part of the can. Often, it is the only part of a can left after the river has its way with it. Embedded among the can bottoms is a plastic gray heart that I also found at the river. I thought the head seemed somewhat “helmet-like” and I went with that idea for the whole figure. The Earth after all is in desperate need of defenders and protectors. Other materials used in this piece include found plastic, driftwood, and coal which are in both eyes. This piece is located next to a marvelous Weeping Katsura Tree and a large evergreen which form the perfect background for this piece. Here are some other views of this work.

When I sited this figure, I wanted to see if I could work with the mirrors that were mounted by another artist on a nearby tree. This was the best of those images that shows “Earth Knight” in context, but reversed due to the reflection. Here is another recent big piece. I call this figure “Flora” and the numerous flower references on her are why she has this name. Again everything I have used was found at the river.

“Flora” speaks the language of flowers and I have numerous found references from the Falls of the Ohio on “her”. The main material is river-polished Styrofoam and the body was also found this year. I also found the plastic planter with the bright pink sand shovel and was delighted when I came across a large root that I could use as an “arm” to hold these two elements with ease. I have embedded found rubber balls around her waist line. “Flora” is the second largest piece I have out at Hidden Hill and is about 6 1/2 feet tall. Again all the elements that comprise her including the wooden base were found at the Falls of the Ohio. One good aspect about my art is that I spend nearly nothing for art supplies because the world is already full of free stuff all around you. “Flora” has a silk flower emerging from her mouth that was also found by the river and has traveled some unknown distance to finally reach this place. And now, for the last of the four large works I have out in Bob’s gardens.

The smaller of the four new garden pieces is this one entitled “Figure with a Red Ball” which is about 5 feet tall. Among the materials used in its construction include Styrofoam, plastic, coal, a glass marble, driftwood, and aluminum. This piece has a very different “persona” from the other new figures I have made for Hidden Hill. I do have other works on display and Bob has a covered shed where he let me set up several other more portable works from my Falls series. Here’s a glimpse at that display.

So far, I’ve given a short tour for visitors and did a demonstration where I made a small, absurd figure from found river materials. It was a cold and rainy day when the show opened, but some intrepid souls came out to say hello which I appreciate greatly! I love that there is no definitive ending date and the figures in the shed will be available to be seen for about a month. Certainly, not the art world as usual! I will probably leave a couple of the larger figures out at Hidden Hills for a longer indeterminate time. Bob and Janet’s place is open Thursdays through Sundays and by appointment. If you are curious to learn more about their plant nursery here is the link to their website: http://www.hiddenhillnursery.com I have since continued my river forays to the Falls of the Ohio and I look forward to presenting those posts on this blog. Thanks for checking this out! Until next time…

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The Crying Indian

Posted in Absurd, Art, art and environment, Art and Nature, Artist at Exit 0, assemblage art, creativity, ecosytem, Falls of the Ohio, found materials, Found objects, fresh water, Louisville, Kentucky, material culture, nature photography, Ohio River, plastic, recycled art, repurposed art, sculpture, sense of place, Site specific art, Styrofoam, watershed, tagged Art, artist at exit 0, driftwood, ecostory, Falls of the Ohio, flotsam and jetsam, found materials, Genius loci, green-washing, Hidden Hill Nursery and Sculpture Garden, Iron Eyes Cody, litter, Louisville, nature, photography, plastic bottles, plastic containers, pollution, polystyrene, repurposed materials, river materials, sculpture, sense of place, Styrofoam, The Crying Indian, trash on May 29, 2016| 12 Comments »

I touched on this briefly with my last post, but it has taken a couple of weeks to return to the story of “The Crying Indian”. This post is both about the figure I created from found Styrofoam and the true story about one of the most successful Public Service Announcements of all time. A few months back, I accepted the invitation of Bob Hill to show some of my river creations at his Hidden Hill Nursery and Sculpture Garden in Utica, Indiana which is just across the river from my home in Louisville, KY. After the high water we had in late winter and early spring, I had the opportunity and collected several large pieces of Styrofoam off of the riverbank with the intentions of making a few large figures that I could use for the Hidden Hill show. I was successful in accomplishing this goal and the first figure I made was to become the piece I call “The Crying Indian”.

I really don’t have a proper studio. Just a basement at home that I hoard all the materials that I bring home from the river and the few finished works that I keep. I really do prefer working outdoors at the Falls of the Ohio where I can work relatively quickly. On occasion, I have a need to create work that is a little more formal or ambitious and requires more time to put together. With a deadline approaching for a May 21 opening and weather unpredictable…I set about creating what I could in this cramped space. There are some advantages like being able to listen to music or moving the laundry along and snacks are just a short staircase away. Sitting at the foot of those basement steps, I weighed my options and introduced elements that may or may not become a part of the finished work. The large chunks of Styrofoam that I had brought home from this year’s flooding were outside leaning against my house. I selected the third largest piece and brought it into the basement. It was time to go to work.

Going into this sculpture, I knew that I wanted to keep it fairly “classical” meaning that most of the elements I used were white in color in “imitation” of marble statuary. I chose a river-polished hunk of Styrofoam for a potential head that felt somewhat in proportion to the figure I envisioned. I sifted through bags and boxes of river collections and chose two hollow, plastic, and crushed fake golf balls for eyes. The nose is a piece of polystyrene that is cone-shaped. The mouth is a plastic and foam element from an old football helmet and the ears are pieces of Styrofoam. The element that would become “the feather” in the Indian’s headdress was a broken plastic kayak? paddle that I had recently found and thought would look great in this context. I would later use glacier and river worn quartz pebbles for the tears, but this was one of the last elements I introduced into this piece. The rest of the work would be Falls of the Ohio driftwood and plastic elements collected in the park.

