driftwood | Artist at Exit 0 Riverblog

Posts Tagged ‘driftwood’

It’s September and Current Projects

Posted in Art, Art and Nature, art and the environment, Artist at Exit 0, assemblage art, collections, creativity, Falls of the Ohio, found materials, Found objects, Installation, material culture, Ohio River, Ohio River flooding, repurposed art, repurposed materials, sense of place, Site specific art, Styrofoam, unusual collection, tagged Art, art exhibition, artist at exit 0, assemblage, driftwood, Eastern Kentucky University art department, Falls of the Ohio, Falls of the Ohio Interpretive Center, found materials, found objects, Giles Gallery, lost and found, material culture on September 19, 2015| 10 Comments »

Although this is my first post of the month…my heart has not been far from the river or the odd kind of art that I make from the found remains of our material culture. A few months back, I accepted the generous offer from Esther Randall, who is the Gallery Director of the Giles Galleries at Eastern Kentucky University in Richmond to show in their upstairs gallery. The bottom gallery will hold the colorful welded sculptures of Walter Early and his show will run concurrently with mine. I do like the postcard Esther created. She found two works by two very different artists that share the word “star” in their titles. Our exhibitions will open during the upcoming week and if you happen to be in the area. Please do stop by and check out our art shows. Richmond is about 22 miles past Lexington, KY or about an hour and 45 minute drive from Louisville. Here is the reverse of the card that gives other particulars about the opening reception and run of the show.

As you can see, my show is called “Albertus Gorman: Artist from Exit 0”. For all the work I’ve done at the river, I still identify very much with the “Exit 0” sense for place and the slightly existential “feel” that it implies to me. So much of my river art has been located in that interstitial area between the natural and artificial, between water and solid land, and between my own despair for the continued environmental degradation I experience in the park and the hope and optimism I want to feel as a human being rooted in the physical world. So what am I going to present in this newest exhibition?

Like many artists, I have the world’s greatest collection of my own artwork…or at least the pieces I’ve bothered to save from the river. Like many artists, I tend to keep moving forward making new stuff which means that many pieces exist that may have been shown only once or not at all. Of course, that is a big shame because different contexts bring out different qualities in the individual works and potential relationships that exist with the other pieces on exhibit.

Here are a few more artworks I have “staged” prior to loading them in a cargo van. I have many figurative Styrofoam sculptures that I have never shown in exhibition contexts. In the above image, you can see my latest piece which continues the work I have been doing with found plastic containers. I built a wall-mounted shelf from river-gifted wood and arranged the colorful plastic containers that I have also scavenged off the riverbank. The individual bottles have Velcro on their bottoms to help secure them onto their narrow shelf. A length of twine is there to help keep the bottles together while in transport.

All of these Styro-sculptures have stories associated with them and I remember them like old friends! This blog is their genealogical source recording their creation, their “lives” as art objects, and in some cases…even their demise.

I have five new works that were created specifically for this show. Three of them are larger photo enlargements I have had made that show works I created in the contexts of their river environments. For now, I will let Esther work her magic and I will post other images from the completed installation. I also have one other project going on that I have remained mum about so far. As you might remember, the Falls of the Ohio Interpretive Center has been closed for renovation as they upgrade their displays? Well, they have contracted with me to create an assemblage on a roughly 8 foot by 4 foot wooden panel showing some of the river junk I have collected within the park. I am really excited by this since this panel will be a part of their new presentation and will be the last panel seen as you exit the new displays. Thousands of people (many school tours) will get a chance to see this piece which will document many of the things that you can unfortunately find in the Ohio River. This panel is due soon and I have a lot of work left to do on it. Once completed, it will slide into a vertical case with a sheet of plexiglas with some text elements on it to help explain, cover, and protect it. It has already gone through several permutations, but for the moment, I will show just a few images taken of it in progress. Here are images from Phase 1.

As you can tell, this can go in a lot of different directions because of the wealth of materials available. All the stuff going onto this panel will have been collected within the Falls of the Ohio State Park. There is no need to go anywhere else! I want it to be as authentic as possible in so far as representing the kinds of stuff you can find floating in the Ohio River. Since these images were made, Solidlight (the Louisville-based company creating the new Interpretive Center displays) has suggested some changes. They want to see more driftwood used as a unifying element which should be easy enough to do. I hope, however, that they will appreciate that people will be just as interested in the variety of crap I’ve collected as well and not settle for a cross-section of materials that can be found at the water’s edge. To see that, a visitor simply needs to go down to the river to experience that already in place. My good friend, sculptor Tom Butsch is letting me use his studio to construct this. My own space at home is simply not large enough to accommodate this. A couple more pictures before ending.

A river found barge cable and section from a set of stairs are big individual elements going onto this panel. I keep playing around with different compositions. The trick for me is in keeping it more informal. My impulse as an artist is to want to order this in some more formal way. I will let you know how all this turns out. I have an early October deadline, so this panel will be my focus for the next few weeks. Until then…and from the banks of the Ohio River…see you next time.

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Park West Petrochemical Rainbow

Posted in Absurd, Art, art and environment, Art and Nature, Artist at Exit 0, assemblage art, creativity, driftwood, environmental art, Falls of the Ohio, found materials, Found objects, material culture, Ohio River, photography, plastic, Plastic art, public art, recycled art, repurposed art, repurposed materials, sculpture, sense of place, watershed, tagged Art, artist at exit 0, assemblage art, colorful plastic, driftwood, environmental art, Falls of the Ohio, found materials, found objects, nature, photography, plastic, recycled art, repurposed art, sense of place, site specific art on August 16, 2015| 2 Comments »

Hot, sticky, and the humidity had me sweating the moment I entered the park. Today’s outing seemed more like an extreme sport than an attempt at art making. I decided to focus my efforts in the western section of the Falls of the Ohio State Park. I knew the recent flooding we had experienced would more than likely deposit a lot of junk and debris along the driftwood cluttered shoreline. I was right about that, but first I had to “earn it”. To access the shoreline in this area of the park required going over, under, and around large trees that had either blown over by high winds or were undermined by the soil being washed away from the riverbank.

