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Archive for the ‘Art’ Category

My son Adam surprised me the other day by wanting to accompany me to the Falls.  It turned out to be gorgeous and sunny and we shared this moment together.  In his mind, we each had a distinct role to play.  I was to be the “artist” and he would be the “explorer”.  In reality, those roles frequently overlapped and I think it’s fun and interesting when those distinctions blur anyway. 

We walked down to the water’s edge to see if anything cool had washed ashore.  Adam got sidetracked when he came up with the idea of writing his name in the sand.  He found a stick that felt good in his hands and set about the business of making his mark on the world.  Judging from how large the final result was, I’m guessing Adam has big ambitions for his life.  Or, as his father, it might just be me projecting my own hopes into gestural lines drawn in the sand.

We found an old motorcycle helmet which Adam immediately claimed.  He did, however, remove the Styrofoam lining and he gave that to me.  I once made a nice turtle using a similar foam lining from a discarded bicycle helmet and he remembered that.  Wearing old jeans (aptly named high waters), Adam allowed the river to wash over his feet and he was surprised by the still frigid water and the stickiness of the mud.

Here’s a picture of Adam the “Log Rider”!  The yellow handlebars are from some riding toy we found in the sand.  This is Adam’s favorite picture from this day and he wanted me to be sure to include this one.

Once we found a good place to rest and eat our chocolate chip cookies, I dumped the contents of this collecting bag onto the sand.  From a previous foray, I had pre-stashed some foam chunks near this spot.  While Adam played, I worked on a large figure to help us mark this day.  I had relocated an especially large piece of Styrofoam that I had previously used to make two other figures.  This would be the first time I have re-re-recycled something.  I asked Adam to take my picture while I worked, and here I am in action.  The wooden stairs I’m sitting on washed up here last year.

Who knew that this artist has such a big head!  The mouth on this one is a reflector from a bicycle wheel.  The nose is the horn from another bicycle I had found months earlier.  The eyes are large fishing floats.  The ears are made from found wood and that yellowish object on top is the plastic part of a lawn dart.  When Adam and I finished assembling the entire figure, I took his picture next to it so it can help you judge scale.  All in all, it was a wonderful day for father and son and we need to do this again soon.  Maybe next time, we can convince older brother to come along too?   Peace!

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Since the river washed away my old studio site, I have started two fresh ones.  The studio situated by the roots of a fantastic cottonwood tree is in the park’s western section and is pictured above.  I will show you the second site in a future post.  My studios are very informal affairs and have more to do with stockpiling materials for future use.  Try as I might, I can’t carry this junk everywhere I go and so I need places to park it.  Of course, anybody is free to use whatever I place there and sometimes people take me up on it.  This western studio is where I made the figure with the gavel in my last post.

To reach the western studio is a longer walk from the Interpretive Center’s parking lot and receives fewer people.  That, however, doesn’t make it immune from the visits from the “Smashers”.  Years ago, that was the name my son Michael came up with for the kids that feel compelled to break every glass bottle they find in the park.  On more than one occasion, they also destroy my sculptures.  Such was the fate of the subject in my last post…the “Smashers” got’em.  That figure was so utterly destroyed that all I found were a few scraps of polystyrene and the toy hammer it was carrying.  I try not to dwell on it too much.  There’s always the next piece to make and the sun is shining today and spring is near and life is good.

The birds are feeling it and soon the migrants will be winging it this way from points deep south.  Today I was serenaded by Carolina Wrens and Northern Cardinals.  I saw my first Red-winged Blackbird of the new year and a Belted Kingfisher flew by my studio.  The trees are beginning to show the buds that will lead to blossoms and leaves.  A stray fly lands on my hand.  It has been a long winter and spring will be more than welcomed.

I quickly gathered enough sticks and Styrofoam to make three small figures.  I imagined that like the birds I had heard, these guys are also singing.  I moved them around a bit, but in the end, decided that I liked this one image the best.  I left them in the roots of another cottonwood tree and went home.  On the way back to my car, I came across a tangle of driftwood and found a child’s broken plastic chair mixed into the lot.  The brilliant red color caught my attention and I offer it as a parting gift to you.