As I’m working on this, I’m also having an internal conversation with myself. Talking to my materials I silently ask, “What do you want to be?” I’ll pose questions and trust my subconscious to help me out by providing a few clues that become ideas that can be elaborated upon. In this case, I was remembering that great Public Service Announcement from 1971 that is known as “The Crying Indian”. I was wondering why there weren’t similar ads on television now decrying pollution and litter and extolling the public to do what they can do to help which is also the right thing to do? What seems to rule the air waves now in the way of public service has more to do with finding cures for cancer and other maladies that afflict us…and that is important too. Another little voice within me also feels that many of these physiological problems we endure will find their root causes in an increasingly degraded and contaminated environment. For old times sake I looked up that original Crying Indian ad that was sponsored from the Keep America Beautiful folks and found it as effective as I had remembered it. During my search, I clicked on a few other stories related to the Crying Indian and that’s when my jaw dropped in amazement.

The first big surprise is a story full of ironies beginning with the actor playing the”Crying Indian”…he was not a Native American in the first place. “Iron Eyes Cody”, America’s favorite movie and television Indian was born Espera Oscar de Corti in Gueydon, Louisiana in 1904. He was actually a second generation Italian American. He had a rough upbringing and when he was a child he left with his father for the American West. It was out there that he first experienced indigenous cultures as well as the entertainment industry where he was to find life-long employment. His first role, playing a Native American child happened in 1919 in a silent film entitled “Back to God’s Country”. Iron Eyes Cody’s film and television career ultimately spanned the 1930’s to the 1980’s. He claimed to be of Cherokee and Cree descent, but he needed his braided wig to become at least the image of an Indian. Apparently, he never quite confessed to his deception and even lived to the ripe old age of 94. Although Iron Eyes Cody was not a real Native American, he seems to have lived his life otherwise respecting the indigenous cultures. He married a Native American woman and they adopted two Native children…one of whom became one of the best Native American musicians. Perhaps it was the times, but I have to believe that if this ad were to be remade today that the public would insist that the Indian be at least genuine.

I didn’t feel that this figure was complete without photographing it in the context of the Falls of the Ohio where I originally found the materials that comprise it. The addition of the white jugs became important not only because I have recently been doing a lot of outdoor assemblages using plastic containers, but returning to the fascinating story of “The Crying Indian”. As was mentioned, this PSA was sponsored by Keep American Beautiful and the Advertising Council did the ad for free as a way of stimulating business interests in our country. The Ad Council also created Smokey the Bear, McGruff the Crime Dog, this is your brain on drugs with the egg frying in the pan, buckle up for safety which was an early seat belt public service announcement and many more. As for the Keep America Beautiful folks….well, they actually represented an organization consisting of companies that produced bottles and containers of all kinds which make up a huge part of the litter you see everywhere but in the PSA crafted for them. The Crying Indian ad is now considered a classic case of green-washing. What occurred with this PSA was to put the responsibility for litter square on the backs of consumers and deflected any blame away from the manufacturers that produce these containers in the first place. Once upon a time, containers were returned to their point of origin to be cleaned and reused, but there was a lot less trouble and more money to be made in convincing the public that single use containers were the way to go. We are still in that place forty years later. You can never underestimate the power of ad agencies to understand human behavior and psychology and use it against us to further the goals of their clients. A good part of the shame people felt upon seeing trash being thrown at the feet of Iron Eyes Cody had to do with the subtle guilt that many people feel for displacing and persecuting the original inhabitants of this land. That added ingredient helped make this one of the most successful public service announcements ever made.

Here are a few images of the finished piece in place at Hidden Hill Nursery and Sculpture Garden. It looks great where it’s at and I will do another story soon that will include the other sculptures I made for this occasion. Some of them turned out very well, although they don’t quite have the back story that the figure does. Hidden Hill is a special and beautiful place and I look forward to sharing more pictures with you.

I used Ginger Brand’s great article entitled, “The Crying Indian” that originally appeared in the November 2008 issue of Orion Magazine for much of the information included in this post. Brand really goes much farther than I could go here and I highly recommend this read. Here is a link to that story…https://orionmagazine.org/the-crying-indian/ Another good source of information came from Priceonomics and the link to that story is http://priceonomics.com/the-true-story-of-the-crying-indian/ And, if you want to see the original one minute long public service announcement, it is available on YouTube and at the end of this post. Until next time…

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May in Kentuckiana

Posted in Absurd, Art, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, creativity, ecosytem, environmental art, Falls of the Ohio, found materials, Found objects, fresh water, lost and found, material culture, Ohio River, Ohio River flooding, Photograpy, plastic, public art, recycled art, repurposed art, repurposed materials, sculpture, sense of place, Site specific art, Styrofoam, toy horses, tagged Art, artist at exit 0, Bob Hill, creativity, Crying Indian, driftwood, Falls of the Ohio, found materials, Hidden Hills Nursery, nature, plastic horses, plastic pollution, repurposed materials, sense of place, Styrofoam, the environment on May 14, 2016| 2 Comments »

I’ve been remiss in posting new stories although I remain as busy as ever with my river art. Of late, I have had fewer opportunities to go to the river because of rain, work responsibilities, and lots of family birthdays…which are all mostly good things!! In this post, I will compress a lot of goings on starting with a quick trip to the Falls of the Ohio a few weeks back. It’s officially Spring because the migrating birds have been through and the resident Baltimore Orioles have returned to build their hanging nests and raise their young. Hearing the orioles’ calls is something I look forward to every year. It seems we are having a bit cooler Spring which to my mind seems much more “seasonal” as my memory of this area and time of year is accustomed to. As with any trip to the river, I begin by searching for the latest junk that I either overlooked or has just arrived. Here are pictures of some recent finds.

My sharp eyes spied this among the driftwood. It’s a plastic, fluid-filled “citrus slice”, perhaps an orange. If you freeze this little item until the fluid becomes a cold solid…well, you have yourself a novelty “ice-cube” for your drink. I intercepted this on its way to the ocean and now is in my collection of odd and particularly useless plastic junk.

Of course, in this part of the country, the first Saturday in May also means the Kentucky Derby. On this particular foray to the river, I found two horses whose races have been run…so to speak! They are now river trash that have been discarded and happened to wash up here from who knows where. This stuff may have just traveled from across the river in Louisville, KY or floated hundreds of miles to reach this destination. My intuition tells me that this stuff has traveled far.