One thing I noticed being in this section of the park…was that all the purple loosestrife seemed to be gone. Normally, one can expect to find a whole host of butterfly and other insect species sipping nectar from the colorful flowers. On this expedition, I did not see one bloom from this admittedly invasive species. I think the Ohio River’s recent bouts of high water must have affected them? I find this somewhat unusual since I associate them with growing in very damp areas. Perhaps in their case, too much of a good thing is actually a bad thing? I will do some research to see if my hunch is true. Regardless of no purple loosestrife, there were plenty of vines to snag and trip over making the footing tricky…as if the soft mud and irregular surfaces of the driftwood weren’t enough of a challenge!

With the hot sun beating on me, I faithfully search the riverbank and collected the colorful discarded items that were first “gifted” to the river and then to me. Walking from one promising area to another…I found enough plastic junk to make my next site specific piece. Here’s another look at some of the objects that I found on this day.

The really bright and colorful plastic objects virtually scream at you when you bother to pay attention. Otherwise, it’s all just part of the material crap we create and dispose of indiscriminately. Maybe because I’m looking for this kind of thing…I see it more easily. I’ve trained my eye to spot the unnatural colors mixed among the gray and brown tones of the driftwood. I decided to set up a display in a particularly promising area between two debris fields that was also close to the river. I looked around and gathered some old milled boards and set them up on short, cut logs and before long had a table-like altar to lay my plastic treasures upon. Following are several looks at the completed work.

Here’s a view from behind the piece. You can see other bottles and junk mixed into the driftwood in the foreground. I set this piece up on an area of cracked and drying river mud.

Now a view from the front. I placed this work here to take advantage of the sunlight which was beginning to set in the late afternoon. I also wanted the verdant darkness behind all the colors to help create greater contrast. There are three tiers of boards that I used for this display. As is usual, I found less of some colors and more of others. In this instance, I could have used a few more orange plastic objects, but just one small plastic bottle was all I found this time.

In the late afternoon, all the various colors in this plastic are energized by the sun’s electromagnetic spectrum which causes this junk to glow. It’s the “golden hour” and one of my favorite times of day for its ability to infuse and unify the everyday with magic. I have stayed out on the river far longer than I first anticipated. The gnats and mosquitoes have had their way with me. Plus all my granola bars for energy have been consumed and my water ran out a couple of hours a go.

I’m fading fast and still have a long hike to make. All the obstacles that were there on the way in will also be there on the way out of the park. I took one last look back at my most recent project and decide that it is the best I can do at this particular moment. I’m calling this one, the “Park West Petrochemical Rainbow” so I can remember what section of the park I visited when I assembled this piece. I picked up my collecting bag and walking stick and made sure I wasn’t leaving something I might need behind me. The rest is one foot in front of the other. I let the fading beauty of the light distract me from my discomforts. Food, water, and a nice shower are waiting for me at the end of the line. See you later from the Falls of the Ohio State Park.

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More Fun with Plastic Jugs

Posted in art and environment, Art and Nature, Artist at Exit 0, assemblage art, creativity, driftwood, found materials, Found objects, fresh water, Installation, lost and found, material culture, nature, nature photography, Ohio River, Ohio River flooding, photography, plastic, Plastic art, public art, recycled art, repurposed art, repurposed materials, sculpture, sense of place, Site specific art, watershed, tagged Art, artist at exit 0, assemblage art, driftwood, Falls of the Ohio, Ohio River, Petroleum Rainbow, plastic containers, plastic rainbow, Rainbow, sense of place on June 28, 2015| 3 Comments »

Balancing on the spine of a water-soaked log, I crossed over to the western section of the Falls of the Ohio State Park. A gorgeous day with the river high from torrential hurricane remnant thunder storms the valley experienced a couple of days a go. It has been a few weeks since I was last in this section of the park. Everything is green and growing and pressing upon the life around it. This was another productive excursion to the river and I made several site specific works with the plastic I found. I’ve decided to break those posts up into several stories because many of the pictures came out well.

For this piece, I selected an area that I knew would have lots of plastic washed ashore. With the river currently high, the searchable area is constricted by the encroaching water and high-walled riverbank and by dense vegetation. When I unloaded my collecting bags and the contents of a milk crate I pressed into service…this is what I picked up. Interestingly, this collection also includes plastic palettes from rival cola companies. The rest of the best includes plastic containers for petroleum and laundry products. As you can see, most of the labels have come off of the bottles due to river immersion. I picked a place with lots of growing grape vines and set up my latest bottle piece. Here is a quick sequence showing the progress…starting with building a three-tiered structure using local wood and logs I found in place.

There are always surprises in what colors are available in a given area. In this section of the park, black, green, and purple colored plastic was harder to come by. I used five boards, three small logs, and a large log (hidden in the grape vines) to build this three layer structure to hold my found bottles. I worked on this piece and another one I will show later moving back and forth between the hot sunlight of this assemblage and the piece I was making in the cooling shade. Here are a couple more bottle details which I like to show off the color.

Everything about these containers is so highly artificial that they contrast with all the greenery around it. So much thought and effort went into the design of these bottles to make their intended contents as desirable as possible. That part worked because these plastic bottles were consumed in large numbers and many of them found their way carelessly into the Ohio River.

The reality that this was made from discards is balanced by the good cheer I feel from the rainbow-inspired colors arranged on the weathered wood. If I had not put them into this form, they would be nearly invisible plastic units scattered over the land. These bottles are ubiquitous in our lives and even without the labels…we recognize what many of the products were.

This is where I left the latest of the Petroleum Rainbow series…pressed by verdant grapevines and an ever encroaching river. Since I made this piece last week…our area has been buffeted by torrential rains and high winds. It wouldn’t surprise me to see that water now laps at this assemblage’s “feet”. It has been a remarkable week in other ways with the upholding of the Affordable Heath Care Act and making marriage a right for all throughout the land. I hope that these great quality of life decisions we make will keep the state of the environment a high priority too. One last picture before leaving…also taken in the western section of the park….so long from the Falls of the Ohio.

