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Archive for the ‘watershed’ Category

Snow Folk

Posted in Absurd, Art, art and environment, creativity, environmental art, Falls of the Ohio, nature, public art, recycled art, sculpture, Styrofoam, watershed, tagged , , , , , , , , , , , , , on December 30, 2012| 16 Comments »

snow covered driftwood, Dec.29, 2012

The last month of the year which began so warmly has finally delivered some cold and snow to the Falls of the Ohio.  The newspaper says that somewhere between two to four inches fell overnight.  I’m sitting in the comfort and security of my home and all is well except for that small voice in my head telling me I need to go check out the river.  The voice is persistent and annoying and makes little sense on such a bitterly cold day.  Naturally, I caved in simply because snow events are uncommon here of late and as a chronicler of the Falls, I have a self-appointed mission to document what happens.  I also know from past experiences that these snow and ice events can be beautiful and have a way of revealing a different side of this environment.  Who knows, maybe I will come across something I’ve not seen before?

Blanche in the snow, Dec. 2012

Upon arriving I discovered that my way of accessing the riverbank was gone!  The trusty wooden staircase that led from the parking lot to the river is completely missing and I think that some of the maintainance issues it had finally caught up with it?  To compound events further I discovered that my right boot has a hole in the sole and the cold water I just stepped in has made my sock and foot a soggy, frozen distraction.  I’m about ready to get back in my car when I hear that familiar voice again.

Blanche's face, detail, Dec. 2012

This time that voice wasn’t coming from within me, but rather just a short distance a head of me.  The voice reassured me I wasn’t suffering a relapse of the flu I recently overcame!  Seemingly materializing in thin air was this small, but classic version of a snowman who asked to be called “Blanche”.  I suppose that makes her a snowwoman or snowperson and it’s weird the things you think about in certain moments.  I would guess that the figure was about two feet tall or so.  She had a fishing float for a nose, coal eyes, and bits of red plastic around her neck and mouth.  Attached to her head was a rather interesting hair comb.  Blanche thanked me for showing up and apologized for “getting into my head”.  It was she who had called me to the river to tell me something important.  As she spoke, I forgot all about the hole in my boot.

Blanche rolls a snowball, Dec. 2012

Blanche rolls several snow balls, Dec. 2013

I hope I’m getting all this right because several things were happening at once.  While Blanche spoke to me she was also rolling snow into three balls of graduating sizes.  What she in essence told me was that while life did originate in the water…the relationship was deeper and richer than that.  Water was in fact “life” and the medium where its collective unconscious resides.  It is water existing from the North Pole to South Pole in all its forms like snow, rain, ice, salty, fresh, steamy, cubed, etc…that holds the memory, wisdom, and promise of life.  As it turns out water also unifies life.

As I was trying to absorb what was being told to me…I snapped a few photos and hoped that the cold wouldn’t affect my digital camera.  Blanche took the three balls she created and stacked them one on top of the other.

Blanche creates a friend, Dec. 2012

As I watched, Blanche added a gold plastic hat she found as well as an orange golf tee for a nose.  As she worked Blanche hummed a song and I watched in astonishment as a second snowperson appeared before me!  Blanche said his name is “Frio”.

Blanche and Frio, Dec. 2012

Frio and Blanche, alternate view, Dec. 2012

It was the most incredible display I had ever seen!  Right before my eyes the seemingly inert snow took on another form that came to life and reinforced some of Blanche’s message to me.  There would be more.  Frio then asked me to continue to tell the water’s story through my blog because the fate of water and life was more important than ever.  It was vital that water remained as pure and clean as possible or the normal rhythm of the planet would be disturbed. He told me that the internet was something similar to the collective unconscious and the best way to send out a message to the billions of people now living on the planet.  Water and life need all the friends that can be mustered to act on its behalf.

Blanche and Frio singing, Dec. 2012

My encounter with the Snow Folk ended in song.  Before Blanche and Frio headed out they sang a song to the Falls celebrating how this is a unique place on the planet where time and space intersect in interesting ways.  There was a verse dedicated to me and the continued success of my project now entering its tenth year.

Blanche and Frio depart, Dec. 2012

I was completely charmed and captivated and thanked the Snow Folk for the song.  I watched them turn and walk into the river where they completely disappeared.  I’m still trying to digest this experience.  It’s not everyday that water speaks to you in your own language.  Thankfully, I have these photographs to show you and to add weight to Blanche and Frio’s message to us.  After a while, I felt the cold again and decided this time that a mug of hot chocolate or coffee would help me feel my fingers and toes again.  Happy New Year to you all from the Falls of the Ohio.  See you in 2013.

skyline of Louisville, KY at year's end, Dec. 2012

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Project Reclamation…Views from an Exhibition

Posted in Art, art and environment, collecting art, collections, creativity, ecosytem, environmental art, nature, recycled art, watershed, tagged , , , , , , , , , , , , on November 23, 2012| 12 Comments »