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I always keep a few images and ideas in the background in case I need something to post.  Since the upcoming weekend is looking like a spectacular one, I know I’ll be visiting the river.  Frequently, when I’m on site, I make more than one sculpture and this post is a case in point.  I made this figure the same day I did the “Lifeguard” piece.  The first image is of one of my collecting bags.  Believe or not, I found this flag-festooned bag out here on the river and it has come in handy.  Check out that beaver-chewed log and assorted chunks of river-polished polystyrene!

Although the figure is somewhat minimal, I like the overall image.  Those cottonwood trees really make a big difference.  I found the orange plastic toy gavel or hammer and this notion of an itinerant judge came to mind.  Perhaps he is coming to town to dish out his own brand of environmental justice?  Really, there was just so much junk along the riverbank on this day.

Here’s a detail of the figure.  This piece is composed of Styrofoam, plastic, wood, and rock.  When I was finished with him, I left him standing just where you see him in the photograph.  I’m always finding toys and I like the way they photograph in this riverine context.  Here’s part of a toy truck.

Frequently, when I see these images on my home computer…it’s easy for me to imagine that they are bigger than they really are.  I guess I never considered computers to be a form of magnifying glass, but they do seem to function in this way.  Here’s another shot I found compelling.  I like the way this object is being swallowed up by the sand.

Final image, I love the way the cottonwood trees and their arching trunks and roots present themselves along this stretch of the park.  The view through the hole is of Louisville’s skyline.  Can’t wait to see what I find next!

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He stands vigilantly at the park’s westernmost limits looking towards the hydroelectric dam and the bridge that leads to New Albany, Indiana.  The tailwaters below the dam are a favorite spot for fisherman who have boats.  This is a good spot if one is hoping to hook into a big catfish.  Under the spillway,  however, can be rough.  If due precautions aren’t taken,  it can be a dangerous place for boaters.  That’s why the lifeguard remains on duty.

The lifeguard is a unique individual and his commitment is total.  His very body can be used as a flotation device!  In a more conventional emergency, he is expert at throwing his buoy near the distressed person in the water and pulling them to safety.  On this stretch of the Ohio River, the currents can be especially unpredictable.  There are many warning signs around the park and Interpretive Center to call attention to this danger.  Heed them.

His weather-beaten visage is in contrast to his heart of gold.  Over the years his walnut-colored eyes have seen much.  Despite the sometimes foolhardy antics of his fellow creatures, he still believes everyone is worth saving.  That’s the broad brush he paints with.  It’s nice knowing that if you needed to…you could put your life into his hands.

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I really needed this day and it did not disappoint.  The sun came out and the only snow left is in the deepest, shaded part of the woods.  The river was lower than I thought it would be and I followed the meandering driftwood line from east to west.  I picked up “parts”  for the day’s sculpture and filled my bag.  When I had enough stuff, I stopped, found a cozy log to sit on and dumped the contents of my bag on the sand and gravel.  I pulled my trusty knife from my pocket and unfolded the sharpest blade.  With the constant sound of running water around me, here is this day’s work.

I found a nice expanse of exposed limestone and began this figure.  It’s a little different in that it’s made using three chunks of Styrofoam. There are plenty of beaver-chewed willow sticks all around which will work for the figure’s limbs.  I wanted to see if I could make a figure that’s a little less static than usual.  I see this figure as having a pelvis and a lower back that flexes.  While I am making this piece, I’m breathing deeply, and thinking over events of the past week.  Yesterday was a memorable day because a committee I serve on made a big announcement about a public art strategy for Louisville.  For many years I have been an active member of the Mayor’s Advisory Committee on Public Art, or MACOPA.  I chaired the Preservation Committee which always seemed kind of ironic to me since my personal art is far from the material concerns and needs of Metro Louisville’s monuments.  With all the movers and shakers of our art community assembled in Metro Hall,  Mayor Abramson announced the plan we commissioned from CREATIVE TIME that was distilled from the many round table discussions with stakeholders that were held over the course of a year.