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Plastic Color Concentrate

Posted in Art, Artist at Exit 0, Clarksville, driftwood, Falls of the Ohio, Installation, Louisville, old refrigerator, photography, plastic, public art, repurposed materials, Styrofoam, tagged Absurd, art and nature, art and the environment, art exhibition, art process, art studio, artist at exit 0, Beach combing, blue, collecting, creative process, driftwood, flip flops, plastic bottles, plastic containers, yellow on May 4, 2015| 4 Comments »

April’s tale was of a high Ohio River and rain fall for the record books. Twice the river rose to flood stage before subsiding back into its muddy banks. Left in its now drying wake are trash mounds and islands of wood and debris that were pushed and floated upon the water’s surface by wind and current. In this mish mash of culture and nature I carefully pick my way over and through the debris fields at the Falls of the Ohio. All along the riverbank, the dull and muddy colored wood contrasts with the reflected light from hundreds of plastic bottles and chunks of bright white Styrofoam.

I picked a great day to visit the river. As soon as I arrived in the park, I could hear several newly arrived male Northern Orioles calling back and forth through the tall cottonwood trees. I even found several eggs. Here is a large blue plastic egg nestled in shredded tree bark and plastic bottles. I also found a muddy, but real Canada goose egg now too cool to incubate. There was an adult goose hanging out near me and I suspect some early nesters had their clutch washed away by the second flood. I decided with so much brightly colored plastic scattered all over this woody mound…I wondered if I could put any of it to use?

As you can see in this detail image…I decided to concentrate on the color yellow. I stayed within a certain area and collected all the yellow objects on this driftwood mound. It was tricky work because the footing was not good. Several times I sank to my hip as my leg would go through the loosely tangled branches, dirt, and logs.

I call this piece “Yellow Concentrate”. It consists of mostly plastic, quart-sized oil containers along with a few larger laundry detergent jugs. There are a few odd items as well. I found three rubber ducks on today’s adventure and used two of them here. I used a bowl-like depression in the driftwood as my setting to assemble and sort through the junk. I was glad to have the wooden platform in the foreground because it was also easy on the feet.

This site gave me potential for a few good views. Here is “Yellow Concentrate” with the railroad bridge in the background.

Now here’s the same piece with the skyline of the City of Louisville on the southern shore. All that massed yellow really pops you in the eye. Individually, all these yellow plastic containers barely registered scattered across the debris field, but it’s a different story when you bring them together. Feeling pretty good about yellow…I decided to next try a different color.

As I was collecting all the yellow containers…I was also sorting out the blue ones and throwing them in the driftwood bowl. On a nearby fallen, diagonally leaning tree trunk…I arranged my collection. The big blue Easter egg is near the center. As I worked on “Blue Extract”, the hole I was standing in kept getting wider and deeper.

Most of these containers are plastic oil and liquid detergent bottles, but I mixed a few aerosol cans in as well. In this line are seven plastic and rubber balls. One last project before calling it a day. I stayed in the same area and pulled aside all the lost flip-flops I encountered. I laid them all out on the white surface of a metal refrigerator that had floated in here with the last flood. It looked like the Shoe Shaman had been this way too.

The stark whiteness of the fallen refrigerator reminded me of the white pedestals that you would find in an official gallery. I organized the lost foot wear from smallest to largest, left to right. I soon left for home with a hefty collecting bag full of “river treasure” and a camera loaded with images. Every thing else was left in place. I will come back when the river level drops a little bit more and the fudge-like mud has had the chance to harden in the sun. There is still so much more to explore in the park and can see myself keeping busy for the rest of the year. Here’s one last look over the shoulder at today’s location at the Falls of the Ohio. I realized after the fact, that the found milk crate I used to move materials around was so bright red that it holds its place among the yellow and blue. Until next time!

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A Different Kind of March Madness

Posted in Absurd, Art, art and environment, art and the environment, creativity, environmental art, Falls of the Ohio, fresh water, Louisville, Kentucky, Photograpy, public art, recycled art, sculpture, Styrofoam, tagged 3 Stooges Ball, Art, art and the environment, artist at exit o, assemblage, driftwood, ecological art, Falls of the Ohio, found objects, March Madness, nature, Ohio River flooding, photography, plastic, sense of place, Styrofoam on April 5, 2015| Leave a Comment »

A view from last weekend when the water level was dropping and the sun was shining and welcoming. Curiosity overwhelmed me and I ventured forth over the driftwood piles and muddy riverbanks. Looks like most of the driftwood at the Interpretive Center has been washed away, however, under the railroad bridge, a sizeable mound of twisted matter has accumulated. To avoid sinking ankle-deep in mud…I gingerly walk on the backs of huge logs and pick my way through the debris field.

This most recent bit of flooding has deposited a large number of plastic drinking bottles onto this landscape. I am assuming that the river isn’t through rising for the moment because two days ago…we received about six inches of new rain overnight. Statistically, that was the most rain ever recorded on an April day in Kentucky’s history and the fourth biggest rainfall total for a day during any month in our state’s experience. We had a lot of localized flooding from that storm and coupled with the immense fire at the General Electric Appliance Park, put the national spotlight on Louisville…twice in one day. The GE fire and subsequent thick, nasty smoke with its fumes and particulate matter from incinerated plastic rose into the clouds and was a nearly apocalyptic vision. Many people mistook the immense column of smoke for a tornado and the weather services were peppered with false alarms. All this goes into saying that environmentally, it’s been a rough few weeks around here. Spring while lovely with the returning sunshine and greenery, also has this dark side which it is not afraid to show from time to time.

I can be sure to find novelties among all this brown materiality. Can’t say I have ever come across a Three Stooges ball before and there they were, Larry, Curley, and Moe looking up at me! There were other treasures as well. Here’s a snapshot of a toy I found that I dropped into the old collecting bag.

Discovered resting upon the wood and bark chips was this plastic fragment from a vintage toy. It is missing it’s backside. I have found similar old toys before and now suspect the river has cut into a landfill and liberated these older toys from the ground.

Came across this large carp which was one of three dead animals I found. Also located the remains of a Black Vulture and a Canvasback Duck that looked to be what was left from a bird of prey’s meal. Every now and then, you discern a sickly sweet smell emanating from the driftwood and you know some other unfortunate life form is buried under the debris.