I have had a few folks ask about the Project Reclamation exhibit I’m participating in and I thought this post would be a good place to feature this.  The exhibit opened a couple of weeks a go on November 2, 2012 and will run through January 12, 2013.  About a year and a half have passed since curator and artist Mary Margaret Sparks asked me to participate in this invitational exhibit.  There are thirteen artists represented in this group show with a nice cross-section of projects in various media addressing the complex topic of coal its use and extraction.  The Carnegie Center for Art and History located across the Ohio River from Louisville in nearby New Albany, Indiana has done a fine job of installing and interpreting the works and has planned many activities that the public can engage in to learn more about the controversial topic of coal mining through the practice of Mountaintop Removal or MTR.  This is a highly destructive way to extract coal from southern Appalachia’s mountains which also endangers  some of the greatest biodiversity in our part of the world in pursuit of cheap and reliable energy.  To further spur the artists along, the not for profit organization Kentuckians For the Commonwealth invited the participants to Whitesburg in Letcher County, Kentucky to tour Appalshop and watch a few coal-themed documentaries.  A guided tour into coal country provided additional impressions of the mountains and the folks who call this place home.

All of the participating artists had some prior interest either working with coal as a social issue or material substance before accepting the invitation to show.  There is a unity in the belief that the more we degrade the environment, the more we change ourselves and not for the best. For me, my entry came through the related issue of clean fresh water  which is also our number one vanishing resource.  I frequently find river-altered coal at the Falls of the Ohio State Park.  Combining this coal gravel with discarded and river found booze bottles gave me an opportunity to work with ideas about consumption and addiction.  The result was my “Mountaintop Mini-bar” sculpture, but I also have six photographs from my “Coal Flake Series” on view as well. My impression of our guided trip to coal country reinforced what I’ve previously seen and experienced.  It seems to me that the people who were sacrificing their land and culture were not receiving much in the way of compensation for our quest for coal.  Regrettably, this is an old tale seen time after time across the globe.  People might think that this is something that only happens in distant poor countries, but we have our own share of material poverty in our own backyard.

Most of the participating artists took considered approaches that referenced and respected the uniquely rich culture of coal country.  Several artists worked with traditional fiber and or needle and thread to produce their statements.  Julie Yoder created a large wall installation, “Appalachian Patchwork”,  assembled with woodcuts on handmade paper.  Patchwork quilting is an important Appalachian art form and Yoder’s piece represents the landscape and local culture as being a composite of unique designs that have come together over time to form a whole.  Mountaintop removal has a way of fragmenting this landscape and disrupting the continuity that life here depends upon for survival.

Other artists utilizing fabric, needle, and thread include Jo Ann Grimes with her sympathetic portrayals of miners.  Joel Darland and his marvelous hand-embroidered quilt squares.  Rachel Brewer’s two embroideries of song birds on dirty furnace filters.  Mary Margaret Sparks’ imposing “Lest We Forget” hand-embroidered and sewn re-purposed fabric waterfall that is a memorial to lost mountain streams and creeks that were damaged by coal mining.  Also in this group is a fascinating video entitled “Harriman” which is the work of Denise Burge and incorporates video, fabric, and thread.  Burge’s video is a statement made in the aftermath of a disaster.  A broken coal slurry dam in Tennessee had poisoned the surrounding watershed and imperiled the health of a community living in the area.  Burge’s video documents some of the clean-up involved and how protective the coal industry is in guarding its own image.

Photographs by Joshua Howard contrast the natural beauty of coal country with the grim realities of the industry.  A more overt political statement comes from Wayne Ferguson who sees Kentucky’s senior senator as being in cahoots with the industry that helps bankroll his re-election campaigns.  Ferguson’s drawings chart the corrupting influences of money and power at the expense of the land and the best interests of the people.

The sense that mountaintop removal is a great calamity for nature at large comes through the works of two artists.  Ceramic sculptor Alex Adams’ piece entitled “Wounded” suggests that MTR mining disrupts the very living tissue of the mountain range. He does this by representing two mountains that have had their peaks literally removed revealing  raw, open wounds.

Painter Michael Koerner’s approach is equally reductive and he comes to a similar conclusion about the fate of the mountains.  His diptych entitled “After the Canaries Left the Coal Mines, the Mountains Began to Leave Appalachia” is an argument reduced to its essential points.  For example, in Koerner’s landscape, the painting is physically divided into two parts suggesting man’s indifference towards nature.  The bare slopes past the forested mountains are a warning of what could occur with unchecked mountain top removal.

One last artist before closing.  Aron Conaway’s work lies at the heart of our culture of consumption.  His work entitled “Billions and Billions Served” features a Ronald McDonald clown driving a toy front loader on top of a large pile of coal.  In his work, Conaway makes it obvious that we are all implicated in the big issues of our day.  The demand for coal exists because we demand the energy to stay warm in the winter and cool in the summer time heat.  If we don’t like the side effects of coal mining, perhaps we should speed up our search for alternative energy sources, find ways to curtail our addiction to electricity or both?  The demand for cheap coal and energy is what drives the supply.