In brief, this is what’s being proposed.  The current committee will reform as two groups.  The first group will be attached to our metro government and will manage and care for the city’s existing public art inventory.  The more novel group, will become an independent 501-(C)(3 ) that over time would be able to commission and fund artist driven public art ideas.  As you can imagine during these hard economic times, no one wants new taxes and in Louisville, the area’s developers are not in favor of a percent for art program.  In fact, we learned that across the country, percent for art programs weren’t doing as well as you may first think.  So, what will be the funding mechanism that will allow this new not for profit to prosper?  Already on the books, is a regulation for construction projects exceeding 100, 000 square feet to provide some aesthetic amenities (even art).  Developers can now opt to give that money to the new public art committee to be used to commission new works in unique sites across Metro Louisville.  This still requires approval from the Metro Council, but since the business community likes this idea, it should get passed.  In two years, the new committee (tentatively called COPA, Commission on Public Art) will hire a professional director and staff and begin with a couple trial projects.

There are benefits from forming a more professional, stand-alone group.  Our public art committee has consisted mostly of volunteers who over the years have been able to realize a few modest projects.  Louisville has been fortunate to have had recent civic leaders who at least recognized how useful public art can be in touting the city’s quality of life.  But what happens if a new administration comes along that isn’t as pro art?  They could decide to withhold resources and kill the program.  Having the new public art organization exist apart from government is designed to protect it from less friendly administrations.

Once the coffers become full, artists can submit proposals for public art projects.  To manage these projects, artists must partner with a fiscal agent, like another existing not for profit art organization, to provide some financial oversight and navigate the various legalities involved in such work.  We shall see in a few years if this will be effective?  The transition from the present committee to the new commission will be crucial.  I will be looking forward to a different spirit that looks at art in public spaces as being more than just placing objects on a site.  When MACOPA chose CREATIVE TIME over other good candidates, we were hoping their more contemporary approaches would find resonance in Louisville.  Public art does not need to be permanent art.  I’m proud to have done my small part in this process and will be interested to see what happens.  For now, I’ll keep practicing my own special brand of public art on the banks of the Ohio River.

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The six or so inches of snow that quieted Louisville over the past two days inspired a spontaneous celebration of a traditional form.  The conditions were just right for an impromptu snowman festival!  Nearly everywhere I travelled through the city I found these ephemeral sculptures gracing both public and private spaces.  Before it became too late in the game, I grabbed my camera and recorded a few images which I’m presenting here.  I went through Tyler Park, the Douglas Loop neighborhood, the Highlands, and the Shelby Park area and in a matter of a couple hours and found some interesting creations.  I had so much success in a relatively short amount of time and distance, that the possibility of hundreds of snowmen existing scattered throughout the city gave me an extra reason to smile!

For those of you who have followed my riverblog, this may seem like a departure, but it really isn’t.  I count the making of snowmen, scarecrows, and other seasonal folk art figures among the influences for my polystyrene art.  I’m working with that same impulse towards figurative expression that people acknowledge when they make a snowman.  Can this be art?  I certainly believe so.  A friend of mine once wrote that art was turning the ordinary into the extraordinary.  When you mix intention with a user-friendly material like snow, than the creation of art is within most people’s grasp.  Eventually, when these things melt, the water that comprises them will at some point reach the river.  Considering how much snow has fallen over the Ohio River Valley, I would expect to see high water around here.

The basic idea for a snowman hasn’t changed much.  Take three snowballs and stack them in graduated size from largest to smallest and use whatever is on hand to form features and accessorize.  The use of a carrot for a nose has become a beloved standard.  It’s been interesting to see how closely people have adhered to the snowman ideal and where variation or invention has occurred.  Most of what I’ve seen over the last couple of days has been fairly traditional, but there were a few nice surprises to keep things lively.  I came across a few snow creations that demonstrated both imagination, teamwork, and skill.  Here are a few more single figures.

I imagine children and family at work on these beloved sculptures.  It’s no accident that so many of these snowmen are close to the front door of the house.  In this way, they are very site specific. They are meant to be seen and commented upon.  Most of these snowmen, if they have arms, are rather feeble.  For practical reasons, it is just too difficult to make an arm out of snow unless it is a part of the main body.  I had to laugh at the one sporting what appears to be a wooden samurai sword!  When you pair two or more snowmen together then you create another dynamic.  Take a look.