This is the first of these items that I have ever found. It’s a plastic pump bottle for what?…soap, hand lotion, or what have you? The snowman image is kind of fun. Finding this item is just a short leap of the imagination to this temporary creation.

Scouting around the immediate area produced enough detritus…I mean art materials to create this figure. I have become quite quick in being able to make an absurd sculpture from most anything I find around me. These figurative pieces are meant to be seen as absurd because I feel our handling of our environment is both silly, stupid, and ultimately tragic. I try my best to let my figures “communicate” this on their own through their “very being”, but occasionally, my true feelings come out and besides people are becoming more and more literal. These works are meant to call attention to the types of materials that make it into our environment, particularly through our precious waterways and as such help to build awareness of this situation. But, by now, if you don’t know that this form of degradation is happening during our time…then you simply prefer not to know. For me, it’s not enough to call attention to this problem, but to try to at least suggest something hopeful. I know this is very idealistic…but there you have it. What these artworks also try to embody is a call for creativity. Anybody and everybody’s creativity is required if we are to have any kind of future. What artists can do is take the same information that everybody else receives and by turning this information on its head…perhaps come up with something different and unexpected conclusions or applications. Creativity, however, is not just the province of a gifted few. It’s truly in everybody if folks could just recognize it in its many forms and try to cultivate it just a little bit. Creativity is our kind’s “ace in the hole” and is probably why we have evolved this far in the first place. What I do at the river is as much a demonstration project where I have been willing to engage these often poor quality materials in the hopes of forming some kind of meaning from it all. I keep looking at the image directly above this paragraph. There’s smoke rising from a big fire on the Kentucky side of the river and the plume as I remember kept getting larger and darker.

The last time I made it out to the river I went by my absurd friend to see how he was doing. Predictably, he was in a sad state of affairs. His head was completely missing except for the broken snowman bottle that was lying on the ground. I just moved on. It’s always about moving forward and I had another mission on this day. This year we have had some decent flooding, no records mind you, just activity that is normal to this river. Each high water incident deposits something new upon these fabled shores. Today, I’m looking for large branches that have the potential to be arms or legs for some big figures I’m making at home. I have a new opportunity to show some work in a context that is a bit different. Retired Courier-Journal columnist, Bob Hill, has invited me to place work at his Hidden Hills Nursery in Utica, Indiana…just across the Ohio River from Louisville. Bob wrote a very nice article for Southern Indiana Living about my artwork and I want to have a nice showing which will occur on May 21. It’s a Saturday and if you are around and interested…the fun will start about 10:00 am. I have collected three particularly large sections of Styrofoam (probably old boat docks) and I’m using them for the bodies of figures I’m making to be placed on the grounds of his plant nursery. Bob specializes in hard to find flowers, trees, and shrubs. I’m really curious to see what I have in mind will look like on his property.

For the moment, the scene has shifted from the river to my basement studio at home. I call it a studio, but it’s really evidence that I have become a hoarder! It’s also proof that I don’t leave everything behind at the river. Believe me, I have taken more than my share of river crap away from the scene of the crime. My poor suffering wife and family. Anyway, here’s an in process view of a figure that became “The Crying Indian”. It’s a meditation on the old public service announcement that appeared around 1970 or 71 and if you were around then, you probably have vivid memories of it. I look forward to telling you more about this particular figure which has an interesting back story, but for now will just tease you with a sneak peek. When I finished this piece, I couldn’t help but take it out to the river to photograph it in the environment where I found most of the pieces. Here’s the proof. I will leave it here for now, but if you want to see the real thing…consider this your invitation to visit Bob Hill’s Hidden Hills Nursery. Hope to see some of you then.

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Plastic Arrangement in Black and White

Posted in Absurd, Art, art and environment, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, collections, creativity, environmental art, Falls of the Ohio, found materials, Installation, lost and found, Louisville, Kentucky, material culture, nature photography, plastic, Plastic art, public art, recycled art, repurposed art, repurposed materials, sculpture, sense of place, Site specific art, watershed, tagged Art, artist at exit 0, Bernheim Arborteutm and Research Forest, Bernheim Artist in Residency Program, Chiel Kuijl, driftwood, environmental art, Falls of the Ohio, found materials, Genius loci, material culture, nature, nature and culture, photography, plastic bottle, plastic container, plastic pollution, public art, sense of place, site specific art on May 1, 2016| 6 Comments »

April was a busy but mostly productive blur. Lots of balancing went on encompassing family, work, loss, art, birthdays, and spring transitioning to summer. We had an issue with our family computer that kept us quiet for a while, but hopefully that has been resolved. At this point, I have thousands of photographic images scattered everywhere and if by chance I happen to lose something…well, chalk that one up to the will of the digital gods. I had this strange realization about being a survivor of a by gone analog era that my sons don’t understand or have much experience with. These digital images I have been creating at the Falls of the Ohio can be as transient as the artworks they document. Fortunately, for my sanity, I was able to get to the river on a couple of occasions in this month, breathe deeply, and relax with my art. The last two visits I made to the park in April were gorgeous days and productive. Here are images made from that day’s project.

I have been having fun gathering up the different plastic bottles and containers that I have been coming across the last two years and making something with them. The arrangement I made today was composed of black and white plastic junk I came across after a few hours of work. All the black and white containers were found in the general area of where this piece eventually came together. I moved around a center location and after fanning in and out found enough stuff to bring back to “base”. I had previously picked out a place where I wanted to make something because I liked the view with the railroad bridge and the City of Louisville behind that.

I found a couple of nice plastic buckets and a nice fairly straight wooden plank and set the arrangement up with its back shielded by a huge log. There was an even larger log that had an end on it that had been scorched by fire, but it worked with the scene. First, I arranged all the black bottles up and moved from left to right and kept the large containers on the bottom row. I set the three “grayish” containers up next and that including the two silver jugs I came across. At least they seemed to represent some value between black and white and I took several photos with them in the configuration. Later in the day, I did return back to this spot and shot a few without the gray containers in the pictures…just the black and white ones which I liked too.