The Carnegie Center for Art and History has a nice program of upcoming events that expands the breath of this exhibition.  I have already participated in one gallery talk that drew an interested crowd.  Film screenings, art making opportunities, and a panel discussion on mountaintop removal and renewable energy sources will also be held during Project Reclamation’s run.  There is the hope that this show will travel which will be an added bonus.  Thanks to Mary Margaret Sparks, Karen Gillenwater, and the staff at the Carnegie Center for their hard work.  I hope you have enjoyed this glimpse into an exhibition from our area.  My next post will be from the Falls of the Ohio!

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The Iron Gill

Posted in Absurd, animal art works, Art, art and environment, creativity, ecosytem, environmental art, Falls of the Ohio, fresh water, nature photography, public art, recycled art, sculpture, unusual collection, watershed, tagged , , , , , , , , , , , , , on November 10, 2012| 10 Comments »

Hello all and welcome to another adventure set at the Falls of the Ohio.  Since my last visit, the Ohio River has risen in response to all the rain that fell in the northern portion of the Ohio Valley and has flowed down river in a southwestern direction.  The fossil beds normally exposed during the summer and early autumn months are now submerged by swiftly flowing water.  Walking this ever shifting shoreline I’m open for whatever presents itself as novel and different.  Turning the corner around a  stand of willow trees I was caught by this unusual sight.

A tree captured barge cable or rope was in a different position from the last time I had noticed it (see this year’s Halloween post).  It is possible that the river rose high enough to dislodge it from its previous resting spot.  I was struck by the way it seemingly is suspended in mid-air with its regular yellow and black intervals contrasting with the unruly roots and branches around it.  Around here, water can both rise and fall quickly.  In the fine silt and mud you can often find interesting patterns that were created by the movement of wind and water.  Here is such an example.

The back and forth rhythm of the river caressing the land are recorded as peaks and valleys in this very fine mud.  I can be “hypnotized” at times by concentrating on this movement which I find soothing.  I’m always interested in the various subtle patterns that water can create on the mud of the riverbank.  It’s akin to trying to “track” water and recognize its footprint as it moves onto the land. I also noticed about a two foot tall, low “wall” of material (mostly wood and dried grasses) along the shoreline that marks this latest high water moment.  And of course, there is always the ever-present mostly plastic junk that also gets swept away and mixes with the natural debris.  I found lots of plastic detergent bottles, bits and pieces from toys including another doll’s head.  Here are images of other finds including an interesting toy ball.

I’m assuming this is a dog toy based on the image of the dog on the ball?  The small knobs are different from the usual balls I find out here.  Now, for a bright blue comb in a design that’s also new to me.  The tiny grains around the comb are seeds from various river grasses.

More ” blueness”  in the form of plastic wheels on a wrecked pull toy.

In the mud, I came across this other type of footprint that I thought was a bit unusual from the norm.  Of course, it’s a sports shoe with cleats on the bottom sticking up from the mud.

And one last found wheel whose radial pattern inspired another image in my ever-growing “Coal Flake” series.

I’ve come to really like making these designs from river-altered coal that I find at the Falls.  I’m under the impression that this coal has fallen or been swept off the immense barges that transport this fuel up and down the river.  I suppose it’s possible that somewhere along the river’s journey the water has cut down through the rock to expose a coal seam somewhere, but I haven’t ever heard of this happening.  The barges seem the likeliest answer.  This particular example has more Asiatic Clam shells used in the design.  These clams are the most common of their kind that I find at the Falls.  Once upon a very recent time a go, the Ohio and Tennessee Valleys were the world’s epicenter for fresh water clams.  By altering the rivers and the water quality in them, many of these amazing creatures have either gone extinct or have become so very rare.  The Asiatic Clam is a non-native animal imported here in the 19th century as a good luck charm and has thrived as has the Zebra Mussel that you may have heard about?  The day was moving on and except for a few Mallard ducks and Canada geese I hadn’t seen much in the way of wildlife.  I decided to end my day by doing a little fishing.  I found a short, recently beaver-chewed willow branch and attached some waste fishing line I found.  I attached a hook and found bobber and into the water it went.

Oh, for bait I caught a small grasshopper and attached it to the hook.  A small found lead weight kept the bait below the water.  Every once in a while I would raise my short pole up and down in a “jigging” motion.  To my immense surprise I caught this very unusual fish!

This fish is called the Iron Gill based on the metallic covers it sports around its gills.  Other distinctive features include bright blue eyes and a small white dorsal fin.  It’s body shape is unique and lends itself to easy filleting…although I wouldn’t normally recommend eating the fish from this part of the river.  Catching this fish here was a surprise because normally this is a deep water fish found in large flowing rivers.

This species was first described to science by Constantine Rafinesque back in 1811.  Rafinesque was a controversial figure and brilliant naturalist.  He had a gift for collecting and recognizing new species, however, in his zest to publish and receive credit for his discoveries he was very sloppy in his methods.  As a result, many of the animals and plants he introduced to science are poorly described and classified which led to much confusion and consternation among the other “scientifics” of the time.  In the end, Rafinesque usually won out because science gives priority to the person who first (no matter how poorly) brings the new creature to the world’s attention.

