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Archive for the ‘public art’ Category

glass bottleneck against coal gravel, 2013

I wish I could remember the exact written passage where the image of a bottleneck captured my imagination.  Back tracking through my books has not revealed the exact source, however, I do remember that the context came from biology and more specifically the history of life.  Of the five great extinction cycles, the one that closed out the Permian period (roughly 245 million years a go) was the most brutal and efficient.  All those trilobites that had been so successful for so long hit the wall.  At this time the super continent Pangaea existed.  Millions of years of continental drift and the resulting global climate change are the leading hypothetical causes for this extinction.  Regardless, the effect was that the majority of life’s diversity as it existed then and which filled up that particular metaphoric bottle…did not make it through the bottleneck.  Fortunately, some life did survive, but it would take subsequent millions of years for life to evolve and radiate out to regain its former glory.

green glass bottleneck with cap against sand and water, 2013

We like to think that we stand atop life as its ultimate achievement.  We frequently miss the bigger picture of which we are small part and are even oblivious to the effects we have on everything else around us.  The bottleneck effect has been adapted by other systems to illustrate that which is a hindrance or impediment to progress.  The basic idea, however, remains the same.  Whatever is in the bottle is going to get squeezed on its way out that is if the contents do in fact make it out.  In my own blog, I don’t mention U.S. politics much, but lately it is in the news and it’s troublesome. Our seeming inability to govern ourselves…to in effect allow small selfish groups to manufacture bottlenecks strikes me as self-defeating and doesn’t bode well for the future.

two glass bottlenecks on sand, 2013

At the Falls of the Ohio State Park, I literally find bottlenecks all the time.  Unlike their plastic counterpoint, the glass ones don’t break down as much.  There must be something about the material strength of glass that is increased when it is forced into a tube that makes it extra resilient.  Over time, their sharp edges do get worn down and their surfaces become frosted through tumbling in the sand.  Personally, I find glass to be a far more attractive material than plastic.  I’ve come to look at our artifacts in much the same way I might regard a fossil as examples of objects that have been touched by and affected by life.

four different glass bottlenecks, 2013

There’s something about the process of “finding” that is compelling if not compulsive for me.  I try to stay watchful for opportunities, particularly if I come across an image or material that I can apply through my art.  The process of collecting, examining, and comparing is also personally meditative and relaxing.  I started photographing bottlenecks years a go with no goal in mind.  Just more documented stuff among all the other stuff along the riverbank that I come across each time I visit the park.  Looking over my photographs, forgotten images of bottlenecks would catch my eye again.

beer bottleneck with cap on stick, 2013

bottleneck with red cap on stick, 2013

Other than take contextual images, I guess the next thing I did with bottlenecks was to stick them on the ends of branches and sticks.  This allows the light to play through the glass revealing its jewel-like attractiveness.  It might also cause someone else to notice that there is a lot of smashed glass in the park.  Granted, the river floats a lot of bottles in here from upriver, but there is also a lot of drinking that goes on here via the local folks.  Why pack your empties out when you can just throw them on the ground?  One bottleneck on a branch led to more…in fact the whole arc of these now bottleneck projects has trended in the “more” direction.

glass bottlenecks on a willow branch, 2013

glass bottlenecks on driftwood tied to a branch, 2013

I guess this last image is a bottleneck candelabra?  I find many of the bottlenecks I’ve used near stands of willow trees by the water’s edge.  I suppose bottles that float in are snagged in the tree’s exposed root system eventually breaking through contact with floating logs and leaving the shards in place?  People also throw bottles against the trees which has the same effect.  Rarely, do I need to walk very far to find enough glass to create a small project and image.

glass bottlenecks stuck in the mud, 2013

Here’s one project made from bottlenecks collected around one particular willow tree.  I liked the way they looked collectively stuck in the mud and their tubular arrangement reminded me of fossil corals which also references the Falls of the Ohio.  Here’s a few other similar site specific groupings of bottlenecks.

upright glass bottlenecks in dirt with shadows, 2013

glass bottlenecks stuck in the mud at the water's edge, 2013

diverse collection of glass bottlenecks, 2013

detail of arrangement of various glass bottlenecks, 2013

The next couple of images are from my last bottleneck piece.  In addition to lots of waste glass…I also find discarded fishing line, often in the same places.  I brought these two materials together for this ephemeral work.  Recently, I was talking with a good friend of mine and we were remarking about how much of our lives seem mediated by and require reading various kinds of screens.  This last glass project may have something to do with that because the bottlenecks are arranged in a flat, parallel screen hanging from a horizontally growing willow branch.  I wonder if anyone else ever saw this and what they may have thought about it?

various glass bottlenecks suspended on fishing line, 2013

detail, various glass bottlenecks suspended by waste fishing line, 2013

Well there you have it!  I suppose these bottleneck projects will now crop up on occasion like my found coal pieces do as intimate site specific expressions.  For now, it’s enough to present them as images without trying too hard to extract every bit of meaning from them.  Bottlenecks in the broader sense are challenges.  May we always remain open to meeting them.  So long from the Falls of the Ohio.

bottleneck on a stick at sundown, Falls of the Ohio, 2013

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Landscape at the Falls of the Ohio, Sept. 2013

This post is the last of this year’s summer posts and documents a walk I made at the Falls of the Ohio State Park one week before autumn officially began.  As you can see by the pictures…it was a very beautiful day filled with all kinds of discoveries.  There was a profusion of yellow-flowering plants of various species including goldenrod and sunflowers.  Here is a detail, I think from the Woodland Sunflower?  I wish I was as confident about plants as I am in identifying animals.  When I break out my flower books, I realize it would aid identification greatly to have an example on hand.  Collecting plants is not allowed within the park limits…so I try to take photos that might be of use in discerning the various closely related species.  Besides, I don’t think pressing these plants flat would even work?  I ask myself, what leaf shape does it have?  Are the leaves serrated, smooth, or hairy and how many rays do the flower heads have and other such questions of concern to the botanist.