This is the centerpiece of my former outdoor studio area where I had cached many of the materials I found in the park. All the Styrofoam pieces I had salvaged for artworks have washed away, but there is a fresh batch for the picking. This large, painted, metal disc is what I’ve been calling the “UFO” which is short for Unknown Floating Object. It washed into the park several years a go and subsequent floods have yet to move it out. It is now tilted and has all this driftwood around it. Formerly, it was laying flat on the ground and made a nice surface to work on. My time is limited today and I want to make something from all this “abundance” out here. I select a few large chunks of Styrofoam and begin constructing a figure.

Large, Styrofoam head in progress, March 2015

Some of the large pieces of Styrofoam I want to work with are water-logged and too heavy to move. I will wait a few weeks and see if the sun dries them out more? I select two pieces for what will be a large, absurd figure and get to work. I pick up junk around my feet and created this large head. I move a really large polystyrene block into place atop the driftwood pile next to a river buoy that says “Idle Zone” on it. For the next couple of hours, I will be anything but idle.

While I was constructing this figure, I decided to call it “March Madness”. According to the Walls Street Journal and ESPN, the Louisville area is the epicenter of interest in the college basketball game and its season ending national championship tournament. Our region usually has several teams competing for top honors. On the day I made this figure, the University of Louisville Cardinals were knocked out of contention. I attached an old basketball to the end of a very long arm. The slight breeze blowing at the time caused the figure’s arms and head to sway and vibrate in place.

I look forward to spending a bit more time out here…weather permitting. If everything remains in place, there is a chance to make several large figures this season. I will be curious to see if this figure is still standing or whether park visitors or the elements have toppled it? I just received a notification from WordPress that I have just reached my sixth anniversary of blogging with them! For today, I will end with a picture of a tree that recently was completely underwater. You can tell how high the water rose from the junk caught among the branches. Happy Easter everybody!

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Muddy Falls and Galerie Hertz

Posted in Absurd, animal art works, Art, art and the environment, creativity, ecosytem, Falls of the Ohio, fresh water, Louisville, Kentucky, Ohio River, Styrofoam, watershed, tagged Art, driftwood, exhibition, Falls of the Ohio, flotsam and jetsam, found objects, Galerie Hertz, material culture, nature, Ohio River flood, photography, plastic bottles, repurposed objects, sense of place, site specific, Styrofoam on March 28, 2015| 5 Comments »

The Ohio River remained higher than expected and was bolstered by a few days of rain. I visited the Falls of the Ohio last weekend during a moment when the water level had dropped just enough to reveal a muddy shoreline with its accompanying line of stranded debris. The places in the park I like to work and visit were still underwater.

I put on my “Falls shoes” which were already muddy and that I keep outside on the front porch of my house and headed for the river. As usual, I brought a collecting bag and camera with me and ventured forth to see what there was to see. In places, you could tell that the river with its water-born logs had acted as a battering ram and pretty much leveled the vegetation nearest to the water.

The silt and clay are both very fine and sticky when wet. I gingerly step on wood and other debris to keep from sinking ankle-deep in this quagmire. I enjoy looking at the rippling wave patterns that the water creates. I call this “river shivers” and imagine if the riverbank could display “goose-flesh” that it would look something like this. And speaking of geese…

…the flock of Canada geese I photographed the previous week, left their footprints everywhere in the mud. Their friend, the ex-patriot domestic goose, was still hanging out with them.

Of course, nearly every place you looked, you could see man-made trash and driftwood. Much of this material has originated far from here. When things finally dry out enough for a more thorough exploration, I’m expecting to find all kinds of examples of our material culture washed into the park.

Interspersed with the bottles are lots of other plastic items and various foam-based garbage including Styrofoam…my primary sculptural material. This is just a detail of one small area. Already I’m seeing hundreds of plastic drinking bottles. I’ve been asked on more than one occasion if I’m ever afraid that I might poison myself or get an infection from something that I’ve found out here by the river. My short answer is yes. One needs to be concerned, however, I don’t press my luck with anything that looks at all questionable. I guess I do place a lot of trust that the billions of gallons that constitutes the Ohio River does in effect “wash” the stuff that I use. So far, knock on wood, I’ve never had an adverse reaction after working out here for more than a decade. The Falls of the Ohio State Park is a public space and what I encounter is also what the public encounters.

Here’s the trunk of my car after this brief foray to the river. This may be hard for some of you to believe, but I’m actually very selective now. These days, I only carry back to my home work space, the “cream of the crop”. I prefer to make my artworks at the river, but will also take materials home to “hedge my bets” and for workshop purposes. The larder I had created at my “UFO” (Unknown Floating Object) outdoor studio is now long gone and I wonder if that circular metal platform is still around…or has it finally floated away too?

While temporally stymied by water and mud, I have the opportunity to interact with the local art world in a more usual way. Galerie Hertz which represents my art in Louisville opened a collage and assemblage group show. Billy and his partner Tom have been important players in our city’s cultural life. They have been rightly credited for creating an arts district on Market Street through the activities of their renovated galleries. Each new space the pair opened was an upgrade of a building that needed some help. This gentrification has attracted other galleries and dealers, bars, restaurants, and several home décor stores along Market Street. In typical Galerie Hertz fashion, Billy and Tom have moved on to a different location and their current gallery where I’m showing my works is now on South Preston Street. How often is it the case that creative folks move into formerly neglected areas and bring them to back to life?

Among the works I have in this group show is this piece entitled “Moon Star”. I made this piece at the river, but felt is could use a bit more embellishment. I added many found bicycle tire reflectors and some river-polished glass around the head. When the light hits it just right, the reflectors just glow.

Through the miracle of “Styro-dermy”, I saved the Polar Beaver I encountered recently. To get this piece to sit the way I want it to…I have embedded three, large, lead fishing weights into the tail to counterbalance the body.