After this last image, I released the Iron Gill back into the water and rebaited my hook.  Alas, this was the only fish I caught on this day, but it reassured me that my skills in this area were still intact.  For my next post, I want to show you images of a coal-themed exhibition I’m participating in the nearby town of  New Albany, Indiana.  It’s a good show and worth a post.  For now, I would like to close with another image of a found toy I came across on this day.  Have a great weekend out there in the wider world!

 

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Digital Driftwood: Part III, Roots and All

Posted in Art, art and environment, creativity, ecosytem, environmental art, Falls of the Ohio, fresh water, nature photography, Ohio River, watershed, tagged , , , , , , , , , , , on August 19, 2012| 9 Comments »

One last driftwood post before hopefully moving on to the current conditions at the Falls of the Ohio.  As my knee heals, I have been sifting through my own digital photographs.  Sitting at home, I have been spared the relentless heat that has defined our summer.  Artist at Exit 0, however, does miss bearing witness to life along the river and can’t wait to get back!  I thought I would end this driftwood series by looking at wood that is more organically expressive.  As mentioned in a previous post, the river processes a tree by removing its branches into increasingly smaller segments.  With all the broken down wood present at the Falls of the Ohio State Park, it can be a challenge to find a piece that implies movement.  Here are a few larger examples that I find to be especially sculptural.

I come across many unique pieces of wood in the park that feel as satisfying to me as many abstract sculptures made by man.  Walking around a  particularly nice piece of driftwood, I am rewarded with different viewpoints that remind me that the object I am regarding share a common space.  Here’s a different image of the same dramatic driftwood log and the experience in perception changes as you move around the wood.  I notice not only the arc of branches and roots, but the spaces between forms as well.

Here’s another nice piece that I came across this year and it also has many nice sculptural qualities.  I love the “S” curve snake-like motion implied in this driftwood.

When I see a piece of wood this twisted and convoluted I’m reminded that nature is the true sculptor here.  Doing the shaping are water, wind, and the life force of the tree itself whose innate “intention” is to live.

It’s hard for me to imagine that works of art were considered ” superior” to the “corruptness” of nature.  Fortunately, the philosophy of aesthetics is ever-changing, but still could use additional tweaking from what strictly enhances the experiences of our lives to embracing a better appreciation of life in all its forms.  Even when we use ourselves as the egotistical measure of all things we should be starting to understand by now that the quality of our very lives and that of our descendants depends upon the overall quality of the natural environment.

When I’m at the river I try to be as present in the moment as much as I can, however, my mind does day-dream a lot about the relationships between art, man, and nature.  I believe as my friend Ellen Dissanayake has eloquently expressed through her well-researched books that art has survival value otherwise our species would not have spent thousands of years involved in this activity.  My reaction is to try to use my creativity in this special place using the materials I find on hand to try to further this conversation along.  The sculptures I make to tell my little stories are combinations of natural and artificial materials.  The river-eroded Styrofoam I use for my figurative work is usually so static in form that to enliven it requires finding rootlets and branches that the river hasn’t fully removed all sense of gesture and movement.  These pieces become the arms and legs of my characters that help imply animation.  The picture above shows roots I collected while walking over the driftwood that the river did not completely break apart.

It’s interesting how often trees enter the picture.  One nice touch in the opening ceremony of the recently completed London Olympics was the large tree image that brought nature into the festivities.  Key to the life of a tree are the roots that help bring water and nutrients to its tissues.  By growing and burrowing through the soil the root system helps buttress the tree and holds the soil together.  This is especially important on a riverbank.  Since driftwood is essentially deadwood…I didn’t want to wrap up this post on such a dismal note.  At the Falls of the Ohio live many tenacious trees and here are images of a few of them that have weathered many a storm, flood, and the activities of man.

Before the idea of climate change and global warming there was already enough change occurring through the busyness of our species.  I remember looking at satellite imagery of the Amazon region a few years a go and being able to see the tell-tale grid system of logging roads and farms supplanting the jungle.  Deforestation is continuing at an even greater rate now.  Our trees need our love and we need the free services they provide.  Now for one last look at another resilient tree at the Falls of the Ohio.

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Digital Driftwood: Part II, Wood Mix

Posted in Art, art and environment, collections, creativity, ecosytem, Falls of the Ohio, fresh water, nature photography, Ohio River, unusual collection, watershed, tagged , , , , , , , , , , , , , on August 12, 2012| 2 Comments »

Welcome to my second look at wood as expressed at the Falls of the Ohio.  The first post concentrated more on the river and water as an agent of change moving material through the landscape.  This post looks more closely at the driftwood that gets stranded in this southern Indiana park.  I once curated an exhibition at the Louisville Visual Art Association entitled “River Sticks” where all the artworks were made from locally procured driftwood.  The majority of these works of art utilized raw, natural sources, but there is also wood in the mix of a slightly different character.

There is a wooden staircase placed here by the Department of Natural Resources (which maintains this state park) that is a popular access way onto the riverbank and fossil rocks.  It is not unusual during bouts of flooding to see part of this staircase submerged by the Ohio River.  During those moments, all you can do is look from a distance or visit the Interpretive Center.