Sunflowers at the Falls, Sept. 2013

I suppose I’m more of an imaginative botanist at heart who also appreciates the beauty and variety the many flowers add to the temporal landscape.  I do, however, stumble upon plants that I wonder if anyone else is noticing?  I’ve posted about these anomalies before and as the seasons change, the parade of these “unnatural plants” and “faux flowers” continues.  Consider these fresh blooms.

The Surprising Poinsettia, Falls of the Ohio, Sept. 2013

I call this one the “Surprising Poinsettia” because it comes shockingly red and completely unexpected.  Its sepals are rather fabric-like and its stem is grafted upon this sunflower by some unknown means.  The next plant is more subtle.

Orangey-tickseed, Sept. 2013

This is “Orangey-tickseed” and at first blush, one might be tempted to pass over it.  I had to do a double-take on this one, however, my instincts told me something was not quite right here.  Indeed the orange-colored flowers are not at all like the yellow plant it is cohabiting with.  Again, the texture is very much like plastic.  One final plant before moving on to other interesting discoveries.

Pink Sand Lily, Falls of the Ohio, Sept. 2013

I found this beautiful flower growing near the river in the sand and I have designated it the “Pink Sand Lily” because I’m not sure what else to call it?  It is for the most part, a low growing plant and the “flower” appears at the terminal end of a wiry green stalk about four inches tall or so.  The flower petals are composed of a string-like fiber while the stamens are hard and have pseudo-pollen on them.  These unusual plants were not my only discoveries on this fine day.  I nearly always find some doll or doll part that the river has washed into here and today was no exception.  I spotted a form in the wood chips and bark bits and went in for a closer look.  Dusting off the form revealed this doll body.

"rubberized" foam doll body, Sept. 2013

This was quite unlike any other doll “body” I’ve found before at the river.  The material was obviously made from a foam-like material, but it had the flexibility of rubber.  Nearby, I also discovered  an unusual serpent.

red, plush toy snake, Sept. 2013

Approximately a foot long, this red plush snake had large black eyes and had just a bit of its tongue sticking out.  This is the first of one of these objects that I have come across .  The river was flowing nearby and I walked over to the edge of the riverbank.  The water level has finally leveled off to more of its seasonal pool and the fossil banks on the Kentucky side were exposed for the first time this year.  Looking along the water’s edge, I came across this Freshwater Drum that an angler caught and released.  Unfortunately, for the fish…it did not survive being captured.  Here is its final portrait.

Freshwater Drum, Falls of the Ohio, Sept. 2013

The Freshwater Drum (Aplodinotus grunniens) is a widespread fish and common in the Ohio River.  It has several molar-like teeth in its mouth that it uses to crush and eat snails and small clams.  The drum is not considered a desirable food species around here.  Here’s another fish I found on this walk that is also inedible.

red plastic fish bottle, Falls of the Ohio, Sept. 2013

The second “fish” I came across was this plastic bottle.  I’m guessing that the bottle may have contained shampoo for children?  Regardless, I was struck by the level of abstraction occurring here.  The tail is minimally represented and the gills are indicated by two lines near the eyes, but there is enough here to suggest a fish.  My next find is mid way between the drum and the plastic bottle being closer to the latter than the former.  Here are two views of it.

The Silvergill, Falls of the Ohio, Sept. 2013

Silvergill, Sept. 2013, Falls of the Ohio

This is a Silvergill which is closely related to the Iron Gill (which I have posted about previously).  Differences between the two species include size (this fish is smaller) and some of the fins are not the same shape or in the same position.  The Silvergill is much more rarely encountered than its larger cousin.  It is found in water of average to poor quality and often associated with coal and coal dust. It is omnivorous and eats aquatic insect larvae and algae which it grazes off of rocks.  I’m assuming that it washed up here a victim (like the Freshwater Drum) of an angler looking to catch something more worthwhile.  I took a few photos and then moved on.  The fossil beds were beckoning and I could see the resident flock of Black Vultures congregating on the rocks.  No doubt they had discovered a fish or two on their own.  Until next time from the Falls of the Ohio.