Here’s an image with a train crossing the tracks. Unfortunately, I did not get a shot before my piece was set up. Now for a progression of other work in progress photos documenting the brief peak of the “Arrangement in Black and White Plastic”.

While I was working out in the driftwood, new friend and fellow artist Chiel Kuijl came out looking for a few choice pieces of wood for his rope installation. Chiel has been the Artist at Residence at the Bernheim Arboretum and Research Forest and is originally from the Netherlands. We have crossed paths out here at the Falls of the Ohio as well as socially with mutual friends. He has returned to Holland, but is due to return to Louisville this year to work on a recent commission.

Chiel later built a beautiful rope installation over water as well as distinctive “furniture” from ropes and driftwood. Park of this busy April included visiting Chiel out in Clermont, KY to see what he accomplished during his residency. I look forward to showing you a few images of his work in a later post. First!…let’s get through this one. I did remove the “gray” containers so it is just black and white butting up to one another.

I week after I made this piece, I returned to check on it and inspect my base studio. Here is an “after” picture. I already have plans in mind on how I can reuse this black and white plastic. One other fun development…I am working towards my show at Bob Hill’s Hidden Hills Nursery in Utica, IN. That will open on May 22 after some of the Kentucky Derby madness has subsided some. I have three very large figures I have been working on and you will see those soon. Have a wonderful Sunday…from the Falls of the Ohio and the Artist at Exit 0 Riverblog.

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Late March Petrochemical Color Composition

Posted in Absurd, animals, art and environment, Art and Nature, art and the environment, Artist at Exit 0, birding, collections, creativity, environmental art, Falls of the Ohio, found materials, Found objects, Installation, lost and found, material culture, nature photography, Ohio River, Ohio River flooding, plastic, Plastic art, public art, recycled art, repurposed art, repurposed materials, sculpture, sense of place, Site specific art, watershed, tagged Art, artist at exit 0, discarded Teddy bear, Falls of the Ohio, Genius loci, lost and found, material culture, nature, petrochemical junk, photography, plastic, plastic art, public art, rainbow spectrum, site specific art, toy bear on April 3, 2016| 2 Comments »

It’s the end of March and Spring is in full swing at the Falls of the Ohio. Today, I have a bigger block of time and so I’m going back to the western section of the park to see how flooding has affected this area. I am expecting to find lots of plastic and who know’s what else…and this trip did not disappoint. Just about everywhere I looked, I found plastic and other trash. I will begin with a few images of stuff I came across.

Quite unexpectedly, I found myself immersed in a bear theme. I found this little blue plastic bear intermixed with the driftwood. It may actually represent a panda, but I think the latest thinking on this unique animal is that it is indeed more closely related to bears than to raccoons. Looks like it’s sucking its thumb. And now for bear number 2.

Here’s a piece that was originally intended for a little person. I’m going to venture that this is a teething ring. From the wear on the surface of the plastic, it looks like this object has spent some time in the river. If this is not a teething ring…I have no idea what it was originally intended to be? Okay, here is bear number 3 and it is a lot larger that these first two examples.

This piece is spectacularly integrated into the surrounding gravel! About half of it is visible and the rest is hidden by gravel deposited here during the last Ice Age glacier. I posted this image on my Facebook account and it resonated with a lot of my friends. I could go on and on with the junk I’ve found out here, but I think I can also do that by showing you my latest artwork which is of course, composed of found junk. On this beautiful day, I decided to continue my explorations using colorful found plastic and made a new variation on this theme that I think turned out pretty well. I’ll start with a few in process shots.

This is some of the found plastic I came across on this day. I brought two collecting bags and filled them both up. I then scouted around and found a large blue plastic tub that I pressed into service before incorporating it into my finished arrangement. The yellow object on the left is a water cooler minus the lid. I had to do a bit of navigating around an obstacle course of downed trees and built up driftwood. I’m usually still stiff and tired the day after I do one of these because I guess I’m not used to getting that much exercise anymore! My two sons are quick to tell me that I’m not a young man anymore and yes I do get goaded by their trash talking into trying stuff that on occasion is more physical than I need to attempt.

After selecting a site to build my latest arrangement. I separate out all this gathered up plastic into their various color groups. On this day, orange and purple items were in short supply, but I worked around that. I set up this piece next to a log that looks to me like it was split in half. The side you can see that is rough and beautiful and takes the setting sun well. From the opposite side of this log…you wouldn’t be able to see any of the plastic. It is intended as a surprise for those who come across it on this side of the park.

I will begin with a view that incorporates more of the local scenery. This piece is located next to an old cottonwood tree that has a severe lean to it. I can imagine that at some time in the not too distant future that this tree will eventually fall over. Even from this far away, you can see the color introduced by these plastic containers and such. Let’s get closer.

Now you can get more of a sense for the degree in which this tree is leaning towards the river.

There are essentially two layers stacked up here. The big blue plastic tub has a found board that finds its partner consisting of the yellow water cooler sitting on a plastic yellow child’s chair. The span is pretty level. The rest is a matter of picking and choosing color hues that you think will work best together. These plastic elements are not fixed in some way. Everything is free-standing or leaning against what is next to it. I have by accident…set off chain reactions where the whole arrangement collapses down like dominoes. That is where a little patience comes into play by beginning again and hopefully learning from each individual situation.

I can see elements in these three details that I know I have used before in other projects and were later scattered across the park when the river floods. Perhaps you might recognize the green plastic Tug Boat or the “Hulk Hand” also found in the green section? They have appeared in other posts in my riverblog.

I hung out by this piece and the river for many hours. A few people came by, but nobody said anything. Perhaps this comes across as being an example of “unusual or eccentric behavior” to some people? Best to provide a wide berth around this one! Who knows…couldn’t be any stranger than the people who make all this plastic and set it free into the world. At the end of the day, I could not make up my mind which I thought provided the definitive view of this project? I think some of the more successful arrangements look good in their contexts, but also provide some information on what individual elements have been brought together to create this “whole” experience. After I felt I had enough pictures and the thought of a shower was sounding good. I picked up my stuff and headed home.