This diminutive figure is called “The Harbinger of Spring” and I created him last year at this time. I also wrote an accompanying story that helped explain how winter transitions to spring. Although I like to think that many of my Styrofoam-bodied sculptures can hold their own as freestanding objects…they are also relics and artifacts of a site specific performance that happens out at the river and is additionally documented through photographs and stories. At the moment, the sun is shining, but it is also cold at the river. Tomorrow is another day, another day for the river to recede and the mud to dry. I think I will get up early and give it a go. I will let you know what I discover at the Falls of the Ohio State Park.

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High Water High

Posted in Art, art and environment, ecosytem, Falls of the Ohio, fresh water, Louisville, Kentucky, nature photography, Ohio River, Photograpy, watershed, tagged Art, artist at exit 0, driftwood, Falls of the Ohio, flooding on the Ohio River, flotsam and jetsam, geese, nature, photography, plastic debris, skyline of Louisville Kentucky, the Humana Building on March 16, 2015| 1 Comment »

Following is a portfolio of images I made the first week of March during a bout of minor flooding that at the time of this writing has not yet subsided. After a late season rain and record-breaking snow storm, the Ohio River predictably has swelled its banks. During the past week, we received several more days of rain that kept the water level high. This is seasonal and normal flooding that we usually experience almost every year. I heard the other day that the river hasn’t been at this level since 2011. I published some images of this series on my newly minted Facebook page and will try to avoid duplicating those images here.

Many of these images are of the skyline of Louisville as seen from a soggy Falls of the Ohio State Park. Currently, in Louisville, low-lying sections of our roadways are underwater and a major downtown exit has been closed. River Road is truly in the river. The city is expecting an influx of visitors to arrive by Thursday for the start of the NCAA basketball tournament. Louisville is one of the host sites and our basketball arena is right on the river. As long as there isn’t anymore significant precipitation along the Ohio River Valley, the river should drop fairly quickly.

Light levels were dropping fast near day’s end and I used my camera phone to record these images. There was no wind and the only motion was created by a fast flowing river. I like the way the inundated trees along with their reflections create this frieze that was fun to use in framing a composition.

The Army Corps of Engineer Tainter Gates are under water. Usually, they hold the muddy Ohio River at bay exposing the world-famous fossil beds for exploration. This image captures a long train crossing over the old iron bridge. My outdoor studio where I stash my materials has long since floated away. I will need to start from scratch again, but I have done this many times before. Once the river subsides, I will be able to find new art materials to work with. Frankly, I like it when the park floods a bit. The Ohio River is so dynamic and along with the changing of the seasons provides a novel landscape every time I visit.

Now there is also a downside to all this activity. All the pent-up junk along both banks of the river is free once more to continue its journey to the Gulf of Mexico. In this image, there’s lots of plastic bottles for drinking and oil products plus the usual Styrofoam and driftwood all mixed together. The brightly colored plastic contrasts with the natural tones of the river.

This sign is up all year round, but frankly it makes the most sense to me during moments like this. Floating junk forms a line about where the dam’s wall would be.

Even though the river was high…there was also lots of signs of life. Soon it will be time for the Spring migration of birds moving north which is one of my favorite times of the year in the park. I took several images of this flock of geese. Most are Canada Geese, but the one guarding the rear is a domestic escapee. I have watched this bird with this particular flock of geese for several years now. Usually, the Canada Geese are very territorial especially towards others of their own kind. Perhaps that is the key to the domestic goose’s acceptance…he really isn’t one of them and so he’s tolerated.

Except for some selective cropping of a few images…I have done nothing else to them. In this image, I have made the geese more prominent by eliminating the water in the foreground that makes up most of the photograph. The other nice bird sighting of the day was seeing a juvenile Bald Eagle doing a fly over. Eagles are becoming more common sights along the Ohio River and several pairs have built nests fairly close to the city.

You can get a better sense for this “gentle flood” by showing a few inundated trees. Here larger pieces of driftwood have been blown or directed by currents to the Indiana side of the Ohio River. You can also see plastic junk interspersed among the wood.

The City of Louisville’s downtown section as seen from under the railroad bridge at the Falls of the Ohio. The pink rectangular building with the bluish-green highlights (second tallest building on the right) is the Humana Building. It’s architect, Michael Graves, passed away a few days a go. The Humana Building is considered one of Graves’ Post Modern masterpieces and one of the nicest buildings in our city. I remember when Humana’s founder, Wendell Cherry kept some of his art collection on view in the building that the public could tour on occasion. You might come across Roman statuary in one room and a tall Giacometti bronze in another. The art holdings were amazing. Cherry was mostly secretive about his purchases and once paid the world record for a painting at auction when he bought an early Blue period Picasso self-portrait entitled “Yo Picasso”. I believe the disclosed purchase price was just under 7 million dollars which seems like a bargain now that the record has been pushed recently to over 300 million dollars for a Gauguin painting. I could go on about that, but that is a topic for another time.

Like this guy in the foreground, I’m waiting for the river to recede before seeing what changes have been made. Many of my favorite willow trees are completely underwater. I know they get buffeted and damaged by the currents which carry lots of debris in their wake. Perhaps by this weekend it will be all right to venture out among the muddy driftwood piles? I will bring an empty collecting bag because I’m sure to find “stuff” to use for my creations. On March 22, I will be participating in a group assemblage and collage show at Galerie Hertz. I will have six different sculptures on view. I will give you a sneak peek in my next post. For now, keep your feet dry…Spring is on the way!

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From the River’s Heart

Posted in Art, art and the environment, nature, Photograpy, tagged Absurd, Art, art and nature, art and the environment, art journey, art process, art studio, artist at exit 0, bottle of pebbles, Carnegie Center for Art and History, creative process, driftwood, Falls of the Ohio, found materials, lost and found, plastic, plastic heart, railroad bridge, sense of place, Styrofoam on January 19, 2015| 20 Comments »

Happy 2015 to all from the Falls of the Ohio State Park! This is my first post of the new year which has started auspiciously for me. I am happy to report that I found a new day job! I am the new Coordinator of Public Programs and Engagement at the Carnegie Center for Art and History in New Albany, Indiana. About this time last year I was showing my own river art at this organization. It’s funny how things worked out…I had a feeling that my opportunities were leading me to the north bank of the Ohio River and that’s what happened. I found this plastic heart in the mud of the Indiana riverbank about a week before I was offered the job. I wonder if it has significance?