Fossil beds and Black Vultures at the Falls of the Ohio, Sept. 2013

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riverblog on computer monitor, The Seven Borders, KMAC, Aug. 2013 As promised, here is a post about the “The 7 Borders, Mapping Kentucky’s Regional Identity” exhibition at the Kentucky Museum of Art and Craft in Louisville.  My “Artist at Exit 0 Riverblog” has been a part of this show which opened on June 29 and runs through September 1.  I’m honored to have been asked by KMAC and curator Joey Yates to participate especially since this is the first time my blogging activities have appeared in an art context.  My display in the museum included a few small Styrofoam artifacts, a computer monitor on a table with chairs, a box for handwritten comments, and a label on the wall.  Not quite your typical art offering.  If, however, you think of the computer as a keyhole that you can peer through to a different reality…then you get transported to the world of the Artist at Exit 0 at the Falls of the Ohio State Park.  At your fingertips are over 360 posts and more than 3500 images and my own peculiar blend of fact and fiction.  Many of you who follow this blog have been nice enough to leave recent comments and I wonder if you realized that you were participating in this exhibition too?  At the end of this post, I will add the comments that visitors left for me in the little box so that they can be a part of this exhibition record as well.  For now, I would like to share some other images of the works that are (were) a part of this exhibition. The 7 Borders, installation view, Aug. 2013 Eighteen artists are participating in this exhibition.  A few of the artists either currently live in Kentucky or are originally from here.  The majority of the artists, however, live in the seven contiguous states that border the commonwealth, hence “The 7 Borders”.  In the above image, works by Rashid Johnson are on the wall, while Brian McCutcheon’s whimsically modified cooking grill entitled “Trailer Queen II” rests on the floor. The 7 Borders, gallery view, Aug. 2013 The exhibition is a survey of contemporary works produced in a geographical area that is often hard to define.  At various times, Kentucky has been considered by Americans to be the frontier west, the Midwest, or the most northern of the southern states.  The fact this region has been historically hard to place is attractive to me.  For a professional artist, one downside is that the nearest art market of any size is in Chicago.  Many of the artworks in “The 7 Borders” reference issues born of local conditions and landscapes and gain a certain power by not being made for strictly commercial reasons.  The exhibit’s curator wrote: “Each of the artists represented is witness to varying views of the region focusing on personal history and collective experience.”  In the gallery shot above are paintings by Claire Sherman, a photo series by Guy Mendes, and a unique chest of drawers that looks like a stacked firewood entitled “Facecord” by Mark Moskovitz. "The River" by Andrew Douglas Underwood, The 7 Borders, KMAC, Aug. 2013 This mixed media work is entitled “The River” and the artist is Andrew Douglas Underwood who originally is from Louisville.  Personally, I relate to Underwood’s piece because it weaves together metaphors and history relating to people’s long association with the Ohio River.  This work effectively combines photography, embroidery, and found objects. "Pre-Fab(ulous) Environments", Leticia Bajuyo, at KMAC Leticia Bajuyo’s “Pre-Fab(ulous) Environments” is an installation piece located on the museum’s second floor.  Her multimedia piece with its blue Styrofoam installation house and suburban floor map complete with Happy Meal-styled folding cardboard houses reference contemporary suburban neighborhoods. "Roan Mountain Matrix", Denise Burge, The 7 Borders, KMAC This is an image of “Roan Mountain Matrix” by Denise Burge who lives in Cincinnati, Ohio.  Her large fabric and thread works quote traditional Appalachian quilting while alluding to changes occurring to the land and its people through contemporary processes like mountain top coal removal. "Bog Taan", Joel McDonald, at KMAC, Aug. 2013 Joel McDonald’s “Bog Taan” is a tour-de-force mixed media drawing on 26 sheets of watercolor paper.  This is a large, obsessively detailed work that touches upon the artist’s social views as told through the context of his Germantown neighborhood in Louisville, Kentucky.  McDonald has a deep understanding and appreciation for 20th Century illustration.  You could look at this artwork for a long time and keep finding images within it.

To conclude this post, I would like to include the comments left by gallery visitors upon engaging my blog in the gallery.  Some of the comments are by children who participated in summer camp programs organized by the museum.

BLOG COMMENTS

“Love this – so fun!

I once saw a duck taking a nap on a submerged & upside down shopping cart on the L-ville side of the OR (Ohio River)”

“The Joe Arbor set was sweet. Poignant. – you should do stop action animation.”

“Love the triker! and the deer-Styrobuck! and the spider-and Pip and the fish-”

“It’s beautiful, I love it! – famous artist”

“Looks like garbage to me!”

“Be cooler if it was metal”

“Some really remarkable & moving works!  Really enjoyed 7 borders.”                       Lou Knowles…Forest Hills, New York

“I like it!  Keep up the good work!”

“So Playful!  What a blast.  Thank you.”

“I like it!”

“Very interesting, one man’s trash is another man’s treasure.  Love the blue nose man”

“dirty + whimsical like crawling through a broken greenhouse in the backyard + making toys as a child”  Lilly Ettinger

“Love it!” “???” “Fabulous: fun, imaginative & thought provoking…Thank you”                                     Mary from Wisconsin

“Quirky & original.  Brought a smile to my face”  K. Woodard (art teacher UK)

“I like the very last peice.  I think personally it looks like here is a passage in between the trunk and the roots”

” I agree we did not make enough “to do” about the beginning of manned flight.  I wouldn’t be here enjoying our work without a flight by plane.  Also like your reminder to “follow your dreams”  Kay Gorman (Maryland)

“Love them!  Priddy Cool!”

“This is very suspicious and cool to see what people throw in the river”

“Ummmm!”

“Love the birds…they are alive.”  Adrian (New Zealand)

“It looks like two snowman”

“I think this was awsome”

“Love the recycling, cute and clever.  Loved to take the time to see the whole-plus the blog.- Just a passer-by, Aug. ’13”

“Fab Al – Love where you went with this – Always happy too see your dementia”  Paul and Sandy Sasso………..these folks are old college friends of mine

“They look like Big, Dirty, Marshmallows”

“You are awesome”

THIS WAS THE LAST OF THE COMMENTS LEFT AT THE EXHIBITION.  NEXT TIME…SEE YOU FROM THE RIVER!

 

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the riverbank, cracks in clay, July 2013

I never told you how this story played out and so now is as good a time as any.  A few weeks back, I had posted on how some unknown visitor(s?) had been altering my outdoor studio at the Falls of the Ohio State Park.  For a least two years previously, I had been storing my river found art materials at this site.  People who stumbled upon this spot often mark their presence by changing how I left it in some way.  Folks might rifle through the junk or take or destroy the Styrofoam figures I might leave behind.  I don’t mind this…in fact, I encourage the interaction.  On site, it’s easy to make the connection that all these poor materials I use came from the river.  I still think of my outdoor studio as a shared laboratory for this exercise in creativity.  It’s an acknowledgement that all this junk is out there and that something else positive might come from it.  For several weekends, my latest visitor has been building a wooden driftwood structure over my spot to the point where it usurps my ability to continue working there.  So, I made a few changes that I thought would benefit both of us.  I modified the structure so that I could stand within my site.  I also opened up the space more which I thought also encouraged additions.  I was curious to see how my visitor would react and here are the pictures.

destroyed driftwood structure, July 2013

destroyed driftwood structure, July 2013

destroyed driftwood structure, July 2013

It appears that my “improvements” weren’t appreciated because I arrived one day to find it all laying on the ground.  All the nylon line and strong knots that were holding things together were cut with a knife.  Stuff was scattered and the big polystyrene figure I had left there was destroyed again.  Here’s how I discovered my Styrofoam man.