Over time this staircase has needed frequent repairs as it gets battered by floating logs and tree trunks.  Only after the water has drained away can you walk among the driftwood and see what else made from wood has been left high and dry.

Here’s a dramatic shot of a different staircase that has floated down the river and has been snagged by a willow tree.  Objects stranded in trees bear witness to how high the river rose.

I frequently find wooden pallets and they get snagged in the trees too.  This one is a little different in that it appears the tree is growing through and around this artificial form. Over time, the pallet will fall apart. Perhaps wood is wood, but one can’t help noticing how much milled and processed wood is a part of the mix.  Here are a few other images showing this contrast between natural and man-shaped wood.

Sometimes it seems like there are enough planed boards at the Falls to build a small house. Fishermen and visitors use these planks to span muddy areas and puddles to keep their shoes clean and dry.  All this wood is a disposable resource?  I’ve seen visitors taking lumber out and I’ve done the same.  I like using river-worn cut boards as bases for the Styrofoam sculptures I choose to keep.  To me, even the smallest board tells a story of our relationship to trees and nature.  I tell myself that someday I’ll make some rustic piece of furniture from this wood.  The same processes that break a tree down in the river…do a similar “service” to disposed of wooden furniture.

Here’s a piece of a child’s crib or bed that I found at the river’s edge.

This is one of many table legs and turned pieces I’ve come across.  Sometimes I pick them up and take them home.  I’ve used them on rare occasions in my art, but I have also given many pieces to artist friends to see what they could make of them.  I suppose I could make an homage to  Louise Nevelson’s sculptures, but would prefer to create something more personal.  Nevertheless, I have picked up a few wooden artifacts from the river and here’s how they look collectively.

I left the toes of my shoes sneaking a peak for scale!  Here’s some of the hand-turned and machine-made table legs, chair staves, and spindles I’ve saved.  These artifacts do break down over time and eventually revert back to nature.  Now for a detail.

Here’s a slightly different collection of wooden artifacts I’ve saved over the years.  Some things I recognize and others require pondering to figure them out.

The objects on the right are mostly finials from fence posts.  The circular objects with the holes in them…I’m not sure how those were originally used?  Could they be part of a float system for barge ropes or are they wooden wheels for toys…could they be lids for some kinds of containers?  In this grouping I have also included a small rustic picture frame I found as well as a whittled stick I could tell someone cut and scored and is perhaps the most minimal artifact in my altered wood collection.  I find many board fragments, but I kept one small piece because someone named “Bill” tried routing his name in the wood and drilled a few holes that became bigger as the wood softened and aged from exposure to water.  This piece of wood exhibits several ways we leave our mark on nature.

I also have a sign collection that can be seen in my Pages section.  Most all of them are also made from wood and were once part of this unusual driftwood mix that came from the Ohio River.  I’m thinking of putting my found “Bill” board in that collection because it too is a sign of the times as we lose our ability and desire to write in cursive.  Very few schools in my area even bother to teach this skill anymore.

Not all the driftwood in the river consists of logs, branches, and roots.  Much of my riverblog bears witness to the extent our handiwork pervades the larger environment.  What I see happening in my part of the world I assume is transitioning  simultaneously across the surface of the planet.  We have added our own distinctiveness to the overall material aggregate which challenges our now quaint notions of what is “purely natural”.  I was right when I mentioned in an earlier post that the month of July would find a way to be memorable.  It’s official now, July was our hottest month ever in what is shaping up to be our hottest year ever.  Much of our country is experiencing an intense drought and so I end with a picture of what it looks like when there is too much water.

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Digital Driftwood: Expressions in Wood from the Falls of the Ohio, Part I

Posted in Art, art and environment, ecosytem, Falls of the Ohio, fresh water, nature photography, Ohio River, watershed, tagged , , , , , , , , , , , on August 5, 2012| 7 Comments »

I have been doing some armchair beach combing while my knee recovers and I have selected images to help tell the story of wood at the Falls of the Ohio.  Since this wood was also once alive, it is also the story of trees along the Ohio Valley. When I went through my last three year’s worth of images…I found enough material for a few “wooden posts”.  Hence, this is Part I of what may prove to be a couple of stories.  The Falls of the Ohio is well-known for its driftwood deposits and many people (and some animals when I come to think about it) like to take advantage of this resource.  I have met many a person in pursuit of a select piece of wood.  What folks do with this wood is as variable as the person.  Some people like to use driftwood to enhance garden displays, some are inspired to make art from the found wood, and others may choose to burn this wood during cold winter nights.  I’ve seen Pileated Woodpeckers make short work of decayed tree trunks in their pursuit of carpenter ants and beetle larvae.   And once I found a Mallard duck’s nest inside a hollow log.  I’ve seen many beautiful fungi helping to convert this wood to humus. Driftwood is plentiful in the park and what usually happens is the Ohio River during its high water moods moves the old wood out and lays down a fresh layer that originates up-stream from us.  Sometimes I wonder if the wood I’m seeing is also part of the riverbank eroding in the northeast? These days, riverine ecosystems are under so many pressures. Since the Falls environment is continually being rearranged by nature, no two years are exactly the same and the riverbank is ever-changing.  It is interesting to me to think about these very images as digital driftwood that flows from the rivulet of data coming from my computer and tumbled into the ocean of info that is the internet.