The snow figures above I thought were very successful in a “Miro-esque” sort of way.  The work on the right looks like a dog sitting up and begging.  These are fairly large works and whoever made them must be an old-hand at snow sculpture because both works also have holes in them as expressive elements.  Check out this trio of works.  The use of deer antlers on the smallest sculpture is an unusual touch.

And now for a few more animal snow sculptures…how about this seal! It’s very effective and simple.  The colorful scarf leads the eye right to the details that form the face.  I like the way twigs are used to suggest whiskers.

This bear sculpture by Tyler Park is one of my favorites.  I walked by it at night and there were also Christmas lights behind it!  Again, the use of twigs provides just the right amount of detail in the form of claws on the paws.  I think the eyes might be walnuts?  In this piece, the snow arms work.

Resting sphinx-like in front of an apartment building is what I presume is a reindeer or stag.  If it weren’t for the small branches suggesting antlers, I would have guessed this is a dog.  The lack of any other materials makes me believe this is the unplanned work of a child.  It has a smudge for a nose.

Perhaps the oddest piece I encountered was this modest sized figure.  What set it apart aside from the more extensive use of clothing, is the mask covering the face.  I did a double take on this one because the white mask didn’t fully register until I was right next to it.

I like that there is a time limit to a snowman’s existence.  For as long as the weather remains cold, and people leave it alone, then the work will be around to bring a little joy to all who see it.  For many adults, it is a pleasant reminder of childhood winters with its promise of missed school days.  Around here, the temperatures are dropping into the single digits overnight and there is more snow on the way.  For the time being, the city’s snowmen are safe and in good company.

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Over the weekend I went to the frigid Falls and was amused by all the balls I found that recently washed up during a period of high Ohio River water.  So, I photographed what I came across to add to my Balls of the Ohio Collection.  This is a subset that includes balls with snow on or around the white stuff.  As I write this, Louisville and the surrounding area is expecting more wintery weather tonight with accumulations of snow and ice.  It is, however, going to be nothing like the amounts that have already hit parts of the east coast! When I walk my familiar stretches of the riverbank, I hope that some day, I might eventually find something of value, but instead it’s stuff like this or worse!  For your pleasure, here are more balls that were washed, thrown, or kicked into the river to land at the Falls of the Ohio.

The first ball shown is a regulation size basketball in yellow and purple.  I think those are Los Angeles Laker colors?  I followed that with this rather small, but patriotic, flag-inspired ball I photographed with my hand over my heart!  I recall seeing tons of flag-inspired everything in the aftermath of September 11.  For three years after that event, I photographed many things I came across in Louisville bearing either an American flag design or inspired by the stars and bars.  I reasoned that my city was not that much different from what was happening in the rest of the country and was thus representative of the country at large.  It was an interesting experiment on how the meaning of something you think you know is changed by its context.

This golf-inspired, rubber, yellow ball is about the size of a baseball.  Over the years, I have found several spheres of this exact type.

This Spider-Man ball was the most colorful ball that I have found in a while.  Judging from its condition, it must not have been in the river very long.  The image above is one side of this ball…here’s its opposite side.  Makes me want to break out in song…”Spider-man, Spider-man, does whatever a spider can…”

This was a bit of an oddity, I found a couple balls with numbers on them.  I think this was inspired by the lottery or bingo?  Number 6 anyone?

We’re Number #1… we’re #1, here’s a soft cloth ball for baby.  At first I thought this was a hacky-sack, but realized upon approach, it’s too big.

Lastly, I came across this regulation sized football in the process of washing up on shore.  Although it doesn’t have snow on it, I did find it at the same time I came across these other balls.  It was only after I got home and downloaded my pictures, did I see that there is hand writing on this pigskin.  When I go back to the river, I’m going to try to find this ball again.  It might have an interesting message written on it that will offer a clue to where it originally came from.  Until next time…

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On a very chilly day and after a snow storm, I was able to visit the Falls and take stock of the happenings.  The snow came quickly and from an eastern direction.  You can see that from the trees where snow built up on one side leaving the opposite side clean.  As I had suspected, the rising river from the previous week had played havoc on my trusty studio site.  It took me awhile to recognize where that spot had been.  I will have to wait until after the snow leaves to determine if any of the materials I had stored there are still in the area.  As for the sculptures I had left to weather in place…