fallen figure, July 2013

He had been sitting in a fork of a nearby tree.  I think my visitor picked him up and threw him across the site…again!  At this point, I’m feeling pretty bummed out.  I left this figure as I found it.  My visitor also left me some additional trash behind as is his custom and I gathered it together again to create this “portrait”.

trash at my site, July 2013

I thought the “Big Red” with the “Big Blue” was an interesting touch.  In our area, those are the home colors of rival universities.  Another giant Styrofoam cup joined the group and I have my suspicions that the cigar packaging is from the same individual as well?  I think this is what saddens me the most that all this convenient store trash would be walked to this site and simply thrown on the ground.  As much trash that appears here from upriver, I’m shocked by how much park garbage originates from the nearby towns.  And yes, there are trash cans available everywhere.  I sat by my site for a while and pondered the situation.  I wondered why with all the space and driftwood available in the park that this spot became so important to my visitor?  Feeling like this individual more than likely doesn’t play well with others…I decided to walk away from this site for a few weeks or months before returning.  So far, I haven’t been back to my old spot under the willows.

two fishermen, July 2013

The day felt shot, but I didn’t want to leave things that way and so I went for an extra long walk.  After all, I have the rest of the park to potentially explore.! Along the way, I spotted these two guys attempting to fish by the wall of the dam.  They didn’t appear to be having any luck and so I left them with these fishy images by the side of a trail they would pass by.

coal fish, July 2013

coal fish, July 2013

coal fish, July 2013

I used river smoothed coal I gathered on site and improvised these three fish on the sand.  Peppering the silica granules black is coal dust.  The white dots are pulverized mussel shells.

three coal fish on the sand, Falls of the Ohio, July 2013

Thus far, it has been an atypical and sometimes unsettling summer at the Falls of the Ohio.  All the early season rains and subsequent high water have disrupted the usually hot, humid, and lazy routine found here during this time of year.  In an odd way, it doesn’t feel like summer has truly arrived for us yet.  We have a few more months for this to happen before the leaves start turning colors.  To close, here is one more coal-fish image in a slightly larger context.  Have a great weekend!

coal fish in context at the Falls of the Ohio, July 2013

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Muddy Ohio River at the Falls of the Ohio

The Ohio River has remained high and muddy the last couple of weeks.  It’s summer, past mid July when we usually find the river retreated to its summer pool.  This approaches the time when the fossil beds on the Kentucky side of the river would be exposed.  The little bit of flooding that occurred has displaced more than random logs and debris.  I was investigating the riverbank under the railroad bridge and came across an interesting mix of ducks.

domestic and wild ducks at the Falls of the Ohio, July 2013

Joining the wild, female Mallards with their iridescent blue-violet speculum on their wings was a small group of domesticated ducks.  More than likely the river overwhelmed a farm pond somewhere which was the opportunity the domesticated ducks needed to swim away and explore the larger world.

Domestic ducks, July 2013

They landed at the Falls of the Ohio and are sharing a vacation together.  White and piebald (a mix of black and white) are the colors of domestication.  These farm ducks are also much larger than their wilder cousins.

two resting female Mallard ducks, July 2013

female Mallard duck, July 2013

female Mallard duck grooming, July 2013, Falls of the Ohio

The Mallard duck (Anas platyrhynchos) is our most common species of duck and can be found at the Falls throughout the year.  I once stumbled upon a Mallard nest that was built inside a hollow log.  When the mother-to-be flushed out of the log, the surprise took a few years off my lifespan!   They are members of the duck family known as “dabblers”.  Mallards hang out near the zone where water and land meet.  They have specialized bills for feeding in shallow water.  Mallards prefer small grass and sedge seeds for food, but will also strain the water and mud for small organisms.  I have come across other ducks at the Falls of the Ohio that are hybrids of Mallards and domesticated ducks.  Many duck species must be closely related to one another because other inter-species hybrids have been documented.

Blue-ringed dabbler, Falls of the Ohio, July 2013

Head of Blue-ringed dabbler, July 2013

I have also recently photographed an unusual duck for the Falls of the Ohio.  On a recent foray to the river I came across this Blue-ringed Dabbler ( Anas azurcephalos) plying its trade at the water’s edge.  This diminutive duck is native to the western part of North America and rarely strays east of the Mississippi River.  Perhaps it found its way here because of the recent storms that have tracked west to east across the country?  Domesticated ducks are not the only birds affected by severe weather.

Blue-ringed Dabbler at the Falls of the Ohio, July 2013

The Blue-ringed Dabbler is an unusual duck in that it nests in trees or more specifically, in the holes created and abandoned by larger woodpeckers.  This formerly rare duck is now on the increase because conservationists have taken advantage of this breeding preference by setting out nest boxes which the Blue-ringed Dabbler will accept.  A similar program helped the colorful Wood Duck to recoup its former population numbers.

Blue-ringed Dabbler, Falls of the Ohio, July 2013

This is a female Blue-ringed Dabbler identified by its browner coloration and lack of iridescent color on the wings.  The dabbler regarded me for a while before swimming off to a deeper part of the river where I lost track of it.  I returned the next day to see if I could find this duck again, but it was gone.  I get a big kick out of recording bird species that are not a part of the official bird checklist distributed by the Falls of the Ohio State Park.  I love bringing these rarities to the attention of hard-core birders who will only accept as evidence good photographic proof or multiple sightings recorded by multiple birders.  They can be a suspicious lot and highly competitive.  Often bird watchers present themselves as being more interested in what number a particular bird represents on a life list than in the bird itself which seems to me to miss the whole point of watching birds.

domestic ducks with dead catfish, July 2013

Although I never saw the Blue-ringed Dabbler again, I did however, locate a couple of the domesticated ducks I had seen the previous week.  They were investigating the waterline in a particularly muddy area.  I was shocked to discover the dead fish in the foreground upon downloading my images.  I certainly don’t remember seeing this when I snapped this picture.   I doubt these ducks will ever find their way to the farm again, but for now…they seem content.  I’ll end today’s post with one other image of the Blue-ringed Dabbler that I came across on the internet.  It shows a bird in the hand of a conservationist.  So long for now!