The trees are just budding out and this past week took a significant turn towards the green. I’m still on the lookout for migrating birds that come into our area. I often wonder about the Heisenberg’s Hammerkopf I had the distinct pleasure of observing and photographing out here a few weeks a go. I wonder where in the world it flew off to? I was just alerted by WordPress that this week is my seventh anniversary of blogging with them! For all the people who have dropped by and sampled something from the Falls of the Ohio State Park through this riverblog…I give my heartfelt thanks! I hope to continue out here for a bit longer still. This is the Artist at Exit 0 signing off for now.

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Heisenberg’s Hammerkopf

Posted in Absurd, animal art works, Art, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, birding, birds and birding, creativity, driftwood, environmental art, Falls of the Ohio, found materials, Found objects, fresh water, Louisville, Kentucky, material culture, nature photography, Ohio River, Ohio River flooding, photography, Plastic art, recycled art, repurposed materials, sense of place, tagged Art, artist at exit 0, Bernheim Arboretum and Research Forest, birds, Chiel Kuijl, driftwood, ecostory, Falls of the Ohio, found materials, Genius loci, Kentucky, Louisville, nature, photography, plastic, rare animals, sense of place, Spring bird migration, Styrofoam on March 24, 2016| 5 Comments »

Went out to the river, but to tell you the truth…I thought it would be too high. Just a couple of days earlier, the Ohio River was once again over its normal banks. Every year is different and this year the tail end of our winter was marked by warmth and high water. Although the riverbank was muddy, I was happy to be able to walk around. I’m having a show at a friend’s place in May and I was on the lookout for more washed up materials. As it played out, this first official day of Spring would be a more memorable one than I had first anticipated.

One of the reasons that this can be an interesting time of the year at the Falls of the Ohio is the annual Spring migration of neotropical birds. I have been known to set my collecting bag aside and just hit the woods on the look out for migrating birds. The first time you see a male Scarlet Tanager or a Rose-breasted Grosbeak will make a bird watcher out of a lot of people. This past weekend, which is still a bit early for the usual migrants…I came across something totally unexpected that I couldn’t identify at first. I didn’t get many pictures, but what I have is here. If you have never seen (or much less heard of) Heisenberg’s Hammerkopf, (Aviana indeterminus)…you wouldn’t be alone. Hammerkopf translated into English is hammerhead and that description seems to fit. Heisenberg’s bird is about the size of an American Robin. Among the features that stand out the most are its massive red bill and the petal-like feathers found at the base of its neck. The wings can be brown or white and it has been known to have a crest, but some individuals have been seen that don’t have this feature. There is no consensus as to its overall population, but a few individuals seem to make the news each year. This bird is an enigma and it seems to prefer things that way.

The individual I came across is a second year male. Looking at the info there is on this species did say that the unusual ruff of feathers around its neck could turn bright red as the bird matured and was ready for the breeding season. What little there is in the scientific literature suggests that this is a highly variable species that can be found anywhere at any time. With this bird, you really can’t pin down where it originates and it doesn’t seem to have a “normal range”. It seems to be a very uncommon bird with a world-wide distribution.

This individual kept surprising me. I almost felt that it “changed” the more I observed it. By that I mean at first I found it by the mud and then it changed habitat by going into the trees. I lost track of it for a short while, but rediscovered it at the water’s edge. From there, it moved back under the willow trees where I eventually lost it for good. I saw it use its large bill to delicately probe the mud and hammer through a driftwood log and in both cases wasn’t sure of what it was eating if indeed it found anything to begin with? I just saw enough of this bird to pique my interest, but I have had bird sightings that have lasted mere seconds that were satisfying enough to last a lifetime.

While I was out exploring the Falls environment, I did come across another individual who can vouch for me that this strange bird was indeed out here. I struck up a conversation with him and as it turns out he is also an artist. His name is Chiel Kuijl and he is from the Netherlands. He has a residency at the Bernheim Arboretum and Research Forest in Clermont, Kentucky where he is working on a unique outdoor rope environment. He was looking for select, interesting pieces of wood that he could incorporate into his art project and the Falls of the Ohio are a perfect place to do this. Talking with Chiel, one of the things he is enjoying most are the new and unfamiliar birds he is encountering in this country. I asked if he had ever seen a Heisenberg’s Hammerkopf before and he said that he hadn’t and it was really unlike what he was accustomed to back home. I am sure I will see Chiel again, but what of the hammerkopf?

I don’t often make an appeal to the larger blogging world, but if anyone should happen to see this bird or something similar to it…I hope that you will post pictures of it. It might make an interesting research project to see where in the world this species will turn up and what it might have to say about those particular places where it is found. For now, I will leave it here and hope you will follow along the next time I am hiking at the Falls of the Ohio State Park.

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A Leap Day Pile of Balls

Posted in Absurd, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, collections, creativity, deer skull, driftwood, Falls of the Ohio, found materials, Found objects, fresh water, lost and found, material culture, nature photography, Ohio River, repurposed materials, sense of place, unusual collection, watershed, tagged Art, artist at exit 0, deer skull, Falls of the Ohio State Park, flotsam and jetsam, Genius loci, material culture, nature, nature and culture, Ohio River, photography, plastic, plastic in the water, sense of place, site specific art, Toy Balls, unusual collection on March 6, 2016| 2 Comments »

It was Leap Day, February 29 when I went back out to the Falls of the Ohio State Park. For the third consecutive week the Ohio River has been high and all my usual spots are underwater. This post is being written a week later and the river is still covering most of my spots along the riverbank. For the past month, I have been active mainly in the western section of the park.