My relationship with the Carnegie Center for Art and History goes back to the early 1990’s when as a staff member at the Louisville Visual Art Association I helped to install the Indiana version of the Children’s Free Art Classes on the Carnegie Center’s gallery walls. Over the years, I’ve been fortunate enough to have exhibited my own work here with the latest being the Potential in Everything show with Michael Wimmer that was up this time last year! There has to be a lot of serendipity in play here for all the stars to line up as they did and so I am feeling it was meant to be. I will be creating new workshop opportunities and other programming to help the center with its community-minded mission. It’s a new challenge for a new year!

With the new job and a recent cold spell I haven’t had the opportunity to visit the river until this three-day weekend. I heard that 2014 was the warmest year ever recorded across the globe. Today our temps are in the low 50’s which is quite a change from the teens we just experienced. I grabbed my walking stick and collecting bag and made a day at the river. I have been doing various bottle projects and here is a new one. I found a plastic liquor bottle that still had its cap on it. It’s interesting to note that most bottles I find with screw-top bottle caps are discarded with their caps on. By a deposit of Ice Age gravel, I was able to fill the bottle with river-tumbled white and pale yellow quartz pebbles. Not sure how I will use this, but will probably factor into a new artwork soon. Being outside on such a fine day is something else I wish I could bottle for future use when the cold, damp, and gray returns. For now I place the bottle in my collecting bag and move on. There are other things to find and discover.

Next to the flattened top of an aluminum can I found this small, partial jaw bone. I think it’s from a skunk or some other small carnivore, but will need to check the dentition more carefully. After taking this picture, I picked the mandible up and placed it into my bag. This find will factor into something else I put together before day’s end.

The mud and melting ice made checking out the river’s edge problematical and so I headed up the riverbank and into the willow trees. I visited my outdoor atelier and decided to do a little “house cleaning”. I swept the leaves and dirt off of the circular metal platform that has been here for several years. If I could have figured out how to get this object home, I probably would have done so by now. As it is, I like using it as a work surface and place to sit. My other stashed materials are nearby. To me, the platform is still a “U.F.O.”…which stands for “Unknown Floating Object”. I think it has something to do with mooring barges, but could be wrong about that. I also like that it adds a stage-like presence and helps define one small area at the Falls.

Standing on the platform and facing the river, if I look to my left I see the old railroad bridge. There were several trains that went back and forth while I was occupied. The railroad is part of the atmosphere of the place. A large and partially burned log occupies the space between the platform and the bridge. I straightened out my stick and root collection and sorted them on the platform. I then rediscovered my Styrofoam collection. Every time I walk the river, I find new river-polished pieces and add them to this assemblage. There is simply more here than I can use at a time and so anyone is welcome to try making something from what has been gathered.

I grab a few rounded pieces from the collection and decide to construct a figure from what I have here and in the bag. I decide which shapes and forms would make good heads and bodies and set them aside. Once in a great while, some other creative souls find my larder and make something of their own from this junk. I like it when people see the opportunity here.

I usually like starting with the head first. It’s where the most information is focused and my Styro-figures share this with archaic works and folk art. In the case of this figure, I decided on another shape for the head. Collected bits of plastic and potential facial elements are placed into a found plastic bowl. I will decide the features of today’s figure from what I’ve gathered today. Here’s a sequence showing the progression of how the head evolved including what already looks like a found face in the bowl.

The found mandible has a new home on this piece. I split the bottom from an aluminum can to make the ears which does give this figure a monkey-like quality to it. The eyes are a white, plastic bottle cap and the green, plastic bead from a child’s toy. I found two expressive sticks for arms and set the figure up as though it were sitting down with crossed legs. Here are images of this piece finished on site.

I had the best time today. There is still lots of winter before us, but this weekend’s respite helped connect me to the river for the first time this year. I will be curious to see if we even have one decent snow fall this season? Whatever happens during 2015, I will take it all in stride. The year is already off to a positive start! I think I will leave it at that and sign off until next time from the Falls of the Ohio.

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The Shark Shepherd

Posted in Absurd, animals, Art, art and environment, creativity, ecosytem, Falls of the Ohio, fresh water, nature photography, Ohio River, Originality, recycled art, sculpture, Styrofoam, tagged Art, art and the environment, artist at exit 0, beaver tracks, driftwood, ecostory, Falls of the Ohio, found materials, marine ecosystems, nature, photography, repurposed art, sculpture, sense of place, shark fin soup, sharks, story telling, Styrofoam art, the disappearance of sharks, willow sticks on December 9, 2014| 10 Comments »

The following is my latest adventure from the Falls of the Ohio State Park. It’s official now, the month of November was among our top ten coldest Novembers ever recorded. This continues a see-saw trend where one month might set a record for heat (like October did) only to bounce back down to the other extreme. It’s too early to tell about December, but on this recent visit it was cool and overcast. We have since had several days of rain causing the river to swell. Today’s story begins at the westernmost point on the Woodland Loop Trail. This path is bordered by what folks around here refer to as a “creek”, but in actuality is a channel cut into the riverbank by storm water overflow released from the town of Clarksville. I wish it were a creek and perhaps long ago, may have been one. During periods of flooding and high water, driftwood and logs back up into this area and are stranded once the water level recedes. The picture above is a recent illustration of this.

I was exploring this water-cut channel and noticed that there were lots of beaver signs present. In addition to their tracks left in the mud, I found plenty of chewed willow branches. I added some of the nicer sticks to my collecting bag. It made me think about how much the appearance of the black willow trees around here are shaped by the beaver’s “pruning” methods. I don’t know why this didn’t occur to me before…perhaps it was just too obvious. Actually, I think it has something to do with the beaver population rebounding over the last few years. In certain local places, they have become “pests”. Their damning of local drainage canals has necessitated their capture and removal to other more remote areas.

Exploring a bend on the Woodland Loop Trail, I found this deer skull laying upside down on the fallen leaves. It was kind of hard to see, but something in the old brain said to look more closely and I did. After taking a few photographs, I laid it upon the trunk of a large fallen tree for others to discover. Like the beaver, it appears the deer are becoming more numerous as well. After years of finding just their tracks and the occasional bone, this season I was able to spot a doe and her fawn in the park during broad daylight.