Blue-ringed Dabbler in hand, Falls of the Ohio, July 2013

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Falls black styrofigure, July 2013

With the sun spotlighting this little patch of sand…my newest Styro-figure proudly stood upright.  He’s the first persona created in the reconfigured studio.  I found a rare piece of “black Styrofoam” on today’s walk.  It’s part of what passes for car bumpers these days.  This material has a rubberized compound mixed throughout the foam which makes it harder to cut or pierce.

Leaving home, July 2013

After making new friends it’s time to venture out into the world.  The leafy green complete with bird song is complimented by the creaky willows that sway with the occasional breeze.  There is another sound, however, that your feet are hearing and you walk in the direction of its source.

Black Styro-figure by the river, July 2013

The mighty Ohio River has been running muddy for more that a week now.  Although it’s hot and humid today, thus far, this summer has been wetter and cooler than average.  As a result of all the rain, the river has been higher than usual.  What I like about the Falls of the Ohio is that in such a relatively intimate space the park can take on all kinds of different looks depending on the weather and season.  Small waves break upon the heightened shoreline and there is a family nearby fishing and playing by the river.

Family fishing for catfish, Falls of the Ohio, July 2013

Seeing that they were having some luck catching fish, I gestured if it was all right to take their pictures.  The family didn’t speak English and I’m guessing that they are recent immigrants from Southeast Asia?  Regardless, both adults and children were having a ball in the river.  I wondered if they came from someplace like this since they seemed so comfortable and natural by the water? After receiving the okay signal I recorded these images of people interacting with the river.

little boy, Falls of the Ohio, July 2013

This little guy was cute and really determined that I should take his picture in what I’m assuming is a martial arts pose?  I obliged him several times and this was my personal favorite snapshot of the group.  Looking through my riverblog…I’m struck by how often children appear and interact with my artistic process.  First, my own two sons would accompany me and now it’s the kids in the park on any given day.

Man with Flathead Catfish, Falls of the Ohio, July 2013

Flathead catfish, Falls of the Ohio, July 2013

I watched this fish being landed and it’s a decent sized Flathead catfish, (Pylodictus olivaris).  This fish probably weighed in the ten to twelve pound range, but this catfish can get as large as a hundred pounds.  It is a fish of big rivers.  A very simple rig was used to catch this fish.  Four slipshot lead weights were clamped onto the line about eight inches away from the hook.  A single nightcrawler worm was used for bait which was cast about 25 yards from the riverbank.  The fishermen would wade in about knee-high to waist deep to increase casting length.  I was amazed that with the current and all the potential underwater obstructions that their lines didn’t get snagged more often than they did.

Catfish stringer, Falls of the Ohio, July 2013

This was the stringer of catfish they were working on.  In addition to the Flatheads…another big river fish the Blue catfish (Ictalurus furcatus) was also being caught.

catfish stringer, Falls of the Ohio, July 2013

The Blue catfish is a slatey-gray color and has a forked tail.  The two fish on the lower right in the above image are blues.  The flatheads are more of a mottled olive color and have very different fins.  Both are omnivorous and will eat most anything that they can catch.

Man and catfish, Falls of the Ohio, July 2013

All the fish on the stringer will be used to feed this family.  It is still not recommended that people eat the larger fish (especially bottom dwelling species) from the Ohio River. The river is much cleaner than it used to be, however, toxins do build up in the fat tissues of the fish that live the longest and grow to be big.  Every once in a while, making a meal of some of the smaller fish should be okay.  Because I was needed elsewhere today…I let my day at the river draw to an end.  Good thing too…because if you stand too long in the same spot at the water’s edge…you chance sinking down too far!  See you soon.

Styro-figure in black, waist deep in wet sand, July 2013

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soft drink waste, Falls of the Ohio, July 2013

When last we visited the Falls of the Ohio the river was rising.  Several days of intense rainfall throughout the Ohio Valley are now flowing by and coloring the water a muddy ocher. My outdoor site where I make my polystyrene figures and store materials is being usurped by twin forces.  It’s difficult gauging the intentions of this visitor or visitors, however, I also continue finding their waste soft drink cups and bottles.  What’s with the blue drinks?  I guess the color blue is also your symbol for cool refreshment.  If I am to continuing working here, I will need to change the driftwood structure erected over my site.  I was  secretly hoping that the river would solve this dilemma for me.  If the water rose high enough, it would move the largest beached logs which would effect everything near them.  That didn’t happen.  The river fell short of my spot and a visible line demarcating brown wet wood from bleached, silver-gray wood marks the high waterline.

My site with evolving structure, Falls of the Ohio, July 2013

The structure the visitors are building is enclosing the space.  As it is, it’s difficult now to stand on the center sand, especially since a growing pit is developing.  My collected river materials continue to be strewn about.  I initially liked that someone else was seeing the potential of this site and adding their distinctiveness to the mix.  Now I’m seeing less intent here and and I’m going to make the next move and see what happens?  First, I will need to find and repair the large Styro-figure I left here sitting on the roof.  He’s a participant/witness to all the proceeding events.

My mustachioed Styro-friend, Falls of the Ohio, July 2013

Again he looks like he was cast aside.  I find everything except his mouth and replace it with some other river plastic I picked up.  I reattach his arms and legs and he’s as good as new again.  Well almost, the excitement with the visitors and the unpredictable nature of the river have dinged his persona.  He never said much before and he says even less now.  How unfortunate.  I park him in a nearby try to keep him safe.