In the western area of the Falls, the riverbank rises to greet a sliver of woods. Standing on the top most level along the bank, this latest high water we are experiencing is about 8 to 12 feet below your feet, but in most places the river directly butts up to the bank and so there are few “beaches” to stand on and explore. It is during these moments that you can most directly see and feel how a high river can upset and erode the riverbank. I imagine that over time, the river will keep getting wider as the trees are undermined by the waters. As I was searching for new sites and materials to work with…I decided to walk a bit more in the woods than I usually do. Right now is a good time to do this before the vines and mosquitoes make it more difficult and unpleasant.

As I was walking along the muddy paths I couldn’t help noticing how heavy the deer traffic was in this area. Their tracks were everywhere and almost on cue, I came across five antler-less whitetail deer that were moving away from me near the tree line. I liked this little area mostly because I came across small stands of bamboo-like river cane. The old timers say that river cane used to be more plentiful and once helped to define the area more than it does now. Walking along, I saw something white laying on its side and it turned out to be a deer skull from a small doe. In the early days of my Artist at Exit 0 project, it was uncommon to come across deer tracks and years passed before I actually saw one out here. All that has changed now. This is the third deer skull I have found in the park in the last two years. Their presence throughout the Falls of the Ohio has visibly increased which is probably not a good thing for such a small park as this one.

I decided to leave the skull behind for someone else to discover. Finding a suitable tree along the path, I mounted the skull on the knobby remains of a branch to mark this area as being particularly deer favored. It was just a short hike from here to reach the river’s high edge again.

Eventually, I did find a hundred yard or so stretch of muddy bank that I could access and walk around. It was located in a sheltered area where this was a slight bend in the river. The prevailing currents and wind had pushed a large amount of debris against the bank and most of it consisted of wood and bark bits with the now expected plastic garbage mixed in for good measure. I immediately began to find “stuff” and here are a few pictures of my “prized” finds.

Here is something for my Fake Food Collection…a small, plastic drumstick. Over the years, I have found a few of this exact plastic poultry leg and so this is not exactly a unique find. Note the teeth marks probably from the family dog?

Although the spring peepers are starting to be heard in our area…this one will never make a sound.

I now have an impressive collection of found toy hammers and mallets and they are all made of plastic. I need to take a photo of that collection and post it which is another in a line of weirdly specific things I have found out here.

Here are two more “Smiley Faces” that are the latest ones I have found out here. The larger is a volleyball and I’m not sure what the smaller one was intended for? I haven’t looked at it again since I dropped it into the old collecting bag. As I was exploring, what I couldn’t help but notice along this particular stretch of riverbank was how common toy balls of all sizes and sports that I was finding. I decided to pick up all the ones I could access and make a collection of them all. Here is that image.

So, what is your sport? In this motley collection of forty plus river-found balls we have American footballs, soccer balls, basketballs (of course since this is major basketball country), golf balls, tennis balls, playground balls, Styrofoam balls, softballs, a plastic bowling ball, a volleyball, several ball pit balls, and couple of novelty balls, etc… Of course, balls are the perfect floating object since they are round and roll easily and since they are usually inflated with air they are buoyant as well. As the day was starting to get late and I had found all the balls in the area that I could reach…it was time to start for home. I’m looking forward to the river dropping down and the temperatures to begin to rise. Soon the spring bird migration will be passing through and I’m hopeful of seeing a few Rose-breasted grosbeaks and maybe a Scarlet Tanager or two. One more image of my made on the spot ball collection looking back on an interesting day at the Falls of the Ohio.

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Plastic Rainbow Arrangement with Fred Flintstone too!

Posted in Absurd, Art, art and environment, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, Clarksville, creativity, environmental art, Falls of the Ohio, found materials, Found objects, fresh water, Installation, lost and found, material culture, nature, Ohio River flooding, Photograpy, tagged Art, art made from plastic, artist at exit 0, found materials, Fred Flintstone baby bottle, material culture, nature, photography, plastic butterfly, plastic containers, plastic rainbow, public art, recycled art, repurposed art, sense of place, site specific artworks on February 8, 2016| 4 Comments »

Beyond the Woodland Loop Trail in the western section of the Falls of the Ohio is where today’s river adventure finds me. It has been many months since I last visited this side of the park. I have been looking forward to walking on the driftwood that accumulates on this riverbank. As always, I’ve got my trusty walking stick and collecting bag with me. It’s time to find what there is to find and make something from that. Right away, I found this plastic butterfly or moth (fireworks perhaps?) and enjoyed taking several images of it juxtaposed with the riverbank landscape. Just a quick look around and I can see lots of plastic and polystyrene to potentially use. I will also keep my eyes open for a good site to do one of my plastic arrangements that I have been having fun with of late.

I was fairly confident that I would find as much plastic debris on this shoreline as I had found in the eastern section of the park. That would prove to be correct and I brought an extra collecting bag along to help with the gathering process. I have been enjoying organizing the colorful plastic bottles and containers that I find into mostly chromatic and rainbow-inspired arrangements. The driftwood and sand out here is unified in coloring presenting a monochromatic landscape where bright, colorful plastic notes sing out among all these lost trees. You soon realize as you sort out the plastic from the driftwood, how much of our material culture is intermixed into everything else.

After walking the high water line for a couple of hours, I dumped all the colorful plastic I had collected onto the sand. I thought I had picked a good location that was between the water and the riverbank. I picked up a nice plastic milk crate along the way to assist with the gathering. I notice that I usually pick up intact items preferring them over plastic bits and pieces…although, I will use fragments too especially if they are a hard to come by color. Most all of the plastic bottles and containers I find have had their labels washed off by the river. I put a lot of trust in the cleaning power of millions of gallons of water.

Using the patterns and intervals of driftwood that the river had previously laid down here as a supporting structure where today’s found plastic is sorted by color and staged. Here is where you might find out that you picked up more green bottles than yellow or that purple was that day’s hard to find color.

Here’s a view looking eastward with a bit of the skyline of Louisville suggested through the distant trees. From my experience, fewer people visit this section of the park and many who do often prove to be residents of Clarksville which is just over the flood wall. Let’s show a few more images of how this piece rounded into shape.