A prolonged rainy system upriver from us or a sudden flash flood caused by short, but intense rain storms causes the Ohio River to rise quickly.  “New” wood flows over the top of the dam and soon mixes with wood already in the park.

Prevailing winds and river currents push the driftwood which can form large rafts and mats against the Indiana side of the Ohio River.  If you notice, there aren’t many trees here with intact branches.  The river breaks each tree down and keeps subdividing it into ever smaller and straighter pieces.  The wood chips in the water are the remains of tree bark that have been ground off by continually rolling against the other tree trunks in the waves.  Of course, there is other detritus much of it man-made also in the water. Eventually the water recedes and strands the wood in interesting formations that are a part of a new and rearranged environment.  Here are a few images made while the river retreats.

Not all the driftwood gets corralled by long logs that organize the smaller ones into neat parallel rows that fill in beach space like pieces to a puzzle.  It’s fascinating to get a sense of the water by how the wood was laid down.  Sometimes there is just so much material that immense mounds are formed by the interlocking wood.  Exploring these mounds can be tricky because the wood is still settling and caution is recommended.  At the moment, there is a sizable amount of driftwood under the railroad bridge which is also closest to the dam.  Here are a few images of all these logs after the water has drained away.

The small creek that flows into the Ohio River gets backed up with logs during high water.  When the water recedes and deposits the wood, it covers the contours of the creek’s banks.  Here are a few more recent images.

In the above image you can see how the trees that line this bank are beginning to be exposed by the river.  I believe there is just so much additional water and energy in play now because of climate change that the days of gentle rains will be fewer and farther between one another.  In our area, many residents have noticed that our storms seem to be fiercer and becoming more event worthy.  The main beneficiary of this are the television weather forecasters who love to hype the weather anyway.  I believe I will end here for now, but will continue later because there is more to say about this driftwood.  To close, I will end with another large and sculptural mound of driftwood.  Have a great week and month everybody!!

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Abstract Rope Fun

Posted in Art, art and environment, creativity, environmental art, Falls of the Ohio, Louisville, Kentucky, nature, public art, recycled art, Styrofoam, watershed, tagged , , , , , , , , , , , , , on June 17, 2012| 5 Comments »

Greetings from a very hot and humid Falls of the Ohio State Park.  The Ohio River is receding into its summer pool and more of the riverbank has been exposed.  Of late, I’ve been running into more rope fragments from commercial barge traffic (or it seems this way).  I don’t  rule out the possibility that my desire to work with these objects in this setting has brought them into my universe and attention.  See the recent post I did about “Play on Earth Day” which also features a rope project.  I’m enjoying what can be done with them to create images.  Here’s two rope investigations I did the other day.

As ropes go…this isn’t the thickest or heaviest rope I’ve found out here.  What is interesting is that most of this rope is still buried under the sand.  There is a point where it enters the ground and remains hidden and fixed to this position.  I started out just coiling the rope…I love working with spirals.  The exposed end of this cable is covered with duct tape.  Next, I pulled the rope straight to see how long it was and to see how it activated the area it was found in.

The terminal end of this rope is buried under the sand.  I used that point to move and pivot the rope to create these other images.  Here are two side views of the straight rope and the scene it underscores.

Next I tried creating a circle by joining the ends together.  The rope was stiff and not easy to shape.

This image makes it appear to be more of an ellipse, but I did my best to try to form as neat a circle as I could.  The area I’m working in is in the eastern section of the park right under the railroad bridge.  The last photo I made using this rope is more of a figure eight and loosely reminds me of a chromosome.

Now for the same rope shape involving the roots of a nearby willow tree.

I came across a second rope on this sweltering day.  My clothes were literally sticking to me.  It occurred to me that I left my water bottle in my car which on this day was not a good move.  I needed to take frequent breaks under the shade of the willow trees to keep from overheating.

This second rope fragment is much thicker than the previous example.  It also appears to be made of a natural material.  Someone else found this rope in some other part of the park and carried it to this location under the bridge where it was abandoned.  I returned a couple of days later and this rope was gone.  I wonder what other project it was destined for? Anyway, here are a few of the images I made with this interesting object.

Next I placed the unraveling end into the river to link it with the riverbank.

Last view with the unraveling end draped over a log.  This is the position I left the rope in before departing for home.  I very nearly took this rope home with me, but it was too big and heavy and the heat of the day took its toll on me.  At the time, I told myself that if this rope was still here the next time I returned that I would collect this object for later use.  Nebulously, I had this idea in my head for another installation project.  Just what I need…more junk!

After playing with this rope, my curiosity was satisfied for the day.  I’m sure I will find other ropes and cables out here as time goes by. I found myself being very envious of this trio of male Mallard ducks!  They seem to have the right idea and so I will end this post with them.  Stay cool everybody!