Figure in a tree, July 2013

I’ve seen this before and call it “Styro-shock” or “polystyrene demensia”.  Imagine willing your body into a stasis where you have no awareness at all and you will begin to know what it means to be Styrofoam.  He might come out of it on his own…who knows?  I turned my attention back to the wooden structure to see what I could do to affect the space in a positive way.  I’m not interested in getting into some escalating contest of wills with someone.  While I figured out what to do…my silent friend continued to sit tight.

Changing the wooden structure, July 2013

I stripped off the wood to expose the frame.  Next, I flipped a few of the cross braces over which opened the center of the space back up.  I created a small doorway by cutting away some excess wood with my saw on my Swiss Army knife.  That has come in handy more than once.

remodeled driftwood structure on site, July 2013

Using the wood already collected, I made a small lean-to for a shelter and a wall of upright sticks to enclose the space on one end and create more visual interest.  The maple tree on site separates one area from another.  There’s plenty more that can be done, but I decide to stop here and see if anything happens while I’m away.  The site now does a better job of corralling any wayward Styrofoam and has further called attention to the studio site as a performance space.  As the day progressed which was sunny and cooler than usual…the sun shone just right to highlight the interior of my studio under the willows and filled it with energy.

remodeled studio with sun shining in. July 2013

It was a long and busy day by the muddy river.  I have lots of other interesting pictures to show you, but they are worthy of separate posts which will happen soon.  For now, I’ll end with a backward glance of my studio under the willows as I walked towards home.

View departing the willow studio, July 2013

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Rising Ohio River at the Falls of the Ohio, July 2013

High water at the Falls of the Ohio, July 2013

We have had (along with the eastern half of the country) a lot of rain recently.  When it has precipitated, it hasn’t been gentle rains, but rather torrential, monsoon-like downpours.  Consequently, everything is saturated and the Ohio River has quickly risen to engulf the riverbanks that are normally wide and clear this time of year.  I took a chance between rain showers to see if I could access my site for a few hours.  Maneuvering through the underbrush I was able to investigate the river’s edge that was slowly but surely creeping inland.  As a gauge to how high the river has risen, in the above photos…you should be able to walk out to those willow trees that are now in the middle of the river.  I watched columns of ants marching for higher ground.  The river’s edge attracts animals, particularly birds, that are hunting insects being driven by the advancing water.  I’m here doing a similar thing…except I’m looking for interesting junk that has floated in with the driftwood.  I always find something and here are a few recent images of this river treasure.

small, red plastic, bell pepper, July 2013

This is a plastic bell pepper to add to my ever growing collection of faux food.  This collection has grown considerably since I last photographed it in its entirety.  I’ve added several fast food items and I now can boast owning  several plastic hamburgers and hotdogs to accompany the fruits and vegetables.

green toy character head sticking out its tongue, July 2013

I don’t recognize this character’s head, but I responded to the tongue sticking out!  It was this discovery that caused me to go on a tangent.  I decided that in the relatively restricted area I was investigating that I was going to collect all the different green plastic items the river was delivering to me.  This is what I came up with.

green plastic junk, July 2013

I was amazed at the collection I was able to put together in less than an hour’s time.  Each item is unique…even the green plastic bottles which are different sizes, designs, and have different colored bottle caps.  Among my other finds include green discarded fishing line, a green “Lincoln log”, a lost lip balm cylinder, a hair curler, a circular green plastic “smokeless” tobacco “tin”, a flip flop, etc…

"Homage to Green", July 2013

I then took my 21 green artificial objects and arranged them in a line on an interesting wooden object I found that looked very alter-like.  This is a very different expression of what it is to be “green” and the plants behind these objects concur.  It was now time to visit my site and see if anything had happened there and perhaps to make something new.

expanded structure at my site, July 2013

I had that “oh no” feeling upon arriving.  There were several changes since my last visit.  Whomever is building this structure appears to be trying to construct a roof over my spot.  Most of the materials that I have gathered over the months were just thrown out and around the site.  There is no way for me to work here now in its present configuration.  I wonder if the rain prevented the “work” from being completed?  And then it dawned on me…where is the figure I left here?  I found him a short distance away.

big Styrofoam figure face down, July 2013

This is how I found him disarticulated and face down.  It appears that he was just lifted up and thrown aside.  I knew if I was to learn what had happened that I would need to reconstruct him.  It took me a bit of time to find his various parts, but I ultimately was successful and set him up on the “roof” in a sitting position.

Large Styro-figure head, July 2013

Large seated Styro-figure, July 2013

I said…”Dude, what happened here and to you?”  My friend was quite excitable in retelling the tale.  He said a couple of people came by a day or so after I was last here and just started ransacking the place.  The last thing he remembers was flying through the air and then blackness.  He at least confirmed my suspicions that more than one person was involved.  Here is the evidence I used to draw that conclusion.

giant polystyrene drink cups and bottle, July 2013

The last time I was here I noted a giant polystyrene cup lying in the sand just outside my space.  Upon returning, I picked up these additional cups and the blue bottle that were casually thrown on the ground and photographed them on a nearby log.   I’m deducing that these people live in the area since they sell these mega drinks at a nearby gas station.  Now as much as I’m torqued about being evicted from my spot…finding these added cups here makes me mad!  There is already enough junk in the river without bringing more and leaving it here!  It seems the height of disrespect and irresponsibility and my remade figure concurred.

Excited Styro-figure with arms spread wide, July 2013

My friend was growing excited with the thought of his recent tormentors returning to the scene of the crime.  He asked me what I was going to do about this and I have to admit it’s a dilemma for me.  Generally, I appreciate it when people interact with my art, however, there is little evidence that there are respectful spirits at play here.  I decided that if the river kept rising (and at this point it was about twenty meters away) that matters would become moot.  The water would rearrange the context here and I would simply begin again.  If, however, the river doesn’t reclaim this spot…I promised my figure that I would reassert my will.  I might do a little engineering of my own and see how I might modify the structure to suit my needs.  If you were me…what would you do?  I told my mustachioed figure to sit tight and that I would return the following weekend if the river would allow it.  To be continued…?