I like the big wooden beam lying parallel to the plastic. Not all the driftwood out here is of the wild variety. I find lumber cut-offs and planed planks of all kinds and have used them in my art as well. These shots were taken on a beautiful end of the month day where we had a respite from the cold and grayness.

There was one large blue plastic drum that was buried in the sand and had water in it as well. I didn’t like how it intruded into these pictures and so tried to take it away. Well, it was much too heavy for one person to life out of the sand. Fortunately, among the few people I did see on this day were old river rat friends who gave me a hand with this. The blue drum nearly folded in half takes its position at the end of the line.

I hung around and admired all the bright colors as they revealed themselves in a setting sun. I think this is the most complex plastic assemblage (as far as variety and number of individual pieces used goes) that I have made thus far. I will go ahead and tell you that this work no longer exists except as digital images. Over the past week, we had strong rain storms that went through the Ohio Valley resulting in a high river. Although the rains didn’t affect us directly, all the water that was dropped into the watershed caused it to inundate many of the familiar places on the riverbank that I like to work. The river has been unpredictable of late and I have had at least three new projects washed away. As I walked home, I did find an interesting bottle that I walked over before. I’m fairly sure this is Fred Flintstone based on the diamond pattern on his “garment”. A quick inquiry over the internet yielded some results. This find was originally part of a four plastic baby bottle set that featured Fred, Barney, and their kids Pebbles and BamBam. This vintage baby product was more than likely manufactured between 1977 and 1984! I wonder if its possible for my find to be that old? Judging from the wear and tear and severe fading…that’s a distinct possibility. Happy with my new find…I dropped it into my collecting bag. I think it is the unusual items I come across that make this such a fun way to spend time at the river. With the sun going down, the temperatures are getting cooler…time to go home. Until next time from an ever-changing Falls of the Ohio.

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First Snow of 2016

Posted in Absurd, art and environment, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, birds and birding, collections, creativity, environmental art, Falls of the Ohio, Found objects, Installation, lost and found, material culture, nature photography, photography, plastic, repurposed art, repurposed materials, sculpture, sense of place, Site specific art, Styrofoam, watershed, tagged Art, artist at exit 0, fake snowman, Falls of the Ohio, Falls of the Ohio Interpretive Center, found materials, material culture, nature, photography, plastic bottles, plastic dinosaur, plastic duck decoy, sense of place, site specific art, Styrofoam, willow tree, winter on January 16, 2016| 5 Comments »

The new year is off to an auspicious start. First we had a bit of minor flooding that rearranged the park and the new and improved Interpretive Center has successfully opened. I was curious to see what the river had left behind and make my first foray upon the riverbank and fossil beds. On the day I had prepared to venture forth, well, it snowed the night before and covered many areas with a light dusting of what looks like confectioner’s sugar upon the landscape.

I come prepared…mostly. Even covered up, I could feel the wind and the cold which was blowing hard enough that it made my eyes water. Reaching into my trusty Dutch field jacket, I pull out my vintage “Wind-Dodger” goggles and put them on. I came across these goggles still new in their 1950’s box at a favorite junk store that is now gone. They were manufactured by the Kono Manufacturing Co., of Woodside, N.Y. I think the graphics on the side of the box sold me as to their value. Printed in red ink it read:

“The scientific construction of the Wind-Dodger fits the natural contours of the features-providing maximum exclusion of wind and rain and all foreign particles in the air. The elastic tape holds the Wind-Dodger firmly in place under every condition of work and play in all kinds of weather.” I am a big believer in the value of science.

Further more, printed on the side of the box, was added they were suitable “For Work” and “For Play” and would be useful to railroad men, farmers, mechanics, construction workers, as they engage in sailing, hunting, fishing, flying, skiing, and driving. It was a natural leap for me to assume that they would also be perfect for a river junk artist like yours truly. One thing that the Kono Manufacturing Co. forgot to say is that they also steam up inside the goggles and require frequent drying. Still, they prove to be better than nothing.

The scarf I’m wearing is the oldest piece of clothing I own. It was given to me by a friend and artistic mentor back in the mid 1970’s and somehow I have held on to it over the years. I realize that with a lot of the clothing I own…I can be ridiculously sentimental.

The biting wind and cold are a concern, but so is the footing. The snow covers up a multitude of sins that cannot be seen. It is still slippery out here and in places the mud hasn’t completely frozen. Much of what I think I can find out here will remain hidden until warmer weather returns. But, I’m out here anyway and so I make a quick walk around some familiar places and record what I can with my camera phone.

I discover that a favorite willow tree is now almost completely bent over and resting on the ground. A huge log that the river deposited on top of this tree has shattered one of its main branches. I suspect that it is not long for the world. Spring flooding will repeat this battering process and I assume the tree’s prognosis is not good. Of course, there are other things that present themselves in this frigid landscape that rode in with the high waters.

My eye is immediately drawn to this purple plastic “dragon” rocking toy. I find another giant reptile reference on the rocks nearest the river and here it is.

This plastic sauropod arrived in a fresh water wave. I believe this species was formerly called “Brontosaurus”, but has been renamed “Apatosaurus” since it was discovered that an earlier scientific find gave the new name priority over the older, more familiar name. I briefly allow myself to soak in the irony of finding an object made from ancient petroleum that washed up on these even older fossil beds that references this prehistoric animal. Heady stuff indeed! Nearby, was my next find that continued this line of thinking.

And, what happened to some of the dinosaurs? It is believed that they evolved into birds. Right on cue, I find this plastic duck decoy! It represents the male Northern Shoveler, (Anas clypeata). I have found many other plastic duck decoys out here, but this is the first for this pretty species. The winter river at the Falls of the Ohio is a good place to see different duck species. In fact, winter may be the only time of year to see many of them. The river is steaming because the actual water temperature is warmer that the surrounding air, but the wind is a little fiercer too. I decide to keep walking and soon come across an old project I did from last year.