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Pop-A-Wheelie Collection

Posted in Absurd, Art, collections, creativity, ecosytem, Falls of the Ohio, Louisville, Kentucky, Ohio River, Originality, recycled art, unusual collection, watershed, tagged , , , , , , , , , , , , , on May 26, 2012| 6 Comments »

Frequent visitors to the old Riverblog may have noticed my penchant for posting images of wheels and tires that I find at the Falls of the Ohio.  Far too many automotive tires find their way into the river and many of them wash up here where they comprise omnipresent elements on the shoreline.  In addition to being more physical junk…they have also insinuated themselves into my imagination much as Styrofoam has.

When I see a wheel…I see an abstract portrait of our kind.  Through the cleverness of our minds we have invented such a simple device for first harnessing the power of nature to eventually “mastering” it.  It doesn’t surprise me to read that many experts consider the wheel to be our most important mechanical invention.  If you dispute this think beyond the ox cart and potter’s wheels…try imagining our world without gears, cogs, time pieces, jet engines, and the hard drive of your computer and more.

From what I’ve been able to find out, the wheel has been around for about five thousand years.  The oldest depictions come from Mesopotamia, but other cultures seem to have “simultaneously” invented the wheel too.  A lot depended upon domesticating draft animals to provide the power necessary to move a load.  In the New World…the ancient Olmecs knew of the wheel and used it on pull toys, but since they lacked draft animals their use of this invention was limited.  In more recent times, Industrialization and the harnessing of other energy sources has greatly and forever expanded the role that wheels play in our lives.  We have come a long way since the Neolithic.

Apart from objects, wheels also have other rich associations.  In many cultural contexts…wheels are also potent spiritual metaphors.  The Yin and Yang symbol can be thought of as a wheel.  The flag of India features a wheel which represents Dharma or the law.

The cyclical nature of things has me thinking about the changing of the seasons.  Spring is giving way to summer and it looks like our Memorial Day weekend is shaping up to be a beastly hot one.  Time is flying by.  Although I’m not a fan of auto racing, the annual tradition of the Indianapolis 500 is also set for this weekend.  I couldn’t help noticing that one of the symbols associated with this race track is a tire with wings!

When I go to the river, I bring a canvas collecting bag to store my finds.  I have more than one bag which I usually store on the front porch of my house to await later sorting.  As I have mentioned before…I have a very patient wife who with usual good humor, puts up with my obsessions!  It is this cycle of sorting through the junk that is the inspiration for this post and I had three full bags that had among other objects, toy wheels that have caught my eye.  I knew I had been picking them up of late, but hadn’t realized the collection I had formed until I laid them out.  With the exception of the odd skateboard wheel…my collection comes from toy trucks and vehicles where the heaviest load they have borne has come from the imaginations of children.  I like how they look visually and apart from that…I’m not sure what I will eventually do with them all!  Perhaps I will make some other metaphorical vehicle some day?

 

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White Stuff

Posted in Absurd, art and environment, creativity, environmental art, Falls of the Ohio, nature, nature photography, Ohio River, sculpture, Styrofoam, watershed, tagged , , , , , , , , , , , , , on May 20, 2012| 5 Comments »

I’m back at the Falls of the Ohio and I can always count on finding different conditions or something new in the air…literally.  On this trip the willow trees were sending out their white fluffy seeds from their catkins.  In the low-lying areas in the sand or against some other barrier, the fluff accumulates into drifts like delicate dry snow.  Today the air is filled with this material as the willows express themselves.  I got used to seeing ghostly spots cross my vision.  Here is an image of where the fluff comes from.

At the river’s edge, more white stuff could be found washing ashore.  Unfortunately, this material is not as environmentally friendly as the willow’s product.  In several places I encountered thousands of tiny, soft, white, beads and I instantly recognized the source.

The white object on the right is a river-turned chunk of polystyrene.  Waves pounding the Styrofoam into the teeth of water born logs and the grinding of the Styrofoam into the sand at the river’s edge “sculpts” this material for me.  These mostly biomorphic forms are so hard-won by nature…that I feel a collaborative responsibility to not alter or impose my will upon them so much.  By shaping this material into organic shapes I “feel” the environment is curiously attempting to “humanize” the polystyrene by removing its rough edges.  Besides, I don’t want to free anymore of these white beads into the world if I can help it.  Here is another place I encountered where the freed polystyrene beads have run a muck.

And now, here are a few of the Styrofoam chunks I found this day followed by an image of where I store them until I can make use of them.