My figure at my site, July 2013

The rising Ohio River, July 2013

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Joe Arbor at the river's edge, Falls of the Ohio, July 2013

Everybody has a different tipping point where enough is finally enough and action is called for.  This was the case with Joe Arbor.  For many years, Joe Arbor walked the river’s edge paying attention to what the Earth was telling him from the signals that washed ashore.  Yes, this is a nonverbal language, but the Earth is eloquent in this way.  On this particular day, Joe Arbor noticed that there was a lot of wood everywhere and while it was picturesque…it was also disturbing.  Joe Arbor realized that all the wood he was seeing represented trees in the past tense.

driftwood at the Falls, June 2013

Joe Arbor knew of other places where the Earth via the river had left a record of lost trees particularly at the Falls of the Ohio.  In the hot bleaching sun the various logs and limbs piled on top of one another reminded him of bones.  Joe Arbor would walk among these elephant’s graveyards of trees and felt ill at ease.  These trees represented a huge loss in terms of the free services they provided.  Here was food and shelter for a multitude of other life forms.  Here was the air we breathe and the cooling shade of summer and potential warmth in winter.  Here was lost inspiration!  Since Joe Arbor also made his home next to the river, he also knew that tree roots also held the riverbank in place.  Over the past several years it had not escaped Joe Arbor’s notice that at this location,  it rained more and harder and trees were being swept away.  Joe Arbor was no scientist or genius, but could recognize that life seemed out of balance and it worried him.  What could be done?  Joe Arbor went home and decided to sleep on the question.

Joe Arbor and Pip hatch up a plan, Falls of the Ohio, July 2013

Joe Arbor makes his home at the base of an old willow tree.  It took several nights of sleeping on the question before the beginnings of an answer started to form in his mind.  When the solution came to him, Joe Arbor decided that he needed some help or company and he called his good friend Pip.  Pip is short for Pipistrel which is a name given to several species of bats.  One fine morning, the pair got up early and gathered some tools and provisions together and ventured forth to the river’s edge.  If the Earth was losing her balance due to tree loss…it made sense to Joe Arbor that getting involved with planting and saving more trees could be a good thing to do.

eastern cottonwood tree leaves and capsules, June 2013

eastern cottonwood leaves and seeds, July 2013

Joe Arbor decided he wanted to try to do something to help the Eastern Cottonwoods that grew along the Falls of the Ohio.  These cottonwoods are magnificent, fast growing trees and reach great heights.  They produce unusual capsule-shaped fruits and when conditions are right, these capsules burst open releasing tiny, fluffy seeds that drift through the air like dry snow and move with the slightest breeze.  Joe Arbor also knew from experience that many more of these seeds germinate than reach maturity.  At the Falls, those seeds that sprout nearest the river eventually are destroyed by the river during flooding.  They simply get washed away or crushed by logs rolling in the waves.  Joe Arbor decided to perform an experiment to see if he could successfully transplant a cottonwood tree to a safer location?

selecting a cottonwood seedling, July 2013

First Joe Arbor and Pip selected a little cottonwood growing in the sand.  They next held hands and said a few kind words and explained to the tree what they were about to do and why.  In this way, they hoped to obtain the tree’s blessing.  Together, they carefully dug around the sand to uncover as much of the tree’s roots as they could.  Bagging up the little tree roots and all the paired moved on to a different location.

Canada geese at the Falls, July 2013

All the while Joe Arbor and Pip were working, a small flock of Canada Geese were standing nearby and acted as guards and witnesses.  Because the geese also live near the river they are also privy to the Earth’s nonverbal language and understood what was at stake here.  Their presence added a bit of solemnity to the event.

Joe Arbor and Pip with cottonwood tree, July 2013

Joe Arbor and Pip with cottonwood tree and tools, July 2013

With their valuable charge in a bag, the pair moved on to a pre-selected location they hoped would be favorable to the cottonwood tree.  Cottonwood trees do best when they are close (but not too close) to the water.  As they walked, Joe Arbor whistled an improvised melody partly out of nervousness and the excitement of the moment.  As is his norm…Pip remained quiet.

Young cottonwood in the ground, July 2013

A large enough hole was dug in the new location to accommodate all the young cottonwood’s roots.  Sand and soil were shoveled lovingly around the tree.

Joe Arbor and Pip plant the tree, July 2013

After the tree was safely in the hole, Joe Arbor said a few words while Pip watered the transplant.  It was hoped that the chosen location was the right distance from the river and that the young tree would grab a toe-hold here and prosper.  Time will tell.  The day still had one more nice surprise and it came from Pip.  Joe Arbor didn’t know why he didn’t pay attention to this before, but Pip was wearing a circular, black, plastic box on a cord hung around his neck.  This circular box was the container that smokeless tobacco is sold in.  Many of these boxes routinely wash up at the Falls of the Ohio.  Anyway, Pip opened up the container revealing its contents and this is what Joe Arbor saw.

snuff box with mulberries, July 2013

Wrapped in mulberry leaves were four ripening mulberries.  This is another tree that grows at the Falls of the Ohio and provides food for many birds and animals.  The berries are sweet and juicy when ripe and some people find them tasty too.  The leaves are interesting and come in different shapes with serrated edges.

Pip holding a mulberry, July 2013

Pip (who says very little) had his own tree planting experiment in mind and Joe Arbor got the idea.  Moving to a different location, a new hole was dug in the rich soil and a berry was placed in that hole.

Pip and Joe Arbor plant mulberries, Falls of the Ohio, July 2013

The process was repeated until all the berries were planted.  Pip was curious to see if he could start a mulberry tree in this way or whether the seeds needed to travel through the gut of a bird or some other animal first?  Again, time will tell.  Satisfied that at least for today, the duo had done some good for the Earth, the pair picked up their gear and headed home together.