I created this site specific piece using green plastic bottles after last year’s flooding. It was sited high upon a big mound of driftwood that was too big for this recent minor flooding to affect much. Originally, I had filled the underside of what I think is the remains of a boat dock with the green bottles. Time has shifted the bottles to the bottom of the wood form.

While the snow is beautiful and transforming as these snow-covered vines can attest to….it is also getting ridiculously cold! The fingers on my right hand hurt and sting from the cold because I have to take my glove off to operate my camera. Soon images of a hot cup of coffee began to intrude upon my winter reverie. It’s time to go home, but there was yet one more very pleasant surprise waiting in store for me.

As I was heading back to the parking lot…I came across an old friend whom I was happy to see! We first met at the Falls on an absurdly warm day in December when the temperatures were in the low 70 degree range! I had photographed him as he was decorating river trees in advance of the holiday season. My old Styro-Snowman buddy was just beaming! At last, he was in his element and I’m so happy that his patience was rewarded. Not wanting to intrude too much in his special moment, I bid farewell and took this parting shot as I left the river. Stay warm everybody…from the Falls of the Ohio.

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New Exhibits at the Falls of the Ohio Interpretive Center

Posted in Art, art and environment, Art and Nature, Artist at Exit 0, assemblage art, collections, creativity, ecosytem, environmental art, Falls of the Ohio, found materials, Found objects, fresh water, Installation, lost and found, material culture, nature, nature photography, Ohio River, photography, plastic, recycled art, repurposed art, repurposed materials, sense of place, Styrofoam, unusual collection, watershed, tagged Art, artist at exit o, assemblage art, Devonian Period, driftwood, exhibit design, Falls of the Ohio Interpretive Center, Falls of the Ohio State Park, flint artifacts, fossil beds, found objects, Lewis and Clark, nature display, photography, plastic, pollution, sense of place, Shawnee language, Solid Light on January 10, 2016| 6 Comments »

On January 8 of this new year, the exhibits at the renovated Falls of the Ohio Interpretive Center opened to the public with a grand ribbon cutting ceremony. The interior of the Interpretive Center had been closed for 13 months. About 6 million dollars had to be raised to upgrade the 22-year-old permanent educational displays. After a national search, Louisville-based exhibit design company, Solid Light, Inc. won this high-profile contract and solidified their growing reputation within the exhibit design field. Judging from the enthusiastic response of the people attending the reopening it was worth the wait. I played a very small part with a commission to create an assemblage from objects I found in the park and I was eager to see how Solid Light used it.

The displays are divided into four themes or sections beginning with “An Ancient Sea” that highlights early marine life during the Devonian Period. The extensive fossil beds in the park date roughly to 400 million years ago and are the remains of an early coral reef ecosystem populated with many species of coral, brachiopods, and early fish which make their first appearance during the Devonian Period. I was glad to see some of the older models that made up the original display were re-purposed into the new display. The exhibit is interactive and there are hands on elements that children will enjoy. Large, wall-sized videos help set the scene through many of the sections and in “An Ancient Sea” an animation depicting a shallow marine environment includes fish swimming through sun-dappled waters as trilobites search for food among the corals.

The second theme is entitled “A Changing Land” and covers all the geologic changes from the Ice Age to the appearance of the first Americans. For me, the highlight of this area is the inclusion of the Shawnee language which can be heard spoken inside a reconstructed shelter. It’s wonderful that the contemporary descendants of these ancient people were involved in the design of this display and acknowledges their presence at the Falls of the Ohio.

Previously, the remains of prehistoric man’s material culture (primarily represented through flint tools) were a focal point in the old center’s displays. For those worried that examples of the “real thing” would be replaced with virtual images and copies will be pleased that you can still explore original material through some inspired casework. Be sure to peek inside many of the drawers in the different themed areas to see fine examples of specimens and artifacts.

The third theme “Converging Cultures” recounts the history of the Falls area with the arrival of the Europeans. The Lewis and Clark Expedition is a key moment not only in the history of the United States, but of the Falls of the Ohio as well. Many of the men that comprised the “Corps of Discovery” were originally from Kentucky and Southern Indiana. Wall-sized videos in the Lewis and Clark Theater recount the biographies of many of the men who made this epic transcontinental journey. The story of John James Audubon is also noted and forms a transition into the last themed area of the new displays.

This last section is called “The Falls Today” and focuses upon the Falls of the Ohio as a rich contemporary ecosystem. Some of the old taxidermy mounts have been reused to highlight some of the many species that live within the park. Another large video display, this time a virtual aquarium, speaks to the richness of life in the river, particularly the species of game fish that are of interest to fisherman. There is also a call to responsible and sustainable living and the need to keep pollution at bay. This is where I come in. I was commissioned by Solid Light to create an assemblage of found objects that is representative of what can be found in the Ohio River. Here is the finished result that was placed within its own case with graphic elements added.

The panel within the case is 8 feet by 4 feet large. I posted about the panel as I was creating it and showed many details of the more than 100 different objects that comprise it. Of course, everything I’ve attached here was found within the context of the park. The early reaction is that children in particular love looking at all the odd elements especially the found toys. My panel is among the last things you see as you leave the exhibits area to exit the building. I’m glad that there has been a greater emphasis in this new interpretation to include the current state of the world. One could argue that as interesting as the past is…it is the present that is of the greatest concern. Further reinforcing this idea are the results of the minor flooding we experienced the previous week. As the river has subsided, another massive new inventory of junk has washed into the park. As I was leaving the ribbon cutting ceremony and walking to my vehicle, I could clearly see how much more work needs to be done. Until next time…from the Falls of the Ohio.

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Artist at Exit 0 Riverblog

Art and images from the Falls of the Ohio.

Archive for the ‘creativity’ Category

At Hidden Hill Nursery and Sculpture Garden

The Crying Indian

May in Kentuckiana

Plastic Arrangement in Black and White

Late March Petrochemical Color Composition

Heisenberg’s Hammerkopf

A Leap Day Pile of Balls

Plastic Rainbow Arrangement with Fred Flintstone too!

First Snow of 2016

New Exhibits at the Falls of the Ohio Interpretive Center

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