I walked to the top of the riverbank to get a better look at the peninsula that has been created at the mouth of the “creek” from the storm sewer’s overflow. Over the years, I have witnessed stringers of sauger and catfish being caught here by the local fishermen. I like how the rising and falling of the river has terraced the mud into a series of graduated steps. I was relaxed and zoning out on the view when I noticed something white that had surfaced and was entering the “creek”. I quickly took a photo and here it is.

I scrambled down the riverbank to get a better view and got my clothes severely muddy in the process. In my head I’m telling myself that for all the world this looks like a shark’s dorsal fin…but is this possible? I remember hearing that there are a few shark species (notably bull sharks) that are capable of swimming up rivers and able to tolerate being in fresh water for extended periods of time. Still, we are a long way from the ocean which also includes navigating a large section of the Mississippi River before entering into the Ohio River… just to reach this spot. I observed the fin submerging as it disappeared from view. Hustling, I reached the general location where I thought the fin was heading and was “blown away” by this sight!

Emerging from the muddy water was this white figure sporting an improbable headdress or mask? The figure was carrying a staff and appeared to have fins on its body similar to a shark. I let this fellow come fully out of the water before my curiosity overwhelmed me and I went in for a closer look.

This strange being did not seem to be afraid of me and regarded me through his dark eyes. His face was framed by what looked like the jaws, teeth, and the head of a shark. My attention kept returning to the fearsome mask it was wearing which I surmised might be a part of some breathing apparatus? A yellow light on its chest would occasionally blink signaling some other unfamiliar technology was present. The staff the figure was holding was terminated by a hand pointing a finger which reinforced the stranger’s mysterious presence.

Using its staff, I watched as the figure drew the outlines of several sharks in the soft mud and then pointed to one of his eyes. He followed this by making a sweeping movement with his arm that seemed to encompass the river and its surrounding landscape. It took me a moment, but I think it asked me if I had seen any sharks in the area? Reflexively, I replied by shaking my head “no” which the figure seemed to understand by dropping his head and shoulders in a disconsolate manner? That’s when I had this mental flash that this guy was a shepherd, a shark shepherd and he was looking for his lost flock? From here on out, I will refer to him as the Shark Shepherd. He next stuck his staff into the mud and walked away from it. I decided to tag along to see if I could learn anything else about my new silent friend.

The Shark Shepherd seemed to have a curiosity about our world. I observed as he approached an improvised tent that someone had set up among the trees. It’s owner(s), however, were not around, but it didn’t seem abandoned in my eyes. Probably made by fishermen and there seemed to be several trying their luck along the riverbank on this windy day. I too have a curiosity about the world and after my encounter with the Shark Shepherd ended…I rushed home to try to figure out what he was doing here so far from the sea? Using the miracle of the internet, I learned a few alarming facts about shark disappearances worldwide.

On average, between 20 million to 73 million sharks a year are taken out of marine ecosystems across the planet. Most of the statistics mentioned the higher number…regardless, that’s too many sharks. Sharks are “harvested” for their fins, cartilage, and teeth. The boom in popularity for shark fin soup has led to an insidious practice where millions of sharks are harvested and often indiscriminately by using thousands of hooks set on miles of trailing “longlines”. Sharks are a valuable bycatch. The captured sharks (which are often caught alive) have their fins cut off and are frequently thrown back into the seas to die in agony. It’s a lucrative business because this was once a delicacy and status symbol reserved for the wealthy back in the day when sharks were harder and more challenging to catch. Now it is within the reach of more people. Through industrialized commercial fishing, millions of mostly Asian consumers can have a bowl of shark fin soup on special occasions. Interestingly, the soup itself needs to be flavored with beef or chicken stock because the fins themselves are a textural element and contribute no flavor of their own. Of course, a bowl of soup is not the only challenge sharks face. Commercial sports fishing, pollution, reef destruction, and overfishing of the shark’s prey base play their part as well.

In the United States, large sharks have disappeared from the Gulf of Mexico. I think this is the reason the Shark Shepherd was this far inland. Along our Atlantic Coast, it has been reported that eleven of the largest shark species have essentially vanished. This has important repercussions for the overall marine environment. You can’t remove this many apex predators from an ecosystem and expect it to function normally. There are cascading effects. A recent study attributes the decline in our East Coast scallop industry is due to the loss of sharks that normally would keep cownosed rays and sting rays who eat scallops in check.

I followed the Shark Shepherd as he explored the area around the newly closed Interpretive Center. There were people around and they did exhibit interest in my friend, but were generally respectful for what was going on. A few folks asked if they could take pictures of the Shark Shepherd and he obliged them. During my internet research, I did find it fascinating that there are places like American Samoa, Hawaii, Guam, and the island nation of Palau where sharks are protected. Interestingly, these are all places in the Pacific Ocean where people regard the shark as a culturally and spiritually significant animal. These Polynesian cultures understand that their very identities are connected with sharks. The same, however, can’t be said for the rest of the world who regard sharks as nuisances and or threats. Better to view something with reverence than through fear.

The Shark Shepherd climbed the staircase to gain a better vantage point overlooking the river. I watched him scan the waters, but only an occasional fishing boat presented itself. If he was looking for sharks, well, there probably hasn’t been any here for about 400 million years when this area was a Devonian Age coral reef. I could feel the poignancy of the Shark Shepherd’s search as it failed to bear fruit. After a short while, we reversed our course and retraced our steps. The Shark Shepherd gathered his staff and walked back into the creek where after acknowledging me with one last look back…disappeared into the Ohio River. Although I realized that I would not see him again, I couldn’t help but hope that he and his sharks wouldn’t disappear forever from the oceans of the world.