Pip and Joe Arbor go home, July 2013

This little story is dedicated to an artist friend of mine I have never met.  She has a vision of creating a tree art project around the world and if you are interested in learning more about it and perhaps participating…here is a link  to a post she wrote about it:  http://rooszwart.wordpress.com/2013/05/29/the-bridge-land-art-forest/

Pip and Joe Arbor after planting trees together, July 2013

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Wet studio under the willows, Falls of the Ohio, early June 2013

If you are reading this post between June 28 through September 1, 2013 then you are also participating in an art exhibition.  You may ask…how is that possible?  Well, sitting on a white table within a gallery of the Kentucky Museum of Art and Craft in Louisville is a desktop computer.  On that computer, my “Artist at Exit o Riverblog” is on display in a group show entitled “The Seven Borders” which is curated by Joey Yates.  The exhibition features contemporary artists who either live in Kentucky or in the seven contiguous states that border the commonwealth. I will try to post more about this exhibit over the show’s run.  I’m delighted by this invitation because this is the first time my blog has been featured as art in an art context.  I’ve always thought this was a possibility for this blog because my art comes together here in terms of the objects I make, the pictures I take, and the words I string together to tell stories or just describe the beauty of nature.

 Of course, the dialogue created by people’s comments is a part of that too.  With hope, people will additionally feel they can participate by leaving a comment, however, online you will need to be a WordPress member or a blogger with an Open ID credential.  This is easy and free to do.  If, however, you would prefer to write a note on paper while in the museum and give it to the front desk attendant…I would be glad to include those comments in this project as well. 

 It’s been a busy and engaging June with projects at the river, a family trip to Washington D.C. etc… I had planned a different post for today, but after yesterday’s experiences at the river…I thought I would go out of sequence.   Besides, with art, it is quite often the case that progress or forward movement is not linear, but jumps all over the place.  Let’s begin again with the first image of this post…this was my outdoor studio under the willow trees at the Falls of the  Ohio in early June.  

I have used this spot to cache river found materials and to make my sculptures and this has been a handy base of operations for a couple of years now.  This spot has weathered a few near miss floods that could have washed everything away again, but has stayed remarkably intact.  Well…there were a few recent changes which form the true subject of this post and here are the pictures.

Improved outdoor studio space, June 2013

Improved outdoor studio space, Falls, June 2013

Improved studio area, Falls, June 2013

It was an already dramatic day in terms of the weather.  Bright sunshine alternated between heavy, dark clouds dumping rain showers along the way.  The clarity of the air and the mosquitoes were noteworthy.  I did get soaked on this adventure, but as long as the camera stays dry…I’m alright with it all.  Imagine my surprise upon arriving at my site to find that someone anonymously had built a structure around it!  I’m used to folks going through the junk I’ve scavenged and taking or destroying whatever creations I may have left behind, but this is a first!  A great deal of care was used in working with the existing site by utilizing the surrounding trees and logs as posts and beams.  I wonder if this is also the work of more than one person?  This is more than a flimsy lean-to where the wood is simply stacked.  Some craftsmanship is evident from the knots used to hold the structure together.  It might take more than one person to steady things as another does the tying?  Again, more pictures to illustrate the story.

knots used to hold structure together, June 2013

knots used on wood structure, June 2013

knots and wood, June 2013

The yellow nylon line is something I had found previously and used to create the giant spider’s web featured in an earlier post.  This structure has a chance to stay up for awhile…at least until someone else messes with it or the river rises again.  I was absorbed with the changes and reflecting on how often I have looked at this site from an archeological perspective.  It might even be fun to draw all this stuff in a scientific sort of way.  Because it had rained while I was looking around, the damp ground muffled the approaching sounds of my second big surprise of the day!

Figure with large head, June 2013

I turned and looked over my shoulder as this large presence stepped over the logs and entered the studio area.  He sat right down and asked, “Are you the guy that makes the Styrofoam sculptures?”

Big Figure with Pencil-thin mustache, Falls, June 2013

Big figure with pencil-thin mustache, June 2013

Whoa!…(I said to myself),…check out this dude with the huge head, miss-matched eyes, and pencil-thin mustache.  No doubt about it…I was a bit taken aback!  Regaining my composure, I replied that indeed I was that person and added that many of those creations were made in this very spot.  Without every telling me his name, he replied “I thought so…I’ve been an admirer of your work for a long time now.”  Knowing he was a fan set me at ease and we had a nice visit together.

Big Figure with pencil thin mustache, Falls, June 2013

Portrait of the Figure with the Big Head and Pencil-thin Mustache, Falls, June 2013

“So, how do you like it?”  Spreading his spindly arms around my studio,  I gathered that he was the architect of these recent improvements.  I told my mustachioed friend that I just love it when people play along and contribute to my Falls of the Ohio project!  I could see this clearly delighted him.  He asked if there were any suggestions for improvements and I replied that I had a few ideas.  To begin with, it is now much more difficult to move within the space.  I whacked my head a few times on wooden supports.  If the structure were higher…that wouldn’t be an issue and I also wouldn’t turn into a hunchback any sooner than I have to.  I also added that I missed having the big log to use as an impromptu work surface.  When I stood, it was just the right height.  Now, it is covered up with stacked wood.  I could see from his expression that this was probably enough in suggestions for this time.  I didn’t tell him that I needed to create new seating because the plank I liked using had been damaged.  That’s no big deal.  With the clouds ahead promising more rain, I gathered my camera, collecting bag, and walking stick and bid my new friend so long…for now.  Perhaps we’ll meet again?  Looking back, I saw the big guy sitting in my customary spot.  As I walked over the driftwood and sand, I wondered if my next visit to this site would harbor any more surprises?

The Big Guy with Pencil-thin Mustache at the studio, Falls of the Ohio, June 2013

 

 

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