In the earliest days of my project, I can recall trying to fill up bags of this stuff for “proper” disposal.  It made me feel good that I was doing something environmentally friendly in the process.  Unfortunately, there is just too much Styrofoam in the world and places that I had picked up just became littered again with the next bout of high water and flooding.  That’s when it occurred to me that I could try to use this as an art making material.  If I could make something compelling enough…others might want to try to exercise their own creativity or help me out by taking the artwork home.  To some degree, I have been successful at this, but there simply is more garbage than people who care about what happens to it. At this point (soon to be nine years later) I’ve found that my own sense of aesthetics has changed greatly.  I’m from the old school that appreciates the narrative of art as it has developed with its various cultures, museums and landmark masterpieces.  Now, I feel that if we can’t develop (and soon) a more real sense of what is life-enhancing (namely the condition of the environment)…those other traditions won’t matter much.  Of course, there are other aspects of the formal art world that irk me as well and to see Edvard Munch’s fourth version of his “Scream” painting set a new world record into the millions of dollars makes me want to scream too.  Money is also a precious resource that should be used for better purposes.  Anyway, diatribe aside, here is my latest “mess-terpiece” for your delectation.  It continues the story from a recent post .  Enter the tire swing.

My little red-capped Styrofigure investigated the tree fort created near my outdoor atelier.  He visited his much larger relative who amazingly enough was still standing although his nose had fallen off!  It doesn’t look like the people who created this fort have returned recently.  Here is a photo from the family album.

After the visit, my newest figure did a little exploration of his own.  He came across a perplexing sight that made him scratch his head.

In a tangle of white fishing line was this image of futility.  How in the world, did this ball of monofilament snag a comb?  This seems the ultimate in entanglement.

Venturing to the water’s edge, my little Styrofigure found another large section of Styrofoam that was now beached.  For me, it was all becoming too much of this stuff on this day and my figure expresses this with a gesture of its arms.  “Why do we need even more of this material…is there nothing better for the intended purpose?”

Meanwhile…back in the river, the story continues.

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Waterfalls

Posted in Absurd, animals, Art, art and environment, birds and birding, creativity, ecosytem, environmental art, nature photography, public art, recycled art, sculpture, Styrofoam, watershed, tagged , , , , , , , , , , , , on May 13, 2012| 11 Comments »

Image

Today I heard the river calling on a spectacular day at the Falls of the Ohio.  Apparently, I was not the only one who heeded this call and the park is already full of people upon my arrival.  I checked out the fossil cliffs and quickly determined that there were too many people at this location for me and I moved on.  Ducking under the trees I moved into the shade, but before I did I stopped to hear an American goldfinch that had taken up residence on a willow branch right above my head. His perch is on the borderline of  sunshine and shadow and he was singing away in his timeless goldfinch way. In appreciation I took in every note as though his song was meant for me.

Under the protection of the forest’s canopy, I came across many other spring birds including a magnificent male Pileated Woodpecker hammering away at the soft wood of a decayed log in his pursuit of wood ants and beetle larvae.  I even came across a turtle…although it’s not the type you typically find out here.  It is, however, a reminder that this bottom land where I’m walking was recently flooded.  This turtle moved into this area with the rising river.  I have a small collection of sand molds and this is my fourth different turtle design I’ve found in the park…into the collecting bag it goes.

Another unusual sight was a plastic five gallon bucket that also floated in with the high water.  Checking it out, I tried to determine whether this bucket was half full or half empty with mud and whether or not this reflected on my general outlook on life?

Eventually, my walk brought me to the creek that marks the western limit of the park’s Woodland Loop Trail.  As I moved to this spot…I was also picking up the bits and pieces that form my latest Styrofoam figure.  I posed my latest creation in a location above the creek where it meanders into the Ohio River.

I like this place because it affords a good view of the Ohio River sweeping westward.  I also enjoy checking out the mud along the creek’s banks because animals leave their tracks here.  This time I could distinguish raccoon, squirrel, heron, and dog tracks.  Because the water running through this creek is also tied to the City of Clarksville’s sewer overflow system…during peak rain storms water comes rushing through the creek.  As a result of these torrents, large boulders and stones that were buried in the mud and soil come to the forefront and help create small cascades and waterfalls.

My little man did what I also like to do which is sitting by a waterfall and losing myself in the sound of running water.  This sound and effect are so peaceful to me that I wonder if it also affects my brain’s waves?  It’s easier to clear my mind with the sound of water as a backdrop and makes me lose my sense of time.  Today, the creek offers up several terraced waterfalls and my Styroman visited them all.  Here he is by waterfall #2.

This dramatic shot depends a lot on the angle which wasn’t as acute.  Now for a couple more views.

One frequent criticism of my project which I embrace is that it is overly romantic and sentimental.  Ironically, these are also qualities I find missing in much contemporary art which seems to rely upon one’s head more than the heart.  I try to involve both feeling centers in my work.  My brand of romanticism comes from trying to evoke some sense of the sublime and respect for nature through all the garbage and habitat destruction that marks our era because this ongoing planetary degradation ultimately affects our own and other species’ chances in the game of life.  Believe it or not.

This is the last waterfall my figure visited and is marked by crisscrossing logs that were deposited here during the last good flood.  I like the composition created by all this interlocking wood.  I hung out here until the light started to  slip below the horizon and I turned for home. My mind felt relaxed and open for nearly anything.  I think this is ultimately what brings me back to the river time after time.  I can forget my daily woes, politics, and the work a day world and for a few hours transport myself to a more real and peaceful place.  I hope all of you out there in the wider world have discovered places that do the same for you.

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