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Closed for Renovations

Posted in Absurd, Art, art and environment, collections, creativity, Falls of the Ohio, nature photography, public art, recycled art, sculpture, Styrofoam, unusual collection, tagged Art, artist at exit 0, Devonian Age, driftwood, exhibit display, exhibit renovation, Falls of the Ohio, Falls of the Ohio Foundation, fossil rocks, mammoth skeleton, nature, photography, plastic pollution, Prince Madoc, recycled art, Solid Light Inc., Styrofoam, the art of display on November 27, 2014| 13 Comments »

On November 24 the Falls of the Ohio’s Interpretive Center closed for renovations. This is the first large-scale overhaul of the permanent exhibits since the center opened in 1994. Since that time, the state of the art in terms of exhibit display has progressed by leaps and bounds. According to an article appearing in the Courier-Journal, the Falls of the Ohio Foundation has raised six million dollars to pay for the new updates which are expected to be completed sometime in the fall of 2015. Louisville’s respected museum design company, Solid Light Inc. will handle the redesign and installation. The Interpretive Center will be employing the latest interactive technologies and refining its focus to better educate visitors about the significance of the Falls of the Ohio area. Four new themed exhibits will take the place of the old static displays and are named “The Devonian Sea”, “A Changing Land”, “Converging Cultures” and “The Falls Today”.

I am looking forward to checking out the new exhibits once they open. But if I may for a moment, pause and reflect upon the demise of the original beloved centerpiece that was once on display in the Interpretive Center’s main hall. In style, it does harken back to a tradition when collections of natural history specimens and objects that provoked wonder were kept in Wunderkammers and cabinets of curiosity. This eclectic display has never failed to fire up my imagination. Yes, it is a mishmash of objects (both real and artificial) and it jumps all over the timeline. This is actually one of the reasons I find this display so appealing. My experience of the Falls is one where all this history and information exits simultaneously in the present and I felt that from this art-like installation.

old fish display at the Falls of the Ohio Interpretive Center

I love the scale of the mammoth skeleton and the taxidermed fish and birds lifting to and flowing from the ceiling. With this display it was easy to adjust for scale and you received a truer sense for just how big the Devonian sharks were and how truly huge an Ice Age elephant was. I’m not sure that a projection or video could convey this as much as something you could make a true physical comparison with that is sharing the same space with you? A walk around the centerpiece revealed beautifully fabricated and delicate Devonian Age sea creatures inhabiting a coral reef. The displays under glass contained specimens and relics that were a tip of the hat to many of the great 19th century naturalists that helped put the Falls of the Ohio on the map. In essence, a lot of the information you needed to know about the Falls was contained in this single display.

Of all the elements in this centerpiece, perhaps the most controversial was the inclusion of a life-size figure of Prince Madoc. He was one of three figures presented which also included a representation of a Native American and a pioneer figure that might have also been a portrait of John James Audubon? In case you have never heard of Prince Madoc…he potentially was a 12th century Welsh explorer and he and a band of his people may have been early European visitors to North America. There is a persistent legend about a group of blonde hair blue-eyed Indians that may be descendants of Prince Madoc. An old Native American story has this band being routed in battle near the Falls of the Ohio and is the connection to our area. When President Thomas Jefferson sent Lewis and Clark west to explore the continent…he asked that they keep an eye out for evidence of this story. I have a good friend who couldn’t bear to look at the Prince Madoc figure and not because it wasn’t done well. To him, it was a travesty to include this in a tableau that included factual elements. To date, there is no convincing evidence, no archeological proof that Prince Madoc ever came to this continent. I guess the veracity of the story never bothered me and I just liked the tale because of its association with the Falls. To me, this is what history is about…some parts fact and some parts myth. The Prince Madoc figure was there to add an extra dimension of imagination I could appreciate.

Prince Madoc may have been banished from future displays, but the mammoth skeleton was kept. It was taken down and repositioned so that you have to pass between its legs and under its ribcage to enter into an auditorium. I’m sure the new displays will be incredible, but I do hope they will also inspire visitors to use their own imaginations to some degree.

Having touched base with the Interpretive Center, I decided to connect with my own peculiar low-tech universe. On this day it was sunny and windy and I made my way under the willow trees which provided some shelter from the breezes. My larder of river-polished polystyrene chunks as white as the recent snowfall was there waiting for me. I got an idea to make a particular figure from other items I found that day, but the piece I started crumbled to pieces. A rare but not unheard of temporary setback. I will return to it when I find the right form for this figure’s body. On to improvised plan #2. I looked around my pile and selected two new pieces and joined them together as head and body. The addition of beaver-chewed willow stick limbs and some stones for eyes and plastic for the mouth and you have the basics of a figure.

This is the second piece I made and he is decidedly less complex than the sculpture that fell apart. I kind of like this guy as an abstracted representation of a figure out in the landscape. I walked him through the land and stopping here and there for different photo opportunities. Here are a few more pics from this day.

To me, this figure has a sort of benchmark quality to it. Here it’s posed next to some typical river trash. There are places out here that “bleed” red from some oxides that originate beneath the sand. I did keep the plastic wheel I found and added it to my ever-growing collection of toy wheels. I have several hundred of them now and hope to create a grand piece with them.

Up on the fossil cliffs that overlook the river, I found a nice hole for my figure to stand in. I tried to set the figure up by positioning the legs in a naturally occurring crack in the stone, but the wind was just too strong to allow this to happen. A single fisherman shares the scene with my latest creation.

For this image, I simply liked the piece of driftwood my Styro-figure is posed next to because of its worn and polished sculptural qualities.

Here, I’ve set up the figure under an anonymous driftwood construction. I liked the way the propped up driftwood defined and framed a space for my figure to exist in. On this particular day, there wasn’t a made up story that came to mind. For most of my Falls forays…this is the typical way the day goes. It’s about being outside and reacting to the elements and conditions I come into contact with on the river’s edge. This is how I interpret what is happening at the Falls of the Ohio. I am already looking forward to my next visit and sharing it with you.

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Artist at Exit 0 Riverblog

Art and images from the Falls of the Ohio.

Posts Tagged ‘driftwood’

It’s September and Current Projects

Park West Petrochemical Rainbow

More Fun with Plastic Jugs

Plastic Color Concentrate

A Different Kind of March Madness

Muddy Falls and Galerie Hertz

High Water High

From the River’s Heart

The Shark Shepherd

Closed for Renovations

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