… they are still there, but disarticulated.  The rising water level with its floating logs and driftwood, knocked everything down, and carried parts of my work, back out into the river.  The image above is what remains of Pot Belly, a large work from several posts ago.  I found his head, but he was missing all of his features.  His partner, Lorraine, was near him, but had suffered the same fate.  Further down the park, I came across Penguin Boy (sans life-jacket and head) and what was left of the uncle figure.  By now, I am over any sense of loss.  I will miss coming to that particular spot under the willows, but I know I will make other make-shift studios and they too will wash away.  As for the large pieces of Styrofoam that are still around, I probably will recycle those into other sculptures provided they stay.  This time of year and early spring are usually when we get the high waters.  With all the snow that has fallen (even more is scheduled in a couple of days) the resulting melt water will overwhelm this part of the park again.  Perhaps it will flood several more times, who knows?  This is all just a part of the process.

Making things is the best antidote in a situation like this.  I might be temporarily rootless, but my need to make images from objects remains strong.  I tell myself that coming out here, especially on such an inhospitable day is a sure sign of dedication and commitment to my art.  Perhaps it is, but who really cares except me?  When you strip it down, it has more to do with my own needs than anything else.  I muse about this blog being a vicarious way for me to recall some of my work.  Anyway, laid out on a snowy log are the materials I found to make that day’s figure.  By this time, my finger tips are numb which makes handling small objects more difficult.  While I am fumbling away, this squirrel is watching me as I work and I’m having a regular conversation with it.  I ask how the winter is going and apologize for not bringing any food with me among other topics of mutual interest.

With the added distraction from the squirrel, here’s what I came up with on this day.  Finding the star wand was my big find along the riverbank and I incorporated it with the figure.  I’ll let that object add to any sense of a narrative that an observer might care to construct.  I was too cold to care about matters like that!

I left the figure near the Interpretive Center, but kept the wand.  Believe it or not, I have a collection going of found and mostly bubble wands and this adds some depth to that collection!  I should assemble that for a photograph and post it.  As I left the park, I did take one more image from the Indiana side of the Ohio River.  Past the railroad bridge, a portion of Louisville’s modest skyline can be seen.   Stay warm and dry everybody!

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For me, the toughest part of the winter is getting through all the grayness.  Spring is a month and a half away.  Thanks a lot groundhog.  Family and work  obligations coupled with the crummy weather are keeping me closer to home than usual.

When I look at my Falls images from this winter, the park has an almost exhausted feel to it.  The river spent itself washing wood and our material culture upon this shoreline.  The large object my son named “The Plug from the Bottom of the River” has been around for months…but I love the sense of theatre it presents in this landscape! What is this thing really and what is it doing here?  Before it disappears in the next flood, I should stage some Styro-spectacle on it.

The parade of found river objects will never cease.  I tell myself that I should use this time to organize all the loose ends (objects and images) that an investigation of this scope produces.  Of late, I have had a few more inquiries about presenting aspects of this project in one form or another.  It all sounds good, but I know some things are presented more as trial balloons, but that’s also a part of the creative process.  It’s about stuff bumping into each other and seeing what connections are created.  The last time I was out to the river I stopped by and photographed some earlier works from last year.  For the most part, I think they hold up fairly well considering their construction as well as many of the parts used are ephemeral.

In a world where we all live speeded up lives, it is easy to forget that we also need a chance to be fallow.  That’s what winter is best for…incubating ideas and marshalling energy.  I may have to go down into my basement and take care of business there.  The physical evidence of this project is spilling out of bags and boxes.  I think I may be able to substitute my wish to go outside with rediscovering and reorganizing what I have already found.  There’s sure to be a few gems hidden among that driftwood.  Well, I’m telling myself that…until the sun shines again!

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It snowed today, it’s cold, and the river is rising.  I’m imagining that my studio site is in danger of getting swamped.  In all the years I have done this project,  I have only once been present at the moment the river carried my work away.  It was wierd watching the water inch slowly but surly towards my feet.  I had a couple of Styrofoam figures that the river just gently lifted away.  It looks like I won’t be making it to the river this weekend and so I put together a few recent and related images to present to you.  It’s all just river stuff I came across at the Falls of the Ohio.  I especially like the image of the log set on its end.

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